Fulvue Drive-In.com
Current Reviews
In Stores Soon
 
In Stores Now
 
DVD Reviews, SACD Reviews Essays Interviews Contact Us Meet the Staff
An Explanation of Our Rating System Search  
Category:    Home > Reviews > Comedy > Horror > Slasher > Satire > Science Fiction > TV > Scary Movie 4K (2026 aka Scary Movie 6/Paramount 4K Ultra HD Blu-ray w/Blu-ray)/Star Trek: The Complete Original Series 60th Anniversary (1966 - 1969/Paramount/CBS Blu-ray Set)

Disclosure Day 4K (2026/Universal 4K Ultra HD Blu-ray w/Blu-ray)/I Love Boosters 4K (2026/NEON/Decal 4K Ultra HD Blu-ray w/Blu-ray)/Out Of The Past 4K (1947/RKO/Warner Archive 4K Ultra HD Blu-ray w/Blu-ray)/Practical Magic 4K (1998/Warner 4K Ultra HD Blu-ray)/Scary Movie 4K (2026 aka Scary Movie 6/Paramount 4K Ultra HD Blu-ray w/Blu-ray)/Star Trek: The Complete Original Series 60th Anniversary (1966 - 1969/Paramount/CBS Blu-ray Set)



4K Ultra HD Picture: B+/B/A-/A-/B Picture: B/B-/B/X/X/B- Sound: B+/B/C+/A-/B+/B- Extras: C+/C/B/C/C/B+ Main Programs: C+/C/B+/B/C-/B+



PLEASE NOTE: The Out Of The Past 4K Warner Archive 4K Blu-ray set is now only available from Warner Bros. through their Warner Archive series and can be ordered from the link below.



Steven Spielberg's Disclosure Day 4K (2026) has the director returning to extraterrestrial territory, thinking of Close Encounters, but by way of his Tom Cruise War Of The Worlds, Minority Report, a bit of Ready Player One and a touch of his problematic A.I., so we get one of his most technically superior films on a visual level in years for the kind of film he is making. That is actually more impressive than the actual film, which has an interesting cast, money definitely on the screen and an intensity at times that puts most kinetic filmmakers these days to shame.


Emily Blunt is a TV weather forecaster who gets involved in some strange happenings that seem supernatural at first, but something dark is going on, as we find out before seeing her as a mysterious power broker (the always solid Colin Firth) wants some kind of special device and brings an armed group to get it, but the possessor of it (Josh O'Connor) does not trust them and has other plans. From there, you'll have to see the film to see if you like it or not, so I'll hold back spoilers to give you the best chance to see if you land up liking it more than I did.


The only other thing I have to say is that Spielberg has not lost his edge as a filmmaker and for the tired era we are in and the lack of new talent out there, that is amazing.


Extras include Digital Code, while the discs add the featurettes:

  • Encountering the Unknown: Inside Disclosure Day

  • and Spielberg & Williams: A Legendary Collaboration.



Boots Riley's I Love Boosters 4K (2026) is a comedy of sorts that is spoofing several worlds, including fashion, hustling, shoplifting and as a comedy, but it is rarely funny and too impressed with itself to work. Keke Palmer leads the cast as the head shoplifter and save Nope, I have never seen a performance by the actress that worked and lasted. The humor is as one-note as the theme song's refrain being played over and over and over and over and over and over and over and over and over and over and over and over and over for most of its 112 minutes. That is a poor substitute for a good screenplay.


LaKeith Stanfield, Demi Moore, Rachel Waters, Adam Devine, Don Cheadle, Jason Ritter, Will Poulter and Viggo Mortensen all show up, but none are developed much (save Demi's character) further making this a very slap-dash affair. You might enjoy this if you are in some kind of goofy mood and it is not afraid of color range in sets and clothing to its credit, but I did not get a surprise like the cast suggested and it is only for the most interested.


The respectable Annapurna Productions produced this, but not since She Said (2022) have they delivered a major film, though I need to see The Invite. I hope they are not giving up as a company.


