DBI::db=HASH(0x21ba8e4) DBI::db=HASH(0x21ba8e4) DBI::db=HASH(0x21ba8e4) Audition 4K (1999*/**)/Crack-Up (1946/RKO/Warner Archive Blu-ray)/Jackie Chan's Breakout Hits 4K (1994 - 1998/Warner*/**)
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Category:    Home > Reviews > Horror > Mystery > Slasher > Japan > Noir > Crime > Martial Arts > Comedy > Hong Kong > Audition 4K (1999*/**)/Crack-Up (1946/RKO/Warner Archive Blu-ray)/Jackie Chan's Breakout Hits 4K (1994 - 1998/Warner*/**)

Audition 4K (1999*/**)/Crack-Up (1946/RKO/Warner Archive Blu-ray)/Jackie Chan's Breakout Hits 4K (1994 - 1998/Warner*/**)/Mortal Kombat Kollection 4K (1995 - 1997/Warner*/**all Arrow 4K Ultra HD Blu-ray)/Slime People/Crawling Hand (1963/VCI Blu-ray/*all MVD)



4K Ultra HD Picture: B+/B+/B Picture: X/B/X/X/B Sound: B-/C+/C+/B/B Extras: C+/C-/C+/C/C+ Main Programs: C/B/C/C-/C+



PLEASE NOTE: The Crack-Up Blu-ray is now only available from Warner Bros. through their Warner Archive series and can be ordered from the link below.



Here's a new group of thrillers, all with impressive upgrades...



Takashi Miike's Audition 4K (1999) has been upgraded from its already impressive Blu-ray edition from Arrow, by Arrow and you can read about that set at this link:


https://fulvuedrive-in.com/review/15414/Audition+(1999/MVD/Arrow+Blu-ray)/Haunted+Hospital


I think the film has its moments, but it did not work as well for me as it did for my two fellow writers. Still, I like some of the shots and its worth a look, especially in 4K now, for what does work.


That also includes a review of the Blu-ray/DVD edition that was not the best performer in either format and did not have as many extras. This new edition has more and slightly different extras than the Arrow Blu-ray set and includes an older introduction by director Takashi Miike

  • Audio commentary by director Takashi Miike and screenwriter Daisuke Tengan

  • Audio commentary by Miike biographer Tom Mes

  • Callback, a brand new interview with actor Ryo Ishibashi

  • Ties that Bind, an interview with director Takashi Miike

  • Damaged Romance, an appreciation by Japanese cinema historian Tony Rayns

  • Archive interviews with stars Ryo Ishibashi, Eihi Shiina, Renji Ishibashi and Ren Osugi

  • Deeper Deeper Into Audition, an audio essay by author and critic Alexandra Heller-Nicholas

  • Trailers

  • Image gallery

  • Collectors' booklet featuring new writing on the film by Anton Bitel, Jennie Kermode and Jamie Graham

  • and a reversible sleeve featuring newly commissioned artwork by Dark Inker - Sampson and original UK artwork by Graham Humphreys.


For more on Miike, try our coverage of this trilogy of his films also issued by Arrow:


https://fulvuedrive-in.com/review/14729/Black+Society+Trilogy+(1995+-+1999/Takashi+Miike/



Irving Reis' Crack-Up (1946) is by far the oldest film release here, but this Film Noir Mystery is also the most effective, holds up shockingly well and is underrated at that. Pat O'Brien plays an art critic who has somehow managed to survive a train wreck, but he gets fired from his NYC art museum job at the same time he is told there was no train wreck!


A young woman (Claire Trevor) wants to help him, but can he trust her? Some paintings are also involved and it turns out, maybe much more. This may run a tight 86 minutes, but it builds and builds and builds as we get some nice twists and turns and a few amusing moments you might not expect. Showing the RKO Studios at their best, it gets a solid supporting cast including Herbert Marshall, Wallace Ford, Ray Collins, Dean Harens, Erskine Sanford, Damian O'Flynn and Mary Ware.


We won't say anything else to ruin this gem, but it is the kind of Noir Mystery fans cannot get enough of and its great Warner Archive did such a great restoration on this one.


Extras include a Crime Does Not Pay live action short Purity Squad and an Original Theatrical Trailer.



