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Category:    Home > Reviews > TV Situation Comedy > Science Fiction > Action > Videogame > Mystery > Drew Carey Show: The Complete Series (1995 - 2004/Warner DVD Set)/Fallout: Season One 4K (2024/MGM/Warner 4K Blu-ray Steelbook Set)

Drew Carey Show: The Complete Series (1995 - 2004/Warner DVD Set)/Fallout: Season One 4K (2024/MGM/Warner 4K Blu-ray Steelbook Set)/Murder, She Wrote: The Complete Series (1985 - 1996/Universal Blu-ray Set)



Picture: C+/B+/B Sound: C/B+/B- Extras: C-/B-/B- Episodes: C+/B-/B-



Here are some old TV favorites, back again...



The Drew Carey Show: The Complete Series (1995 - 2004) is back as a full set collected form the individual DVD sets issued long ago by Warner Bros. and you can read about the first debut season at this link:


https://fulvuedrive-in.com/review/5568/The+Drew+Carey+Show+%C3%A2%E2%82%AC%E2%


A like the cast more than the show and its writing, where the humor is semi-obvious and never goes to much further, but it is the type they decided on and the cast had enough energy and talent to make it all work for fans. I could only take the show in small amounts, but do understand its appeal, which is fine, bu would argue that a more multi-layered approach would have likely worked better. Instead, it is in the Seinfeld mode and a healthy long run hit was the result. No surprise Carey is still a star and the rest of the cast moved on to more solid work. Thus, the show is for fans only, but now they can get new pressings of the older sets and that should keep all happy for now.


The only extra is the previously released featurette Life Inside The Cubicle from the Season 1 DVD already covered. Strange the rest of the releases had zero extras, but if it is a filmed show, maybe we'll get something down the line like that



Fallout: Season One 4K (2024) is the new TV series from the Westworld team of Jonathan Nolan and Lisa Joy, another one of those post-apocalyptic tales where almost no resources are left and most of the characters are barely surviving. The nuclear disaster happened in the near future, so there is some more advanced technology that did get made before innovation could continue and the result is a series that plays against some cliches, formula and stereotypes in the situations presented (no Mad Max imitations here or anything so simple) though it cannot avoid overlap with that subgenre or themes the Westworld revival (all reviewed elsewhere on this site) took up so well.


Actually based on a videogame from 1997 that has a following and even non-videogame people have heard of or run into at times, it is quite the contrast to the recent Minecraft film (reviewed in 4K elsewhere on this site) and one of the only such adaption to take itself seriously versus the majority of videogame takeoffs being loaded (for better and worse, depending) on comedy. We are introduced to several continuing characters, with Lucy MacLean (Ella Purnell) and Maximus (Aaron Moten) being interesting and somewhat contrasting starting points. Then we meet the rest of the characters and the supporting cast of mostly new actors hold their own here.


As well, veterans like Walter Goggins, Leslie Uggams, Matt Berry, Chris Parnell, Fred Armisen and Kyle MacLachlan also deliver and all this melds to create one of the more surprisingly good series we've seen in a while. I'll stop there so I do not ruin any surprises, but Fallout is the kind of show you should start watching only knowing some basic information and just let it happen to you. Rarely are series this good and ambitious anymore, but here it is and if you are interested, definitely check it out.


Extras with this Limited Edition Steelbook release (per the press release, but to be seen after watching the whole season) include Audio Commentary tracks exclusive to this physical release.

  • Animated Content - A step-by-step career walkthrough with a focus on what really matters, produced by Vault-Tec executive Bud Askins.

  • Becoming The Ghoul - Award-winning actor Walton Goggins plays not one but two central characters in Fallout. This in-depth look highlights the dichotomy of The Ghoul and Cooper Howard, and their long journey from past to present.

  • Console to Camera - The Fallout universe has a rich legacy with tens of millions of fans around the world. Go behind-the-scenes of Prime Video's new series and explore how and why, after nearly three decades, it was the perfect time to make the S.P.E.C.I.A.L. leap from game to screen.

  • Creating the Wasteland - The VFX team for Fallout breaks down the various ways, mostly practical, they brought the Wasteland to life.

  • Inside Season One - Go inside the making of Season One.

  • Meet the Filmmaker (and fanatic) Jonathan Nolan - Todd Howard and Bethesda Game Studios waited over 25 years to find someone with the 'Profile' to bring their iconic universe to life.

  • Prosthetics & Makeup Gone Nuclear - Let's face it - when it comes to Prosthetics and Makeup design in Fallout, Gore and Ghouls go hand-in-hand.

  • Safe and Sound - Composer Ramin Djawadi and the team behind the sounds of Fallout reflect on the many musical notes of Season One.

  • Set Your Sets on 2296 - Inside the cinematography and production design for Fallout, and how Jonathan Nolan and team achieved a very specific (and unforgettable) look for post-apocalyptic Los Angeles

  • The Costumes of Fallout - Costume designer Amy Westcott and the Fallout producers unpack how they brought the Fallout factions to life.

  • Welcome to the World of Fallout - An atomic past creates wild new futures. The cast and filmmakers of Fallout discuss the unique tone, characters and vast world of the post-apocalyptic sci-fier, based on the beloved video game franchise.

  • and Writing for the Wasteland - Showrunners Geneva Robertson Dworet and Graham Wagner describe how they created the ultra-unique tone of Fallout.



