
Blood
Bitch Baby
(2024*)/Blue
Thunder 4K
(1983/Sony/Arrow 4K Ultra HD Blu-ray*) + The
Complete Series
(1984/Sony Blu-ray Set)/Busted
Babies
(2024/*both MVD/Blood Sick Blu-ray)/Task:
The Complete First Season
(2025/HBO/Warner DVD Set)
4K
Ultra HD Picture: B+ Picture: C/X/B/D/C Sound: C/B-/C+/D/C+
Extras: C/B/D/B/C Main Programs: D/B-/C+/D/C+
Next
up, the highs and low of thriller entertainment....
Donald
Farmer's Blood
Bitch Baby
(2024) is a ultra low budget SOV (shot on video) horror film that has
a lot of passion behind it, but not a lot of cash. The result is a
labor of love that isn't without some clever ideas and embraces his Z
grade sleazy nature.
The
film stars Jessa Jupiter Flux as Countess Elizabeth Bathory (based on
the real life Hungarian serial killer from the 1500s) travels to
America to find the perfect demonic offspring for her sister to bear
and bring into the world. The unlucky woman she chooses (Angel
Bradford) ends up having some demonic powers of her own as the two
clash in this film that mirrors other low budget studios like Full
Moon and Troma sensibilities.
The
film stars Jessa Jupiter Flux, Mel Heflin, Joe Casterline, Angel
Nichole Bradford, and Fallon Maressa.
Special
Features:
BTS
Photo Album
Director's
introduction by Donald Farmer with Kasper Meltedhair
and
Blood Sick Home Video Trailers.
Blood
Bitch Baby
is really not recommendable, but at least it has a little bit of
inspiration behind it and you can tell some effort was made.
Columbia
Pictures had high hopes for Blue
Thunder
as a commercial property and even though the film disappointed at the
box office, they had already greenlit the TV series version (and a
competitor did a knock-off called Airwolf with slightly more success)
so from two different companies, we are getting upgrades of both. We
have John Badham's Blue
Thunder 4K
(1983) and The
Complete Series
(1984) we have reviewed before. You can read more of our extensive
coverage on both at the following links:
Blue
Thunder
Sony Blu-ray
https://fulvuedrive-in.com/review/8986/Blue+Thunder+(1983/Sony+Blu-ray
Complete
Series
Sony DVD
Set
https://fulvuedrive-in.com/review/4109/Blue+Thunder+%C3%A2%E2%82%AC%E2%80%9C+Th
The
movies has aged well and looks better than ever, impressive in its
playback and the source in solid shape, even with some older
technology on display as expected. The series still plays as a long
series of missed opportunities (worse than the TV versions that
followed for hits like Logan's
Run
and Planet
Of The Apes)
and the cast is at least interesting. The series also is bold as the
feature film, which likely hurt it, but it was a nice, ambitious try
just the same.
Now
what was sometimes cutting-edge technology (to was the year of the
final of three original Star
Wars
films, so audiences were only so impressed, apparently) is now all a
marker for the transition form analog electronic technology to
digital technology (sometimes here in very
early
incarnations) so it is fun for that and to see how it ages. The
movie handles this better. Either way, I definitely recommend the
movie and only recommend the series for the very curious.
There
are again no extras for the TV series, but extras
on the 4K set include a solid, full length, archival audio commentary
by director John Badham, editor Frank Morriss, and motion control
supervisor Hoyt Yeatman
Flight
Risk,
a brand new interview with director John Badham
A
Rollercoaster Ride,
a brand new interview with actor Candy Clark
Catching
Up,
a brand new interview with actor Malcolm McDowell
Ride
with the Angels: Making Blue Thunder,
an archival three-part documentary from 2006
The
Special: Building Blue Thunder,
an archival featurette from 2006 on the design and construction of
the iconic helicopter
Archival
1983 promotion featurette
Extended
scene
Theatrical
trailer
Image
gallery
Reversible
sleeve featuring original and newly commissioned artwork by Chris
Skinner
and
a collectors' booklet featuring new writing on the film by Dennis
Capicik and original production notes.
Another
SOV ultra low budget shot on video romp directed by and starring
Kasper Meltedhair, Donald Farmer's Busted
Babies
(2024) is a demented acid trip of a film that even fans of Troma
could find to be a challenging watch. T he film is a mix of bad
improv, gross humor, and experimental editing. I'm sure this film is
entertaining to the group of folks who made it with plenty of inside
jokes, but to a normal human it's an ineffective time waster.
