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Category:    Home > Reviews > Music > Rock > Punk > Rockumentary > Concert > Comedy > Drama > Soul To Soul (1971/Liberation Hall/*all MVD Blu-ray)

Born Innocent: The Redd Kross Story (2024*)/Cinderella In Concert (1991/Cleopatra*)/Elvis '56 (1987/Lightyear*)/Secret Lives Of Bill Bartell (2025*)/Song Sung Blue (2025/Universal Blu-ray)/Soul To Soul (1971/Liberation Hall/*all MVD Blu-ray)



Picture: B-/C+/C+/B-/B-/B- Sound: B-/C+/C+/B-/B/B- Extras: B-/C-/D/B-/C+/B Main Programs: B-/C+/B-/B-/C+/B-



Now for some music releases that all remind us of the artform's independent spirit...



Andrew Reich's Born Innocent: The Redd Kross Story (2024) is a good documentary about a still somewhat unknown band that formed in 1978 by brothers Steve and Jeff McDonald, who were originally part of a Punk Rock band called The Tourists, not to be confused with the band of the same name Annie Lennox and Dave Stewart were part of before forming Eurythmics at about the same time. While that duo became a major New Wave force, et al, Redd Kross were unapologetic rockers all the way never selling out their 1970s roots and influencing all kinds of artist, especially in the genre.


With plenty of new interviews and a large amount of vintage footage, stills and songs, this authentic-enough-to-be-called-a-Rockumentary spends its nearly 90 minutes very well and shows how they were always there, even if too many did not know and how important they were to the genre, especially when it starts to get into trouble in the 1980s with hair bands, nostalgia and 1980s anti-Rock movements. The result is worth a look for music fans, especially Rock fans and is simply well done.


Extras include an Audio Commentary Track with Jeff McDonald, Steven McDonald and Andrew Reich

  • Desperate Teenage Lovedolls and Lovedolls Superstar featurette 15:07

  • Polliwog Park Concert 1979 featurette with Black Flag 5:09

  • Santa Monica Pier Concert 1982 featurette 4:29

  • Beginnings - Expanded 8:04

  • The Posh Boy Era - Expanded 10:34

  • Ron Reyes and Dez Cadena 4:49

  • Name Change from Red Cross to Redd Kross 9:12

  • Teen Babes From Monsanto - Expanded 12:32

  • Neurotica - Expanded 8:38

  • The Naz Pad 2:04

  • Third Eye Gets A Good Rap 1:47

  • Spirit of '76 - Expanded

  • Naz Pad Rehearsal Jan 1989 52:41

  • Media Blitz Appearance 12:29

  • Digging in Jeff's Record Closet 18:31

  • Steve Breaks Down Every Redd Kross Record 27:50

  • Kim Shattuck Full Interview 30:52

  • The Tourists Reunion Rehearsal 11/21/15 12:37

  • The Tourists Reunion Show 11/22/15 13:18

  • The McDonald Brothers Unplugged 41:21

  • Santa Monica Screening Q&A with McDonald Brothers and Andrew Reich 11/11/24 30:09

  • and the First Pressing of 2,000 Limited Editions comes packaged in an O-ring with a booklet and 2 of 4 randomly inserted postcards.



Cinderella In Concert (1991) is surprisingly the first time in over two decades we have covered the Philadelphia Rock band, but here is a show they did touring to support their third album, Heartbreak Station issued the year before. That included what would be their last top 40 hit, but they racked up many more on the Rock charts. Its a good show, with the band as fired up as the audience, but little did anyone know that this would be the peak of the band, which is no longer together.


The songs include:
1. The More Things Change
2. Push Push
3. Sick For The Cure
4. Make Your Own Way
5. Night Songs
6. Back Home Again
7. Somebody Save Me
8. Heartbreak Station
9. Coming Home
10. Fallin' Apart At The Seams
11. Love's Got Me Doin Time
12. Drum Solo
13. Love Gone Bad
14. Don't Know What You Got (Till It's Gone)
15. Nobody's Fool
16. Gypsy Road
17. Shake Me
18. Shelter Me


Though I only liked their music so much, they had some good songs and even with their notable commercial success, people still talk about them, I thought they should have been even more successful. This release partly proves my point.


Extras include a music slide show and more live performance outside of the concert.