The new Jackie Chan's Breakout Hits 4K (1994-1998) collects six of his films in a 10-disc set (!!!!!) that helped him arrive as a full-blown star in the U.S. market as he continued to be a international action icon. Though I am not as big a fan of these films or him, I caught up with his films prior to these and can see why he was such a big deal. Still, these look better than you would think and we have reviewed some of them before. They include:


Drunken Master II (1994)

Twilight Time Limited Edition Blu-ray

https://fulvuedrive-in.com/review/15015/Bitter+Harvest+(2017/Lionsgate+DVD)/Black+Butterfly


Warner Archive Blu-ray

https://fulvuedrive-in.com/review/15908/American+Dream+(2021/Lionsgate+DVD)/Drunken+Ma


And the variant Legend Of The Drunken Master (reviewed on Blu-ray here:)

https://fulvuedrive-in.com/review/9082/Ultimate+Force+Of+Four:+Hero+(2002+++DVD)/Iron


First Strike (aka Police Story IV, 1996; here's our coverage of the third film in its solid 4K release from 88 Films:)

https://fulvuedrive-in.com/review/16274/Convoy+Buster+(1978)/Shanghai+Joe+(1973/both+Ca


Rumble In The Bronx (1995) has Chan as a guy visiting his uncle in New York City, who turns out to be in trouble, so his nephew decides to 'kick in' helping him out. This was one of Chan's first big hits in the U.S. and has aged in interesting ways.


Mr. Nice Guy (1997/reviewed on Warner Archive Blu-ray here:)

https://fulvuedrive-in.com/review/15661/Cut+(2000/Blu-ray*)/Fuller+House:+The+Complete+Fo


Thunderbolt (1995) has Chan as a sports car mechanic having to fight the number one spirts car racer in order to save his kidnapped sister. Sparky never had such troubles in the animated classic speed racer, but this film is far better than the horrid feature film remake of that classic TV show, so its interesting to see today.


Who Am I? (1998) has Chan with amnesia and is a CIA commando betrayed and now marked for death. Can he survive? A post-Cold War tales that has also aged in interesting ways some of which will make you think 'those were the good old days' or the like.


So at this point like the cycle of all-profitable 'Elvis Musicals,' the simple and even high concept storylines are just excuses for Chan to do stunts and beat up bad guys, but that was more than enough to make these hits.


Extras are all out and include Limited edition packaging featuring newly commissioned artwork by Sam Hadley

  • 160-page perfect bound book featuring an archive interview with Jackie by Craig D. Reid plus new writing by Thorsten Boose, Peter S. Bruce, Matt McAllister, Elaine Chung and Jialu Zhu

  • Twenty-four lobby card reproductions

  • Reversible poster with vintage poster artwork

  • DISC 1: DRUNKEN MASTER II

  • 4K (2160p) UHD Blu-ray presentations in Dolby Vision (HDR10 compatible) of three versions: the uncut 102-minute Hong Kong Cut , the 100-minute International Cut and the American Cut re-titled The Legend of Drunken Master (102 mins)

  • Original lossless Cantonese, Mandarin and English mono audio for the Hong Kong Cut

  • Original lossless English mono audio for the International Cut

  • Original English DTS-HD MA 5.1 surround audio for The Legend of Drunken Master

  • Optional English subtitles and subtitles for the deaf and hard-of-hearing

  • Brand new commentary by martial arts cinema experts Frank Djeng and F.J. DeSanto

  • Before the Breakout, a new featurette in which stuntman Wang Yao, academic Dr. Wayne Wong and critics David West and James Mudge look back at Jackie Chan's earlier career

  • Breakout! Part 1, a new featurette in which Wong, West, Mudge and stuntman Mars look back at the film

  • Deadly When Drunken, a new interview with co-writer Yuen Kai-chi

  • Tipsy Tribulations, an expanded interview with stuntman Mars

  • Period Postures, a new interview with academic Dr. Lars Laamann on the historical context behind the film

  • Drunken Defiance, a new appreciation of the film by martial arts cinema expert Ricky Baker

  • Archive interview with Jackie Chan filmed for the American release in 2000

  • Alternate Mandarin drinking scene (contains standard-definition inserts)

  • Textless outtakes

  • Chinese New Year messages recorded by Jackie for the Taiwanese and Malaysian openings

  • Trailer gallery

  • Image gallery

  • DISC 2: RUMBLE IN THE BRONX (HONG KONG CUT)

  • Original lossless Cantonese/English (sync-sound) stereo audio and English (export dub) mono audio