Extras include a feature length audio commentary with Boots Riley, never before seen cast interviews, a ''The Making of I LOVE BOOSTERS'' documentary featurette, and a blooper reel.



Jacques Tourneur's Out Of The Past 4K is one of the best 4K releases of the year and you can read about the film in our coverage of the older Blu-ray at this link:


https://fulvuedrive-in.com/review/13024/Man+Hunt+(1941/Fox/Twilight+Time+Limited+Edition


Once again handled by Warner Archive, the RKO classic has a serious audience and deserves to find a much larger audience who have not seen it or seen it looking like it is brand new as it is here. I meant what I said about its importance and greatness in my previous review and not only stand by all of that, but feel vindicated in some way about what I said seeing how great this plays here. Cheers to Warner Archive for further saving this amazing gem!


Extras repeat the feature length audio commentary track from the original Blu-ray release by James Ursini, plus these new to disc items:

  • Introduction: TCM personality Eddie Muller gives us a short introduction on the film. Some associated marketing materials are also included.

  • Radio Dramas featuring the two male leads:

    • We Were Expecting You at Dakar / Robert Mitchum

    • The Story of Markham's Death / Kirk Douglas

    • Death at Live Oak / Robert Mitchum

    • and Community Property / Kirk Douglas.



Sandra Bullock and Nicole Kidman star in the witchy romantic comedy Practical Magic 4K (1998), which makes its debut on 4K UHD hot on the heels of the upcoming theatrical sequel. Directed by actor / director Griffin Dunne (star of Martin Scorsese's After Hours) and based on Alice Hoffman's 1995 novel, the film has developed a devoted following over the years thanks to streaming and home video that followed some decent theatrical box office.


While not quite as whimsical or over-the-top as the Hocus Pocus films, Practical Magic centers witchcraft in a more natural setting. Two sisters Sally (Bullock) and Gillian Owens (Kidman), descendants of a long line of witches who have inherited supernatural abilities that make leading normal lives difficult. Raised by their eccentric aunts, Frances (Stockard Channing) and Jet (Dianne Wiest), the sisters grow up learning that magic is simply another part of everyday life.


Unfortunately, the Owens women are also burdened by a centuries-old family curse. Their ancestor, Maria Owens, was abandoned by the man she loved and cast a spell upon herself so that she would never again suffer from a broken heart. Over time, however, the spell became a curse that doomed any man who falls in love with an Owens woman to an untimely death.


As adults, Sally and Gillian take very different approaches to both love and magic. Sally attempts to settle down and build a conventional life, while the more free-spirited Gillian travels the country and moves from one relationship to another. Their lives take a much darker turn when Gillian becomes involved with the violent and abusive Jimmy Angelov (Goran Visnjic). When Sally comes to her sister's rescue, the situation spirals out of control and Jimmy is accidentally killed.


Desperate to undo what they've done, Sally and Gillian turn to forbidden magic and attempt to resurrect him. Naturally, bringing the dead back to life proves to be a very bad idea. Jimmy returns even more dangerous than before (in a form that reminded me a bit of Casper), and although the sisters seemingly dispose of him a second time, his restless spirit refuses to stay buried. Soon, the Owens women find themselves dealing with a supernatural haunting, a police investigation, and the possibility that their family's curse may finally have to be confronted.


The film is less about witchcraft than it is about sisterhood, love, grief, and the bonds between generations of women. Bullock and Kidman have terrific chemistry together, while Channing and Wiest nearly steal the film as their eccentric, spell-casting aunts. The movie's ability to move between romantic comedy and surprisingly dark supernatural territory gives it a distinctive personality that has helped it become something of a cult favorite in the decades since its original release. That being said, the film is definitely geared more towards a female audience.


Special Features look to be carted over from a previous release and are nothing new including:

A Feature Length Audio Commentary by director Griffin Dunne, producer Denise Di Novi, composer Alan Silvestri, and Sandra Bullock

and two featurettes: Casting the Spell and Making Magic.