The
absurd synopsis even makes little sense so you can imagine trying to
explain this plot line to another human. In Busted
Babies,
a secret of turning flesh into glass breaks down a woman's reality
when she trips in a BBQ Salon. I'm just going to end the plot
synopsis there.
Special
Features:
''Rorph
Cranker''
short by Kasper Meltedhair
Behind
the Scenes featurette
Outtakes
Trailers
and
The
Donald Farmer Experience.
I
wouldn't wish Busted
Babies
on your worst enemy, or mine.
Task:
The Complete First Season
(2025) is another mystery thriller series from HBO that stars the
always reliable Mark Ruffalo as an FBI agent heading one of its
units, trying to find a missing child and a string of very violent
crimes at the same time. Possibly connected, he has a solid team to
back him up and gets assistance in addition to his unit, but things
are about to get rougher and more complicated than expected. What
could happen next?
Well,
seven episodes and the first few are much slower and more familiar in
approach than expected, so I was initially disappointed, especially
since I liked Mare
Of Easttown
from the same creator. By the last few episode, the storyline
finally
picks up (that's more like it!) and then it went well enough.
At
least a second season has followed, so I hope they do better on that
one, but there is enough here to give this a moderate recommendation.
Just know it takes a little longer to come together than it should
have, especially since they are only doing so few episodes to begin
with.
Extras include a
2-minutes-long piece on Philly
Slang
and seven Task
Unmasked
mini-pieces on each episode, but watch the shows first.
Now
for playback performance. The 2160p HEVC/H.265, 2.35 X 1, Dolby
Vision/HDR (10; Ultra HD Premium)-enhanced Ultra High Definition
image on Blue
Thunder 4K
is easily the best visual performer on the list, shot
in real anamorphic Panavision by the great Director of Photography
John A Alonzo (Chinatown,
Black
Sunday,
De Palma's Scarface,
released the same year!) and exceed the then-decent Sony Blu-ray and
the poorer Mill Creek Blu-ray.
The
DTS-HD MA (Master Audio) 5.1 and PCM 2.0 Stereo lossless mixes on the
film are as good as they will ever sound, especially the 5.1 a bit
better than the old Blu-ray, emulating the 70mm 4.1 mix the best it
can. The regular stereo mix would be the equivalent of lesser 35mm
prints that only offered Dolby's old analog A-type noise reduction,
but is great to have for fans, completists and the curious. Expect
some age to show after all these years in both cases, about a
half-step behind the best 5.1 mixes and recording fro feature films
of the time, but still impressive and with character.
As
for the TV series, the
1080p 1.33 X 1 digital High Definition image transfers can sometimes
show the age of the materials used, but these look much better than
the DVD set and even surprised me (especially in later episodes) on
how good they looked and how well shot they could be at times.
However, the
DTS-HD MA (Master Audio) 2.0 Mono lossless mix is a little compressed
and problematic, but so was the more compressed and lossy Dolby
Digital Mono on the old DVD set, so it must be sonic limits with the
original soundmasters. Why all the shows sound this limited is odd,
but they sadly do, so only expect so much versus other TV shows form
the time. However, several TV series from the 1960s and 1970s in
lossless sound we have encountered on blu-ray over the years have
sounded better.
Blood
Bitch Baby
is presented in 1080p high definition on 2K Blu-ray disc with an
MPEG-4 AVC codec, a widescreen aspect ratio of 1.78:1 and an English
PCM 2.0 Stereo mix. Shot on an ultra low budget, the transfer and
sound are up to par with other digital films in the same vein.
Surprisingly, the soundtrack by Mike Treblicock and Tim Ritter is
really good here and helps give the film a bigger feel.
Busted
Babies
is presented in 1080p high definition on 2K Blu-ray disc with an
MPEG-4 AVC codec, a full frame aspect ratio of 1.33:1 and an English
PCM 2.0 Stereo studio mix, the film purposely looks very low grade
with a VHS style look and vomit inducing editing that is simply hard
to stomach. The audio peaks and is blown out by all of the yelling
and screaming in most of it and the music is equally unsettling as
well. I guess that is the point of the whole film - to be completely
obnoxious and in that regard it succeeds.
The
anamorphically enhanced 2.00 X 1 image on each Task
episode is a little softer and danker than I would have liked it to
be, but you can tell it is well shot and likely needs a 4K release to
be really appreciated visually. The lossy Dolby Digital 5.1 is a
little better, but the mix and its activity suggest something more
impressive on each episode should any 4K or Blu-ray (apparently also
available now) release include a multi-channel lossless soundtrack.
-
Nicholas Sheffo and James Lockhart (Blood Blus)
https://letterboxd.com/jhl5films/