  • Optional English subtitles and subtitles for the deaf and hard-of-hearing

  • Brand new commentary by martial arts cinema experts Frank Djeng and F.J. DeSanto

  • Breakout! Part 2, a new featurette in which stuntman Mars, stuntwoman Kathy Hubble, martial arts cinema expert Ricky Baker and critics David West and James Mudge look back at the film

  • Rumble Recollections, an expanded interview with Hubble

  • Alternate footage

  • Textless outtakes

  • Image gallery

  • DISC 3: RUMBLE IN THE BRONX (INTERNATIONAL CUT)

  • Original English-dubbed lossless stereo audio and DTS-HD MA 5.1 surround audio

  • Optional English subtitles for the deaf and hard-of-hearing

  • Electronic press kit interview with Jackie Chan

  • Two scenes added for the network TV version with dubbing unique to this version

  • US trailer and TV spots

  • DISC 4: THUNDERBOLT

  • Original lossless Cantonese/English (sync-sound) stereo audio, English (export dub) stereo audio and English (US dub) DTS-HD MA 5.1 surround audio

  • Optional English subtitles and subtitles for the deaf and hard-of-hearing

  • 97-minute Japanese Cut with lossless Cantonese/English sync-sound stereo audio (high-definition only)

  • Brand new commentary by martial arts cinema experts Frank Djeng and F.J. DeSanto

  • Breakout! Part 3, a new featurette in which stuntman Mars, critics David West and James Mudge, and dubbing supervisor Paul Clay look back at the film

  • A Thunderous Presence, an expanded interview with Clay on his collaborations with Jackie Chan

  • Alternate English export credits

  • Textless outtakes

  • International trailer

  • Japanese trailers

  • Image gallery

  • DISC 5: POLICE STORY 4: FIRST STRIKE (HONG KONG CUT)

  • Original lossless Cantonese/English (sync-sound) stereo and Mandarin (dubbed) stereo audio

  • Optional English subtitles and subtitles for the deaf and hard-of-hearing

  • Brand new commentary by martial arts cinema experts Frank Djeng and F.J. DeSanto

  • Breakout! Part 4, a new featurette in which critics David West and James Mudge look back at the film

  • Textless outtakes

  • Image gallery

  • DISC 6: POLICE STORY 4: FIRST STRIKE (INTERNATIONAL CUT)

  • Original English-dubbed lossless stereo and DTS-HD MA 5.1 surround audio

  • Optional English subtitles for the deaf and hard-of-hearing

  • Striking Back, a new interview with martial arts cinema expert Frank Djeng

  • Scenes added for the US network TV version with dubbing unique to this version

  • US trailer

  • DISC 7: MR. NICE GUY (JAPANESE & HONG KONG CUTS)

  • Original lossless English DTS-HD MA 5.1 surround and lossless stereo audio for both cuts

  • Optional English subtitles for the deaf and hard-of-hearing

  • Brand new commentary by critic James Mudge

  • Breakout! Part 5, a new featurette in which stuntman Mars and critics David West and James Mudge look back at the film

  • Nice Thoughts, a new appreciation by martial arts cinema expert Frank Djeng

  • Alternate English credits

  • Textless outtakes

  • Original trailer

  • Image gallery

  • DISC 8: MR. NICE GUY (INTERNATIONAL CUT)

  • Original lossless English DTS-HD MA 5.1 surround and lossless stereo audio

  • Optional English subtitles for the deaf and hard-of-hearing

  • US trailer

  • DISC 9: WHO AM I? (HONG KONG CUT)

  • Original lossless English DTS-HD MA 5.1 surround and lossless stereo audio

  • Optional English subtitles for the deaf and hard-of-hearing

  • Brand new commentary by critic James Mudge

  • Breakout! Part 6, a new featurette in which critic James Mudge, actor Glory Simon and second unit cinematographer Ray Wong look back at the film

  • From Drunk to Slam Dunk: Jackie Chan in the New Millennium, a new featurette in which Mudge, Simon, Wong, stuntwoman Kathy Hubble, stuntmen Wang Yao and Mars, critic David West and others look at Jackie's career in the years since

  • The Making of Who Am I?, a three-part archive behind-the-scenes featurette

  • Alternate English credits

  • Textless outtakes

  • Original trailer

  • Image gallery

  • DISC 10: WHO AM I? (INTERNATIONAL CUT)

  • Original lossless English DTS-HD MA 5.1 surround and lossless stereo audio

  • Optional English subtitles for the deaf and hard-of-hearing

  • Who, When & Where, an expanded interview with Wong

  • Jostling with Jackie, an expanded interview with Simon

  • and a U.S. trailer.