Practical Magic is a fun modern day witch tale that isn't overly based in fantasy like other witchy films of its kind. While it's obviously geared towards a female-centric audience, the film can be enjoyed by anyone and isn't overly violent or flashy aside from some pretty tame sexual content, and will help get you in the fall season mood.



Michael Tiddes' Scary Movie 4K (2026, aka Scary Movie 6) has the Wayans getting the wacky franchise back that was high profit/low budget gross humor we used to see more of until it got played out. However, it has been a while, so this sixth entry (they may not have used a number because they wanted it to look fresher than it is and because they did not make all the previous films, in fairness to them) so it was a big hit for a time. Not a big fan, you can read my coverage of the original release...


Scary Movie (the 2000 original) Blu-ray

https://fulvuedrive-in.com/review/6143/Scary+Movie+(One/2000/Blu-ray/Dimension


And when Jim Abrahams, Pat Proft and director David Zucker took over, following most of what the Wayans did, but (slightly less gross?) with their own formula humor:


Scary Movie 4 HD-DVD

https://fulvuedrive-in.com/review/4855/Scary+Movie+4+%C3%A2%E2%82%AC%E2%80%9C


This one is closer to the first, the Wayans approach and wallows in its formula, highly predictable as it is. Despite home video, streaming and the like, this was a hit thanks to a little nostalgia and simply because a whole generation had never seen this before. Strangely, it was criticized for being right wing or pandering to the White House of the time of its release, but that argument has some weaknesses. One, Fox would not allow In Living Color to ever get revived because they could not handle the show getting more outrageous and more, feeling it was maybe too left wing (!?!) and they do go after almost everyone, so it is not like we have not seen their humor before.


I actually wish it has been political in some way because that would have been more interesting than the bore we get here. See when not tired or operating heavy equipment.


Extras include Digital Movie, while the disc adds four behind-the-scenes featurettes.



Star Trek: The Complete Original Series 60th Anniversary Set (1966 - 1969) is a reissue of the three 2009 Blu-ray season sets we mostly covered before as follows:


Season One Blu-ray

https://fulvuedrive-in.com/review/8530/Star+Trek+%C3%A2%E2%82%AC%E2%80%9C+The+O


Season Two Blu-ray

https://fulvuedrive-in.com/review/9036/Star+Trek+%C3%A2%E2%82%AC%E2%80%9C+The+O


Complete Series DVD set with Season Three (with full episode listings)

https://fulvuedrive-in.com/review/1680/Star+Trek+-+The+Original+Series+sets


So many episodes are as influential and as relevant as ever, but CBS had created so many spinoffs that only diehard fans can keep up and most of them have not been that good or memorable. That a feature film has not been made in a while because the last was was one of the worst adds on to how many light years the franchise has drifted from Roddenberry's ideas and original vision. As this gets released, four of the episodes have been scanned for 4K and are playing a few nights with remasters of the first four feature films. We'll see if we get a 4K box at some point, but since Space: 1999 episodes are getting similar treatment, CBS does not want to wait too long.


Extras repeat the previous sets, of course. At least it is a solid replacement for the older sets if one has lost them, wore them out somehow or your a superfan who want this version as well. Megafans still collect the three HD seasons on the old, dead HD-DVD format, even if they cannot play them. This will be the go-to set until a 4K upgrade comes along.



Now for playback performance. The 2160p HEVC/H.265, 2.35 X 1, Dolby Vision/HDR (10; Ultra HD Premium)-enhanced Ultra High Definition image on Disclosure Day 4K was shot on 35mm film and looks so much better than most such dark thrillers, Spielberg still at least a step ahead of most filmmakers. The result can look like the best dark Ultra HD shoot in this style around, but it is he and his longtime Director of Photography Janusz Kaminski melding the 35mm photochemical film, superior CGI and style seamlessly in a way hardly anyone out there has the talent of cinematic literacy to pull off. Even when the film does nto work, the look never wavers.