Alan Raymond's Elvis '56 (1987) is a popular old program about that key year for the King of Rock has he broke through with RCA Records in a way he could or would not have been able to with his original label, Sun Records. It only runs 61 minutes, but was produced with Elvis' estate and has plenty of original, licensed music throughout.


Like the horror movies on VHS that were only produced an released in that format, some of these Elvis titles did make the old 12-inch LaserDisc format for a time, but when they are this good and key to the singer's legacy and history, they deserve an upscaled Blu-ray release, though it would have been nice like the recent upgrade to The Beatles Anthology if someone could have gone back and inserted updated, HD scans of any or all of the filmed clips. Still, its nice to have these in their original form and it is worth a look.


By the way, I recently found out another thing about Sun Records because of some vinyl reissues of other classic titles from the legendary label. They may have had some legendary groundbreaking talent, at least starting at their label, but it turns out their vinyl pressings were not the best, to say the least. Still highly collectible, turns out their quality and sonics leave something to be desired. The specifics would make a good separate essay, but in a very short time, that could have killed the big career Elvis would have instead of helping it.


There are no extras.



David Markey's The Secret Lives Of Bill Bartell (2025) is a look at the man who also performed as Pat Fear and as part of satirical early 1980s Punk band White Flag, but he soon left that group, yet stayed a major, important fixture in that music scene in still working on music and playing it, while also backing and advocating for artists and certain music acts he believed had something special to offer.


A staple of the Southern California Punk scene until his untimely death, this documentary also offers some
new interviews with a large amount of vintage footage, stills and songs, so you get another essential viewing for fans of this music and those interested in any independent music scene, especially before the Internet era. Now more than ever, ewe need to hear and hear about these talents that did not get the wide exposure they needed and deserved.


Extras include 46 Minutes of Deleted Scenes and Bonus Footage

  • Q & A from Slamdance 2025 (15 minutes)

  • and a Trailer.



Craig Brewers' Song Sung Blue (2025) sounds like another bad music biopic, maybe about Neil Diamond, but instead is based on the true story of a couple who come together after doing all kinds of concerts covering the music of other artists and making a solid side job of it. Kate Hudson actually got a Best Actress Oscar Nomination as Claire, playing opposite Hugh Jackman as Mike, forming a tribute duo called Lightning and Thunder.


So much here could have gone wrong and the film still has its ups and downs, but I liked that all took a risk to try to make this into a movie and make it work, the kind of thing we used to see more often. No, it is not a home run and I am only so much of a Diamond fan, but they duo do have some chemistry, I like both of them overall and it works enough that those interested might like it and more than I did.


Extras include Digital Code, while the disc (per the press release) adds EXTENDED PERFORMANCES:

    • Crunchy Granola Suite

    • Sweet Caroline

  • ONE PLUS ONE EQUALS THREE - There is no Lightning without Thunder. Watch as Hugh and Kate reminisce on their characters' love story, co-dependency, and their undeniable electricity.

  • LIGHTNING IN THE BOTTLE - A love letter to the small-time performers, go behind the scenes with Writer/Director Craig Brewer to see how he brought SONG SUNG BLUE to life.

  • EYE FOR STYLE - In this featurette, Costume Designer Ernesto Martinez reveals the art of storytelling through stitch and style.

  • and a FEATURE COMMENTARY WITH WRITER/DIRECTOR CRAIG BREWER



Denis Sanders' Soul To Soul (1971) is a landmark music film that came out of the Rocumentary cycle, but is all soul music as the music acts go to Ghana to perform, though we get more than a nice portion of the film about their journey, interviews, meeting people and then the music.


Performances include Wilson Pickett - In the Midnight Hour

  • Wilson Pickett - Land Of 1,000 Dances

  • Santana - Jungle Strut

  • Santana - Black Magic Woman/Gypsy Queen

  • Ike & Tina Turner - River Deep-Mountain High

  • Ike & Tina Turner - Soul To Soul

  • Ike & Tina Turner - Ooh Poo Pah Doo

  • Ike & Tina Turner - I Smell Trouble

  • The Staple Singers - When Will We Be Paid

  • The Staple Singers - Are You Sure

  • Les McCann & Eddie Harris - The Price You Gotta Pay To Be Free

  • Les McCann & Eddie Harris - Hey Jorler

  • and The Voices Of East Harlem - Run, Shaker Life


A key music work up there with Wattstax, Woodstock, Monterey Pop, Gimme Shelter, Elvis On Tour, Fillmore, Let It Be and the cycle concluding with Scorsese's The Last Waltz, this film has been out of print and circulation for 20 years (!!!) has finally been restored and re-released with timing that could not be better. We sadly lost Tina Turner a few years ago when she should still be with us, while Carlos Santana and Mavis Staples still touring and recording. The film has plenty of surprises and great moments, so it is a must-see film, music and otherwise.


