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Category:    Home > Reviews > Drama > Melodrama > Epic > Wars > Battles > Action > Myth > Ninja > Japan > Literature > Comedy > Prisoner Of Zenda (1952/*all MGM/Warner Archive Blu-rays)

The Cobweb (1955*)/Knights Of The Round Table (1953*)/Martial Law: Lo Wei's Wuxia World: Black Butterfly, Death Valley (both 1968) and Vengeance Of A Snow Girl (1971/MVD/Eureka! Blu-ray Set)/Prisoner Of Zenda (1952/*all MGM/Warner Archive Blu-rays)



Picture: B/B/B/B-/B-/B Sound: B-/C+/B-/C+/C+/C+ Extras: C/C+/B/B- Films: C+/B-/C+/B-



PLEASE NOTE: The Cobweb, Knights Of The Round Table and Prisoner Of Zenda Blu-rays are now only available from Warner Bros. through their Warner Archive series and can be ordered from the link below.



Now for a look at how epics moved to CinemaScope, then cheaper scope landed up being picked up by relatively less expensive, if still elaborate, films...



In an amusing turn, all three big screen MGM films we are reviewing from Warner Archive are films we have never reviewed before, but we have reviewed their limited edition soundtrack releases. As surprising, all three are still in print from their original run, so we have included updated links.



Vincente Minnelli's The Cobweb (1955) is a melodrama that is trying to deal with the dark side to the point of almost being a Noir, but Minnelli was always making works more complex than most in his time. Too bad dated and campy moments keep getting in the way. We reviewed the excellent music score from the film, by Leonard Rosenman and Johnny Green at this link:


https://fulvuedrive-in.com/review/915/Cobweb/Edge+Of+The+City+(Limited+CD


You can now still order the great-sounding limited edition CD directly at:

https://www1.screenarchives.com/title_detail.cfm/ID/3558/THE-COBWEB-EDGE-OF-THE-CITY/


As for the film, it is about a mental hospital with all kinds of trouble and not just from its patients, but staff old and new as the workers are getting all wrapped up in all kinds of their own conflicts, so you can see this is only going to hinder helping those who need it most. A few scenes are so bad and politically incorrect, you'd think you were watching a spoof of such films, but that is not the case.


The great cast includes Richard Widmark, Lauren Bacall, Lillian Gish, Charles Boyer, Gloria Grahame, Oscar Levant, Susan Strasberg, John Kerr, Paul Stewart, Bert Freed, Mabel Albertson and Fay Wray, so Minnelli never had trouble landing a great cast. That's good, because they are one of the only reasons this does not really go off the rails. The only other thing is, especially for working in a hospital, so many people are smoking all the time throughout, I was surprised a few were not diagnosed or dead from long cancer by the last act. Still, all Minnelli films are worth a look, even a mixed one like this. Nice it got restored.


Extras include an Original Theatrical Trailer, CinemaScope MGM animated cartoon The Egg and Jerry and a 1955 Salute To The Theaters reel from MGM at the time that promoted this film among others...



Richard Thorpe's Knights Of The Round Table (1953) is still one of the best King Arthur films and the Miklos Rozsa score helps it out, especially when some shots and visual effects have not dated as well as others so its nice to finally have it on Blu-ray. We reviewed the excellent soundtrack CD with great sonics at this link:


https://fulvuedrive-in.com/review/944/Knights+Of+The+Round+Table/King's+Thief+(Limited+CD


You can now also still order the great-sounding limited edition CD directly at:

https://www1.screenarchives.com/title_detail.cfm/ID/3372/KNIGHTS-OF-THE-ROUND-TABLE-THE


As for the film, you have Robert Taylor in great form as Lancelot, Ava Gardner as The Queen, Mel Ferrer as the King and a solid cast backed by a big budget and full color (MetroColor versus the likes of Technicolor, but looking good just the same; the posters only say 'color' as they apparently did not know which format they were going to use) as a love triangle develops against the backdrop of war, conflict, battles and more. I love how the screenplay skips most of the fantasy/magic sides of the tale and being one of MGM's early CinemaScope films, they did go all out in a way that still shows and makes it (especially resonated like this is) shows why they were still one of the biggest studios around.


Stanley Baker, Anne Crawford, Robert Urquhart, Niall MacGinnis, Anthony Forwood, an uncredited pre-James Bond film series Desmond Llewellyn and uncredited Dana Wynter make up that supporting cast. If you like this tale, you must see this film among any other films to TV shows on the subject, so here it is.


Extras include an introduction by Mel Ferrer, newsreel footage of the premiere, CinemaScope live action MGM short Jubilee Overture, CinemaScope MGM animated cartoon Droopy Knight and an Original Theatrical Trailer.



Next is a set of ninja films, Martial Law: Lo Wei's Wuxia World featuring Black Butterfly, Death Valley (both 1968) and Vengeance Of A Snow Girl (1971) make up this new set of restored Shaw Brothers films with Director Wei. Black Butterfly is a Robin Hood story that takes a wild turn when the rob-from-the-rich hero, a gal whose father was a successful swordsman, starts stealing wealth from a criminal gang!