The 1080p 2.35 X 1 digital High Definition image on the regular Blu-ray is fine for what it is, but you can only see what I am talking about ion the 4K version in full.


The lossless Dolby Atmos (Dolby TrueHD 7.1 mixdown for older systems) sound mix is state of the art as expected, so it has fine sound, but the mix is not always as memorable as it is impactful as you watch. It still has its highlights and by people who actually know what they are doing, sadly too rare these days.


The 2160p HEVC/H.265, 2.35 X 1, Ultra High Definition image on I Love Boosters 4K has some nice color range, but can be a little softer than expected in parts throughout and maybe not just because of a chosen style. The 1080p 2.35 X 1 digital High Definition image Blu-ray is a little more color weak versus the 4K disc, but the differences are narrow. I liked the 4K slightly better.


The DTS-HD MA (Master Audio) 5.1 lossless mix on both discs is just fine and consistent enough, so this is at least well rounded all around performance wise.


The 2160p HEVC/H.265, 1.33 X 1, black & white, Dolby Vision/HDR (10; Ultra HD Premium)-enhanced Ultra High Definition image on Out Of The Past 4K is absolutely stunning, one of the best block style monochrome and classic film transfers I have seen to date with plenty of demo shots and a must-have gem that just based on the image is a must-have for all serious filmmakers and home theater people.


The 1080p 1.33 X 1 digital High Definition image on the regular Blu-ray is fine for the format, but not as stunning as this and both discs offer DTS-HD MA (Master Audio) 2.0 Mono lossless mixes, but it is a little less shrill and a little more naturalistic on the 4K version, so we get another classic in a stunning restoration that is easily one of the best 4K release of the year!


Practical Magic 4K is presented in 2160p HEVC/H.265, 2.35 X 1, Dolby Vision/HDR (10; Ultra HD Premium)-enhanced Ultra High Definition image on, a widescreen aspect ratio of 2.39:1 and an audio tracks in lossless Dolby Atmos (Dolby TrueHD 7.1 mixdown for older systems) sound (48kHz, 16-bit) and DTS-HD MA (Master Audio) 5.1 (48kHz, 24-bit) mixes. The source of the print here, while not specifically marketed as a new scan of the original negative is a visible improvement over previous versions. If you have a nice home entertainment setup, then this is definitely worth the upgrade.


The 2160p HEVC/H.265, 2.35 X 1, Dolby Vision/HDR (10; Ultra HD Premium)-enhanced Ultra High Definition image on Scary Movie 4K is a decent shoot, but the cheap CGI (sometimes done comically) and general attempt to keep to the older style of the older films in the series and the films they spoof limits this visually along with some softness and other slight flaws. The lossless Dolby Atmos (Dolby TrueHD 7.1 mixdown for older systems) sound mix gets as silly as the film itself, but has more sonic highlights than I expected, so that is the one surprise of this highly predictable revival that will amuse some at points.


The 1080p 1.33 X 1 digital High Definition image transfers on all three Star Trek seasons are here in original transfers and effects-enhanced ones, the latter of which were not great to begin with and have aged much worse than the original versions. Until the original 35mm camera negative copies of all the episodes get 4K scans and a 4K disc set, this is as good as it gets for now. The DTS-HD MA (Master Audio) 7.1 and 2.0 Mono lossless mixes on each show have their issues, with the former having new sound effects that have not dated well and the later having its original mono sound sound too flat.



To order the Out Of The Past 4K Warner Archive 4K Blu-ray set, go to this link for it and many more great web-exclusive releases at:


https://www.amazon.com/stores/page/ED270804-095F-449B-9B69-6CEE46A0B2BF?ingress=0&visitId=6171710b-08c8-4829-803d-d8b922581c55&tag=blurayforum-20



- Nicholas Sheffo and James Lockhart (Magic)

https://letterboxd.com/jhl5films/



Marketplace


 
 Copyright © MMIII through MMX fulvuedrive-in.com