
Beau
Geste
(1926/Paramount/Aircraft Blu-ray)/CODA
4K
(2020/Apple 4K Ultra HD Blu-ray)/Eddington
(2025/A24 Blu-ray)/One
Flew Over The Cuckoo's
Nest 4K
(1975/Warner 4K Ultra HD Blu-ray)
4K
Ultra HD Picture: B+ Picture: B-/X/B-/X Sound: B/B/B-/B-
Extras: B-/D/C/C+ Films: B-/B-/B/B+
Now
for some prestige films and award-winners...
Herbert
Brenon's Beau Geste (1926) is the first of many film adaptions
of the P.C. Wren novel about men joining up to be in the French
Legion, the title character (Ronald Colman) has left England after a
personal disaster. Ready to fight an Arab opponent, it turns out the
men running the organization might just be worse!
Now
running over two hours, the film leaves no stone unturned in telling
and showing the story, which goes from epic moments to very effective
acting ones with a supporting cast that includes Neil Hamilton, Noah
Berry, William Powell, Ralph Forbes, Alice Joyce, Mary Brian, Norman
Trevor, George Regas, Bernard Siegel, Donald Stewart and Victor
McLaglen.
I
was never a giant fan of any version of the book, but am always
impressed how many good moments each version has had and it also
reminds us how bold and risk-taking Paramount Pictures was in its
early years. No wonder it was #2 only to MGM. Now you can see why!
Extras
include a nice slipcase packaging and nicely illustrated booklet on
the film including informative text and another excellent, while the
disc adds a Feature Length Audio Commentary by Historian Frank
Thompson.
Beau
Geste Radio Play by Orson Welles.
New
score compiled by Rodney Sauer and performed by the Mont Alto
Orchestra.
Music
For Beau Geste.
Gallery
of behind-the-scenes and publicity stills.
Collectible
booklet featuring liner notes by Frank Thompson.
Gallery
of the original program from the premiere of Beau Geste and a
Restoration Demonstration.
Sian
Heder's CODA
4K
(2020) was the Best picture Academy Award winner, a remake of the
2014 French film The
Belier Family,
where the title stands for Children Of Deaf Adults, the tale is a an
almost all-deaf family, save their daughter Ruby (Emilia Jones) who
wants to pursue the arts and singing, but is needed to help the
family's new fishing business. Complication ensue, but sadly and
eventually, so do a few cliches.
Still,
this is very well made and I can see what the fuss was all about.
Marlee Matlin is her mother, Troy Kotsur won the Best Supporting
Actor Oscar as her father, Daniel Durant is her brother, Eugenio
Derbez as her teacher and the rest of the supporting players so well
picked that it adds to the natural flow of the film. There is
chemistry between the actors and no wonder so many people bought
this.
No,
its not a perfect film and maybe not a classic, but CODA is very
consistent for what it is and what it does, something we used to see
in feature films all the time and rarely do now. No wonder people
are still talking about it.
There
are no extras.
Ari
Aster's Eddington (2025) is a movie that tries many things and
does most of them well. There is recent history, some politics,
human nature in the face of the recent pandemic and life in the small
town of the title, but it is especially effective as the mystery film
it is and that is in layers.
Joaquin
Phoenix is the town Sheriff and Pedro Pascal its Mayor and the two do
not exactly get along, plus an election is on the way, plus a
corporation wants to built some kind of super-facility there to save
money and makes the usual promises to the desperate town how it will
benefit them. The conflict between them ironically has had to make
the corporation work harder on their hard sell, but events start to
turn and the twists and turns kick in quickly.
There
is some comedy here, but it is passive and incidental, with very
little satire, so it operates like most Kubrick films in that if you
are laughing or laughing too much, your missing vital points and
intent. That is not easy to do, but Aster (usually known for his
Horror Genre work) has worked his way into something more
multi-layered and multiple character studies on the way. As complex
as any film this year, I noticed a majority of the critics just
failing to understand it basically, the whole film going over their
heads. Some of the more cinematically literate ones have fared
better. Now you can see for yourself, but some of you might have to
rewatch some for all of it to really get it all. I was very
surprised, pleased and impressed and that rarely happens with new
films I see anymore.
Of
course, I see more than most.