Needless to say there has been a ton of Chan titles released in all video formats over the decades, but this set is at the very top of the list, archival, extremely thorough, library reference quality and fans would say long overdue. Many were not even expected such a set, but here it is and if you are a big fan, you'll want to get it, especially this Limited Edition pressing whiel supplies last.



The Mortal Kombat Kollection 4K (1995 - 1997) collects the first two feature films based on the hit videogame in one set, giving both the best possible upgrades to the cult favorites that had notoriously horrid Blu-ray releases. We never got to cover those, but here is a link to the other titles from the franchise that we have covered since those films were made:


https://fulvuedrive-in.com/new/viewer.cgi?search=kombat


I though the films were lame, even when they got a few interesting actors and only fans could like these, with the first doing some business and the second not as much. The digital work was worse than anything at the time one could criticize on The Shadow or True Lies, though this was the early days of CGI in films and the digital was no up to spec then and often is still not now, so the live action shots look better. Otherwise, they can be trying film to watch, but fans might beg to differ.


The first film was lucky enough to land Christopher Lambert and Cary-Hiroyuki Tagawa, while the second has James Remar and Talisa Soto is in both, playing a very different character than in the 1989 James Bond film Licence To Kill. The rest of the cast, including more than a few fighters, are fine for genre films, but these are the kinds of videogame films that showed how Hollywood did not get the genre and the subject was not taken seriously enough like superhero genre films. Times have changed a little since.


Extras are many and include a collectors' perfect-bound booklet featuring new writing on the films by Simon Ward and John Torrani

Reversible sleeves featuring original and newly commissioned artwork by Matt Griffin

Two double-sided foldout posters featuring original and newly commissioned artwork by Matt Griffin

Then there is more on each disc, including...

DISC 1: MORTAL KOMBAT

4K restoration of the film from the original camera negative by Arrow Films approved by director Paul W.S. Anderson

Brand new audio commentary with director Paul W.S. Anderson

Brand new audio commentary with comic book expert and podcast host Dave Baxter

Cage Match, a newly filmed interview with with actor Linden Ashby

Leveling Up, a newly filmed interview with cinematographer John R. Leonetti

Quarters to Millions, a newly filmed interview with producer Lawrence Kasanoff

The Heavyweight, a newly filmed interview with designer and suit performer Tom Woodruff

Mortal Kombat: A Journey Behind the Scenes featurette

On-set interview bites with the cast and director and B-roll footage

Theatrical trailers

Image gallery


DISC 2: MORTAL KOMBAT: ANNIHILATION

4K restoration of the film from the original camera negative by Arrow Films approved by director John R. Leonetti

Brand new audio commentary with director John R. Leonetti (who lensed the last film) moderated by filmmaker Gillian Wallace Horvat

Brand new audio commentary with comic book expert and podcast host Dave Baxter

The Queen of the Night, a newly filmed interview with actor Musetta Vander

Techno, Taiko, Orcho, a newly filmed interview with composer George S. Clinton

The Man of a Thousand Deaths, a newly filmed interview with stunt performer J.J. Perry, who played Cyrax, Scorpion and Noob Saibot

On-set interview bites with the cast and director and B-roll footage

Theatrical trailer

and an image gallery.


I still think this is for fans only, but they at least should be very pleased, unless they were not fans of these films versus later releases.



Lastly we get a nice B-movie double feature on Blu-ray from VCI in the Creepy Creature Double Feature: The Crawling Hand and The Slime People, both presented in new restorations and both from 1963. Both films were previously featured on Mystery Science Theater 3000, if that gives you a little context for the kind of horror movies these are.


In The Crawling Hand, a space capsule detonates in orbit and crashes to Earth. Later, a teenager finds an astronaut's severed arm in the wreckage. Soon, the arm reanimates and possesses the teen, twisting him toward evil. Directed by Herbert L. Strock, the film stars Alan Hale Jr., Peter Breck, Sirry Steffen, Allison Hayes, Rod Lauren, and Kent Taylor. Watching it today, you can see how it may have influenced later films like Idle Hands and even Evil Dead II by Sam Raimi. The Crawling Hand is a clever piece of low-budget filmmaking and a fun time-capsule piece.