Death Valley has a Lord murdered by his niece (Angela Yu Chien), so that Lord's heir (Yueh Hua) lands up fighting a dangerous, hired swordsman (Chen Hung-lieh) in the murdered figurehead's absence.


And Vengeance Of A Snow Girl (snow turns up often when sword-wielding women show up in this genre for some reason) has a young lady (Li Ching) with physical issues wanting revenge when her parents are killed over the ownership of the legendary Tsui Feng Sword! Certainly reminiscent of Tarantino's Kill Bill the mostly of the three, it has its moments too.


All well done with great costumes, sets, production design, use of color and decent battle scenes, this is still a set for fans of the genre only, as important as Wei is as a filmmaker, filmmaker in the genre and others who are curious might need more patience. I have to give the benefit of the doubt that these were more impressive in their time before they became more imitated. Either way, here is the best way to see them outside of a mint condition film print and Eureka! Has created the best set of the possible, as usual.


Extras in this Limited Edition [2,000 copies] release includes:

  • Limited edition O-card slipcase featuring new artwork by Gregory Sacre (Gokaiju)

  • Limited edition collector's booklet featuring new writing on all three films in this set by Hong Kong cinema expert Camille Zaurin

  • New audio commentaries on all three features by action cinema experts Mike Leeder and Arne Venema

  • and Hong Kong Hustle - new interview with Hong Kong cinema scholar Wayne Wong on the life and work of Lo Wei.



Last but not least is the new restored Blu-ray edition of Richard Thorpe's The Prisoner Of Zenda (1952) which also remains one of the most popular and liked versions of this tale. We first covered its soundtrack by Alfred Newman, et al, which we covered in from this CD in my review here:


https://fulvuedrive-in.com/review/1093/Prisoner+Of+Zenda+(1952,+Limited+CD


You can now also still order the great-sounding limited edition CD as well, directly at:

https://www1.screenarchives.com/title_detail.cfm/ID/3805/THE-PRISONER-OF-ZENDA-MGM-1952


This time, Stewart Granger is a man who would be a king, Rudolf, the actor eventually playing dual roles as the king and his cousin. So the cousin has to play king, but will it work, after he is kidnapped as he was about to have his coronation? The king's half brother (Robert Douglas) is the one up to no good and backed by the equally sinister Rupert (James Mason) as royal loyalist Colonel Zapt (Louis Calhern) turns to Rudolf to stop them.


Deborah Kerr is great as the Princess, Jane Greer, Peter Brocco, Francis Pierlot, an uncredited Kathleen Freeman and Lewis Stone (from the 1927 silent version) make up the fine supporting cast. Now you can see the money and talent on the screen like never before and this is a Zenda worth seeing (or if you have seen it before, again) as restored as possible.


Extras include the 1927 silent version of the film with Lewis Stone (Newman did the score for that one too,) two radio drama versions (Ronald Colman/Douglas Fairbanks Jr. Lux Radio Theater and Screen Director's Playhouse version with Colman and John Cromwell at about an hour each) and an Original Theatrical Trailer.



Now for playback performance. The 1080p 2.55 X 1 digital High Definition image on The Cobweb and Knights Of The Round Table has some flaws from distortion from the old CinemaScope lens system, but color (MetroColor) is usually really good and you get some nice shots throughout. Some flaws are simply permanent and the actual materials have only a few more here and there/ This is when the scope films were wider before having to permanently accommodate optical soundtracks and permanently became 2.35 X 1. The DTS-HD MA (Master Audio) 2.0 Stereo lossless mixes om both films are using mixdowns of the original 4-track magnetic stereo, so some of the sound is permanently lost and Knights suffers more issues in this respect, more noticeable as compared to that great CD release noted above. Until the original 4-track magnetic masters (or good copies) are somehow discovered, these are the best soundtracks theses films will have until then.


The 1080p 2.35 X 1 digital High Definition image transfers on the Wuxia films can show the age of the materials used and the older single anamorphic lenses (dubbed ShawScope no matter the lenses, but likely Kowa brand) have distortions that can be as distracting as old CinemaScope. Butterfly has the least flaws, all have good color and some of the films (especially the last two) have more faded parts and flaws than the first. The Mandarin PCM 2.0 Mono mixes also show their age, with the latter two films sounding especially boxy and limited, but they were theatrical monophonic releases and with limited budgets, such issues are to be expected.


The 1080p 1.33 X 1 digital High Definition image transfer on Zenda can in small spots show the age of the materials used, but this is far superior a transfer to all previous releases of the film and it does a fine job of reproducing the look and colors of the 35mm dye-transfer, three-strip Technicolor prints that would have been issued at the time. However, the original theatrical monophonic sound, here in DTS-HD MA (Master Audio) 2.0 Mono sound, has only aged so well, also reflected in the monophonic CD we reviewed a while ago. Too bad MGM threw out the stereo copies of the music, or this could have sounded better.



To order any or all of the three Warner Archive Blu-rays, The Cobweb, Knights Of The Round Table and Prisoner Of Zenda, go to this link for them and many more great web-exclusive releases at:


https://www.amazon.com/stores/page/ED270804-095F-449B-9B69-6CEE46A0B2BF?ingress=0&visitId=6171710b-08c8-4829-803d-d8b922581c55&tag=blurayforum-20



- Nicholas Sheffo


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