Also
putting the film over is its great supporting cast including Luke
Grimes, Clifton Collins Jr., Deirore O'Connell, Michael Ward, Amelie
Hoeferle, William Belleau, Austin Butler (in one of his best turns
yet) and Emma Stone.
Extras
include Six Collectible Souvenir Postcards, while the disc adds a
Making Of featurette: Made In Eddington.
Last
but not least, Milos Forman's One Flew Over The Cuckoo's Nest 4K
(1975) is a welcome upgrade to the classic we have covered on Blu-ray
twice, as these links will attest to:
DigiPak
Version
https://fulvuedrive-in.com/review/7319/One+Flew+Over+The+Cuckoo%C3%A2%E2%82%AC%E
Gift
Box
https://fulvuedrive-in.com/review/10367/One+Flew+Over+The+Cuckoo's+Nest+(1975/Warner
So
to say the film is as relevant and valuable as ever is an
understatement and though it has been referenced, spoofed,
knocked-off, mocked, celebrated and so much more, its power remains
undiminished and the amazing acting, writing, directing and story of
the journey of McMurphy stuck in a mental institute he may not belong
in simply because he does not conform remains striking, thorough and
a solid classic. Having it now on 4K Ultra HD Blu-ray from Warner
Bros. is a real pleasure, now back to its full glory.
Extras
include Digital Movie Code, while the disc adds Deleted Scenes and
two Making Of featurettes: Conversations On Cuckoo and
Completely Cuckoo.
Now
for playback performance. The 2160p HEVC/H.265, 1.85 X 1, Dolby
Vision/HDR (10; Ultra HD Premium)-enhanced Ultra High Definition
image on Coda 4K is a really impressive digital shoot with
detail, depth and palpability I still do not see in most non-film
shoots, with good color and compositions. The DTS-HD MA (Master
Audio) 5.1 lossless mix is also well recorded, mixed, remastered and
presented with a fine soundfield throughout, even with its silences
and dialogue-heavy moments. A pleasant surprise overall that makes
it all more watchable.
The
2160p HEVC/H.265, 1.85 X 1, Dolby Vision/HDR (10; Ultra HD
Premium)-enhanced Ultra High Definition image on Nest is from
a new photochemical 2025 restoration that is rich on grain and subtle
darkness, but authentic all the way and much better than all previous
releases on home video, including those two Blu-ray releases we
covered. The DTS-HD MA (Master Audio) 5.1 and lesser 2.0 Mono
lossless mixes that is here for authenticity, but the older
theatrical monophonic sound plays better in the 5.1 mix that brings
out the most in the original soundtrack. The combination delivers
the best impact next to a mint-condition 35mm print.
The
1080p 1.33 X 1 black & white digital High Definition image
transfer on Beau Geste can show the age of the materials used,
but this is far superior a transfer to all previous releases of the
film since it restores the entire frame and some serious work had to
be done here to make this look as impressive as it is. Taking more
than two prints to save it, one print was missing a sliver of
information on the left-hand side of the frame because silent films
were often reissued with new soundtracks and with no room on the
prints for that soundtrack, the permanent loss resulted.
The
second copy was an all-silent print, meaning the full frame was
available. Shot at a faster 20 frames-per-second (versus 16 or so
for the usual silent films) made it more vivid and effective in its
time visually. By combining all that and then some, the film has
been saved, but you can learn far more about it in more detail from
supplements on the disc.
The
DTS-HD MA (Master Audio) 5.1 lossless mix is for the new music score
that is not bad, but whether you like the score or not will be a
matter of taste. It sounds good here, though.
The
1080p 1.85 X 1 digital High Definition image transfer on Eddington
can be soft, but still looks good, yet it has also been issued on 4K,
which we hope to catch up with soon. Compositions are incredible
among other things, as handled by Director of Photography Darias
Khondji, A.F.C., A.S.C., known for Se7en
and Alien
Resurrection
among other films. One of the visually best-shot films of the year,
it just adds to the intensity of the narrative. The lossless Dolby
Atmos (Dolby TrueHD 7.1 mixdown for older systems) is on the quiet,
dialogue-based side, but sounds good if not explosive all the time.
-
Nicholas Sheffo