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Category:    Home > Reviews > Drama > Authoritarianism > Fascism > Police State > Cable TV > Slavery > French > Crime > South Korea > Handmaid's Tale: The Complete Series (2017 - 2025/MGM/Warner DVD Set)/No Chains No Masters (2023/Distrib/Icarus DVD)/Splendid Outing (1978/MVD/Radiance Blu-ray)

Handmaid's Tale: The Complete Series (2017 - 2025/MGM/Warner DVD Set)/No Chains No Masters (2023/Distrib/Icarus DVD)/Splendid Outing (1978/MVD/Radiance Blu-ray)



Picture: C+/C/B Sound: C+/C/B- Extras: C+/C-/B Main Programs: B/B-/B-



Now for some dramas with real world implications...



The Handmaid's Tale: The Complete Series (2017 - 2025) finally ended its six season run and it has been one of the better TV series of the last ten years. Here is our coverage of the first four seasons:


One Blu-ray

https://fulvuedrive-in.com/review/15140/The+Handmaid's+Tale:+Season+One+(2017/MGM+Blu


Two Blu-ray

https://fulvuedrive-in.com/review/15354/Crackdown:+Big+City+Blues+(1990/Film+Detective+Bl


Three Blu-ray

https://fulvuedrive-in.com/review/15616/Game+Of+Thrones:+The+Complete+Eighth+Season+4


Four DVD

https://fulvuedrive-in.com/review/16113/Handmaid's+Tale:+Season+Four+(2021/MGM/Warner


Though we did not cover them, I did catch the last two seasons on and off and filling in the blanks with this set, can say the makers kept this going as long as possible without the weekly TV grind ruining the show outright. Of course, with the spinoff show, you know the evil authoritarian police state was not quite overthrown, but the storytelling is pretty consistent on the most part and the show never sold its audience out. Now you can see for yourself in one place, though note the latter half of the series is still not on Blu-ray for some odd reason.


Extras repeat the first four sets, Season Five adds One Burning Question segments for each episode and Season Six adds Inside The Episode pieces for all of its episodes.



Simon Moutairou's No Chains No Masters (2023) is a different type of slavery story, this time taking place in the sugar cane plantations of on the island of Mauritius in 1759, one of many under told tales. Mati (Anna Diakhere Thiandoum) is only 16 years old, but refuses to accept things as they are, while too many of the adults around her have given up years ago including her dad (Ibrahima Mbaye). When she escapes, the hunt gets vicious quickly.


Benoit Magimel is the plantation owner who hires a vicious woman named Madame La Victorie (Camille Cottin) to get her, but things will not go as planed for anyone. The film does not hold back on brutality, but never wallows in it, making it a way to punctuate how ugly this all is.


Though I did not expect another film on slavery, this was not cliched, formulaic or badly done. Well shot, acted, edited and intelligent in handling its mature subject matter, it is worth seeing if you can handle it and want to see it. We've seen some of this before, sadly and unfortunately, but it has to show what it has to show to be honest and truthful and should be commended for that.


Trailers for other releases are the only extras.



Kim Soo-yong's Splendid Outing (1978) was a big hit in its time about a highly successful woman in a big money, big time corporation (Yoon Jeong-hee) has a bad dream about her dead twin sister, she thinks nothing of it and takes a vacation break. Then, she gets kidnapped by a bitter fisherman who says she is his runaway bride!


Was it an ignored omen or something else? From there, it is an awful experience the absolute opposite of her safe success, by a man she has never met. Meant in part as a political film, even without knowing that, it is interesting at first, shades of Swept Away among other films, but it also runs into narrative issues as it goes along and that is all I can say about it without spoilers and the like.


It is well photographed and acted, so I can see its further appeal and why Radiance was ready to get the rights and issue it restored with their usual strong group of extras. I will say no more, except that if you are interested, it is worth a look.


Extras include a Feature Length Audio Commentary by Ariel Schudson (2025)

  • Interview with filmmaker Lee Chang-dong (2025)

  • Interview with assistant director Chung Ji-young (2025)

  • Stranded but Not Afraid: The Island Women of Classic Korean Cinema - a visual essay by Pierce Conran

  • Reversible sleeve featuring original and newly commissioned artwork by Time Tomorrow

  • Limited Edition booklet featuring new writing by Chung Chong-hwa and Pierce Conran and archival writing by Director Kim Soo-yong

  • and Limited Edition of 2,500 copies, presented in full-height Scanavo packaging with removable OBI strip leaving packaging free of certificates and markings.



Now for playback performance. The 1080p 2.35 X 1 digital High Definition image transfer on Splendid Outing can show the age of the materials used in parts, but has a fine scope look and some nice compositions to go with them. Color is also consistent and decent, but the credits for what widescreen format this was shot in is nothing we've seen before. It is listed as TaichangScope and the studio is Taechang, so it also turns up as TaechangScope. Like ShawScope, it is just a renamed hype and the actual lenses used are older, cheap and uncredited. However, whatever lenses they used, they used them well enough here to their credit. The Korean PCM 2.0 Mono is as good as the older theatrical sound will likely ever get.

The anamorphically enhanced 1.78 X 1 image on the Tales episodes look about as good as they can in the old DVD format, but I really liked them on Blu-ray and hoped we might get a 4K release. The lossy Dolby Digital 5.1 is similar to the Season Four set we covered a few years ago and is passable at best. I never expected DTS: X or Dolby Atmos upgrades either.


The anamorphically enhanced 1.85 X 1 image and lossy French and Wolof Dolby Digital 2.0 Stereo mix on Chains are both a little weaker and softer than I liked, but you can tell this would likely be more impressive in 1080p and still looks good and consistent. Sometimes, I really needed the subtitles.



- Nicholas Sheffo


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