Extras include a nicely illustrated booklet on the film including informative text and essays, while the disc adds:

  • Trailer

  • 32-page booklet with expanded liner notes by Rob Bowman

  • Outtake performance: Ike & Tina Turner: I've Been Loving You Too Long

  • Commentary Track One: Mavis Staples: The Staple Singers

  • Commentary Track Two: Les McCann with Kevin Griffin (The Voices of East Harlem)

  • Commentary Track Three: Producer Tom Mosk with re-issue producers David Peck of Reelin' In the Years Productions

  • Commentary Track Four: Ike Turner, Michael Shrieve (Santana), Obo Addy (Ghanian drummer), Kevin Griffin and Les McCann.



Now for playback performance. The 1080p 1.78 X 1 digital High Definition image Born Innocent is a mix of new interviews, older footage, old and new audio and because the band was well into the videotape era, most vintage footage is from the analog video era, so it is low def and can be rough depending. Therefore, sonic limits extend to the PCM 2.0 Stereo mix which is as well remastered as it is going to get.


The 1080p 1.33 X 1 digital High Definition image on Cinderella In Concert is simply an upscale of the NTSC analog, color videotape recording the show was taped on, but like the dozens of SD upscales that Eagle Vision has done, its still rough and has the usual detail issues. Color is consistent and the PCM 2.0 Stereo is also sadly limited, though a DTS-HD MA (Master Audio) 5.1 lossless mix is also included that is a little better, but that also disappoints. This is likely just because it was how it was recorded and/or the soundmaster did not survive well, so be careful of high volume playback and volume switching. Still, it is a show in their prime and this is a better format than DVD or obviously VHS or Beta to have it on.


The 1080p 1.33 X 1 digital High Definition image transfer on Elvis '56 can show the age of the materials used, the second-oldest production here, it was all produced and finalized in the NTSC format like so many programs of its day, even with the many photochemical film prints here in low def, which includes some other old Elvis releases we have reviewed over the years. Like the Cinderella disc, its nice to have it on a better format like Blu-ray and hardcore Elvis fans will be particularly pleased. The PCM 2.0 Stereo is simple at best and rough, with some inherent background noise with sources event hen in various shape, so be careful of high volume playback and volume switching here as well.


The 1080p 1.78 X 1 digital High Definition image on The Secret Lives Of Bill Bartell also has its rough moments, but is in shape closer to Born Innocent than the Cinderella and Elvis discs and not just because of the aspect ratios. The PCM 2.0 Stereo happens to also fare better relatively, but still, you get rough audio all over.

The 1080p 1.85 X 1 digital High Definition image on Song Sung Blue is well shot, but a little soft, this being a now-older format and I bet this would resolve better if it ever arrives on 4K disc. The lossless Dolby TrueHD 7.1 mix is narrowly and sonically the best on the list, though I guess they are holding Dolby Atmos hostage for a potential 4K disc. The combination is still just about fine for the Blu-ray format.


The 1080p 1.33 X 1 digital High Definition image transfer on the landmark Soul To Soul has been very nicely and carefully remastered from the original 16mm elements and can sometimes show the age of the materials used, but looks pretty impressive throughout despite minor flaws, could also shine in 4K if we get that and is up there with the best 16mm Rockumentaries releases on Blu-ray (like the Criterion Gimme Shelter) that we have seen on disc to date. We are very lucky all that film survived as well as it did and it is often exciting to watch. Just see the Tina Turner and Santana music segments alone. The PCM 2.0 Stereo does its best to remaster the location audio, but it is limits by necessity and the limits of the technology of the time, so you can crank it up, but just be careful of high volume playback and volume switching here and you'll be able to enjoy it as much as possible.



- Nicholas Sheffo


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