Murder, She Wrote: The Complete Series (1985 - 1996) is a surprisingly impressive upgrade to the hit detective series with Angela Lansbury as Jessica Fletcher, a mystery novel writer who also does detective work in real life. Making the end of an ear of one-hour Universal Television dramas that began decades before, we have reviewed most of the series in the following DVD Season set releases:


Two

https://fulvuedrive-in.com/review/3141/Murder,+She+Wrote+-+The+Complete+Second+Season


Three through Eight

https://fulvuedrive-in.com/review/6807/Murder,+She+Wrote+%C3%A2%E2%82%AC%E2%80%


Nine

https://fulvuedrive-in.com/review/8215/Murder+She+Wrote:+The+Complete+Ninth+Season+(U


The series ran 12 seasons altogether, so that is only two-thirds of the show's run and I only still like the first few seasons. However, I have to admit that the upgraded transfers make watching the show more pleasant than ever, a little more than even I expected and you can see the actors more clearly, that there is a little more money on the screen than you might have remembered and this show had a greater set of guest stars than The Love Boat and even the original Fantasy Island, which were fun, but not as good as this show.


Like The Lucy Show, the series teleplays became weaker later and the producers made up for it as much as possible with star power and talent. Fortunately, the show was enough of an A-level prestige production and hit that the guest cast is one of the strongest for a show of its time and reminds us that shows are sadly not made like this anymore. That all ended sooner than it should have and most one-hour dramas are far more generic, plus very few detective shows are getting produced, supplanted by police procedurals and much, much worse.


But it is Lansbury who really gets to shine, only having been cast when Jean Stapleton, who was first offered the series, turned the role down because she had had enough of the weekly TV grind with All In The Family and its massive hit success. Stapleton thought it was also too soon, so Lansbury always thanked her every time she saw her afterwards. So sad they and many of the guests throughout the years here are gone, but they are all sure captured here in great form no matter what and fans will be very happy down to how nicely this box set is designed in the style the show is known for and will fit great on a bookshelf. Especially for superfans who might have some of the tie-in novels produced to go with the show.


Also, along with
Magnum, P.I. that has an interesting tie-in set of episodes all in this set is that both shows were the end of a great era of Universal Television series that got going in the later 1960s. A great time for TV productions from the studio, shows like this had the original era go out on top before some of the hour-long shows got silly or just were plain bad and did not work. Lansbury proved along with The Golden Girls and others that being older did not mean you were obsolete as an actor or lead star. They were among such shows that changed things a little for the better on U.S. TV and no doubt it even extended to this show partly inspiring the animated Sylvester & Tweety Mysteries.


The series was still on top when Universal and CBS cancelled it, angering fans and apparently surprising Lansbury, but reruns practically in the same time slot on the same night on the USA Network were a huge hit and that led to the four telefilms we get as bonuses here. Now you can enjoy the show and better than ever.


Extras include the four telefilms that brought Jessica back including South By Southwest (1997,) A Story To Die For (2000,) The Last Free Man (2001,) and The Celtic Riddle (2003,) plus The Great '80s TV Flashback, Bonus Episode: Magnum, P.I. Season 7: Novel Connection, Bonus Episode: Murder, She Wrote Snow White, Blood Red, Origin of a Series, Recipe for a Hit, America's Top Sleuths, The Perils of Success, Bonus Episode: Amsterdam Kill, Bonus Episode: Big Easy Murder and Bonus Episode: Home Care.



Now for playback performance. The 2160p HEVC/H.265, 2.35 X 1, Dolby Vision/HDR (10; Ultra HD Premium)-enhanced Ultra High Definition image on the Fallout 4K episodes are shot on actual 35mm Kodak Vision 3 series color negative photochemical films with great results, using anamorphic HawkScope lenses (and some Super 35,) making it one of the best-looking TV productions being made right now. You have your share of digital work as expected, but some shots even exceed my rating. Worthy of the visuals on the Westworld series, I was a little surprised by how good this was and could get. The lossless Dolby Atmos (Dolby TrueHD 7.1 mixdown for older systems) mixes on all eight episodes are fine, including some moments where the sound really kicks in. the combination is very good and well done.


The 1.33 X 1 image on the Drew Carey DVDs are the same color-decent transfers from the previous DVD set we covered and others we saw, looking good color-wise, but the definition can be lacking with some soft detail, while the lossy Dolby Digital 2.0 Stereo sound is a little weaker overall than expected. From our research, though thew show can look like it was shot on video of some kind. They apparently were actually shot on 35mm photochemical color film, so maybe if those negatives survived, we might get a Blu-ray or even 4K set if sales were strong. With Carey so great on the current Price Is Right, nothing would surprise me.


The 1080p 1.33 X 1 digital High Definition image transfers on the Murder, She Wrote episodes definitely improve in color and warmth versus the older transfers on their DVD counterparts. The only thing is, you can get scenes and shots that look softer, grainier or have some detail limits that give the episodes an inconsistent look. Also there is not any fancy form in the way the show was shot, though the first few season could have some more visual darkness the series skipped on as it became more successful. Still, when it looks good, it looks really good. By later seasons, they are using more light sensitive film to not have to use as much lighting, but that makes the show look a little less solid, especially considering its genre. When you look at the credits in the last few seasons, pulling on episodes from previous shows, you can see the film used was maybe TOO varied, but that was TV at the time before it went HD and 4K.


Fortunately, the telefilms are shot better and look more consistent, the best the show looked since its early seasons, to that's a plus and the time at which they did the Magnum, P.I. Crossover shows is just before the show really started getting softer and a little more lite than more serious detective show fans might have wanted.


The DTS-HD MA (Master Audio) 2.0 Mono lossless mix on the regular episodes sound about as good as they ever will, clean and only limited in sonics here and there, depending on the episode. The four telefilms are all in DTS-HD MA (Master Audio) 2.0 Stereo lossless mixes and sound the best on the set, as a result. Try them with the Dolby Pro Logic mode or the like and see what results you get. If nothing else, all of the discs were recorded, mixed and edited to very professional standards and that helps them hold up. They will never sound better than they do here.



- Nicholas Sheffo


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