In The Slime People, Los Angeles is invaded by an army of slime creatures seeking to destroy humanity. The story follows a group of survivors trying to fend for themselves. Directed by Robert Hutton, the film stars Hutton alongside Robert Burton, Les Tremayne, Judee Morton, William Boyce, and Susan Hart. The film was is fun to watch to see old Los Angeles and its best feature is probably the Slime People costumes and characters.


The films themselves are fun to revisit in retrospect. If you're a fan of movies like The Horror of Party Beach, which is available on Blu-ray from Severin Film, or just enjoy silly B-movies from the drive-in era, then you'll probably want to pick up this two-pack.


Special Features:


Susan Hart interview by Tom Weaver "Rubber Monsters, Real Fears: Mid-Century Sci-Fi" Video Featurette Classic Drive-In Sci-Fi Poster Gallery


Commentary on The Crawling Hand by Rob Kelly


Classic Drive-In Poster Gallery


and a two sided sleeve.


This edition is pretty fun and I love seeing these older B Movies get an HD upgrade.



Now for playback performance. The 2160p HEVC/H.265, 1.85 X 1, Dolby Vision/HDR (10; Ultra HD Premium)-enhanced Ultra High Definition image on Audition 4K is an impressive scan from its original Super 16mm camera negative and can have some softness, but when the color kicks in and you get the better shots, it is as impressive as it ever will be. The original theatrical stereo is here in DTS-HD MA (Master Audio) 5.1, 4.0 and 2.0 Stereo mixes, but even the new multi-channel mixes cannot hide the age and limited budget of the film. This is as good as this film will ever sound in those choices just the same.


The 2160p HEVC/H.265, 2.35 X 1, Dolby Vision/HDR (10; Ultra HD Premium)-enhanced Ultra High Definition images on the Chan movies are usually shot with underrated Technovision lenses, if not the occasional use of Panavision lenses, so they can look really good and better than you'd expect. That is the aspect of this set that will really shock viewers, even his most hardcore fans. The DTS-HD MA (Master Audio) Cantonese 2.0 Mono lossless mixes tend to be the best sound tracks in each case, even with the DTS-HD MA (Master Audio) 5.1 upgrades (see in the extras above above), so even when the films look great, the age and fidelity limits of the audio recordings are inescapable. Sadly, these are all likely as good as these film will ever sound, no matter the cut or version featured.


The 2160p HEVC/H.265, 1.85 X 1, Dolby Vision/HDR (10; Ultra HD Premium)-enhanced Ultra High Definition image on the two Mortal Kombat 4K releases are mix of good and sometimes impressive 35mm film shooting with some really dated CGI digital visual effects that keep interrupting the better shots over and over and over and over and over and over and over again. That is still a huge improvement over the horrid Blu-ray discs New Line issued eons ago and that extends to the DTS-HD MA (Master Audio) 5.1 mixes that are much better than those older discs, so this is the best these two will ever look and sound, limits and all.


The 1080p 1.33 X 1 black & white digital High Definition image transfer on Crack-Up can sometimes show the age of the materials used, but this is far superior a transfer to all previous releases of the film and impressive throughout, while the DTS-HD MA (Master Audio) 2.0 Mono lossless mix can show its age, but is fine and consistent throughout. Nice it is has survived this well, but only expect so much from the sonics just the same.


While we obviously aren't getting 4K UHD discs here, the black-and-white transfers on Crawling Hand and Slime People look pretty good on Blu-ray, all things considered. Both films are presented in 1080p high definition on 2K Blu-ray disc with an MPEG-4 AVC codec, a full frame aspect ratio of 1.37:1 and an English PCM 2.0 Mono mix. Both films are on one disc and have been restored well enough to enjoy considering the cheap nature of their creation in the first place.



To order the Warner Archive Crack-Up Blu-ray, go to this link for it and many more great web-exclusive releases at:


https://www.amazon.com/stores/page/ED270804-095F-449B-9B69-6CEE46A0B2BF?ingress=0&visitId=6171710b-08c8-4829-803d-d8b922581c55&tag=blurayforum-20



- Nicholas Sheffo and James Lockhart (VCI)

https://letterboxd.com/jhl5films/



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