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Category:    Home > Reviews > Horror > Thriller > Science Fiction > Serial Killer > Action > Spy > Alien Rubicon (2024/Asylum DVD)/Evilenko 4K (2003/Unearthed 4K Ultra HD Blu-ray w/Blu-ray)/Swordfish 4K (2001/Warner/Arrow 4K Ultra HD Blu-ray/all MVD)

Alien Rubicon (2024/Asylum DVD)/Evilenko 4K (2003/Unearthed 4K Ultra HD Blu-ray w/Blu-ray)/Swordfish 4K (2001/Warner/Arrow 4K Ultra HD Blu-ray/all MVD)



4K Ultra HD Picture: A-/B+ Picture: B-/B+/X Sound: B-/B+/B Extras: C-/B-/C Films: C-/C+/C-



Now for more genre films, including two getting top Ultra HD treatment....



Genre films by the indie production studio The Asylum are always an interesting watch and here we have Alien Rubicon (2024). The film has a poster that would make you believe the tone is similar to Alien Romulus in some respects, but the film you get is closer to The Day The Earth Stood Still mixed with a little Independence Day and The Day After Tomorrow for good measure... but on a budget of next to nothing. That being said the writing and what these actors can do with the material overall renders a pretty stiff result.


The film stars Preston Geer, Paul Logan, Christina Rose, Lindsey Marie Wilson, Michael Pare, Tammy Klien, and Neely Dayan to name a few. The film is directed by Adrian Avila.


In Alien Rubicon, a scientist and The President join forces in stopping a hostile takeover when vessels land and start causing destruction. As the alien start demolishing whatever they can, a weakness in found in the alien mechanism that the human team must use to get the upper hand. (In other words, the plot of Independence Day.)


The film's biggest failure is the production design and it's most notable in scenes involving The White House where we see exit signs throughout nearly every frame and thrift store President paintings hanging on a plain white wall or a bland meeting room. Scenes that take place within a helicopter are probably the best looking, but overall the feeling that the production of this film was extremely rushed is highly evident.


Special Features: Trailers for other releases from The Asylum.


Alien Rubicon is a heavy swing for an indie movie studio and overall the film hits its mark in some aspects and not in others. I feel like a lot of focus was spent on the digital effects more than the actual production of the film with some pretty lackluster set design that works against it. If your main character is The President and most of the film takes place in The White House then to have a set to match the realism should have been crucial. It's apparent what the team was going for here, but story-wise its nothing we haven't seen done far better before. At the end of the day, the film just isn't very fun. It's just too serious and stiff necked for what it's emulating.



A spin on Silence of the Lambs mixed with a political period piece, David Grieco's Evilenko (2003) stars Malcolm McDowell as A.R. Cikatilo, a school-teacher sociopath also known as Rostov. A.R. Evilenko. The film also stars Marton Csokas, Ronald Pickup, Frances Barber, and John Benfield.


Loosely based on a true story, Evilenko is a communist and vicious serial killer who manipulated, killed, and even ate more than 55 women and children in old days of the Soviet Republic. The film follows a detective who takes on the case and apprehends the killer which McDowell plays in a very believable and grotesque manner in behavior that worsens as the film progresses. The film is a bit stiff and has some pretty dull moments which may turn off the usual gang of horror fans looking for graphic violence and adds a few supernatural elements that tend to shift the realistic tone a bit (Evilenko has a hypnotic power over his victims.) The narrative is a bit all over the place, but McDowell's performance is more or less the glue that holds the thing together.


Special Features:


An 81-minute cast and crew interview collection including writer/director David Grieco, actor Malcolm McDowell and composer Angelo Badalamenti


Evilenko Dossier: Andrei Chikatilo - a 27-minute look at the real-life basis for the character of Evilenko David Grieco and Malcolm McDowell on 'Evilenko', a 69-minute interview from 2021


Photo Gallery and an Original Theatrical Trailer.


Evilenko isn't an easy film to stomach if you are disgusted by predatory behavior against children. I'm not quite sure of the audience they were going for here, but the end result is a mixed bag.



With a cast that includes Hugh Jackman, John Travolta, Halle Berry, Don Cheadle, Sam Shepard and Vinnie Jones, you can see why Dominic Sena's Swordfish 4K (2001) would be a curio, but it also remains one of the worst films ever made in the genres it covers with a ton of missed opportunities and a massive waste of a great cast. You can read more about how horrid it is at this link of my older coverage of this clunker in the obsolete HD-DVD format...


https://fulvuedrive-in.com/review/3689/Swordfish+(HD-DVD


Fortunately, all the actors survived this trainwreck and no doubt the 9/11 terrorist attacks made most people (save those who lost a few hours of their life to it like this critic) and that was for the better. Sena took eight years to make another theatrical feature film in Whiteout with Kate Beckinsale (but without Michael Nesmith) in 2009 with all kinds of missed opportunities there, then Season Of The Witch (2011) with Nicolas Cage and Ron Perlman that was even worse than Swordfish and ended his directed career. View any or all of them at your own peril and also blame Producer Joel Silver when you regret it.


Extras repeat the earlier Blu-ray/HD-DVD releases and add new items, so the complete list includes:

  • Audio commentary by director Dominic Sena

  • Soundtrack Hacker, a brand new interview with composer Paul Oakenfold

  • How to Design a Tech Heist, a brand new interview with production designer Jeff Mann

  • HBO First Look: Swordfish, a promotional behind-the-scenes featurette

  • Effects in Focus: The Flying Bus, a promotional featurette detailing how the film's iconic climactic scene was created

  • Planet Rock Club Reel, a music video by the film's co-composer Paul Oakenfold

  • Swordfish: In Conversation, a promotional featurette with interviews from cast and crew members including actors Hugh Jackman, John Travolta, Halle Berry, Don Cheadle and Sam Shepard, director Dominic Sena, and producer Joel Silver

  • Two alternate endings

  • Theatrical trailer

  • Reversible sleeve featuring original and newly commissioned artwork by Tommy Pocket

  • Double-sided fold-out poster featuring original and newly commissioned artwork by Tommy Pocket

  • and an Illustrated Collector's Booklet featuring new writing on the film by Priscilla Page and an article from American Cinematographer about the film's opening sequence.



Now for playback performance. The 2160p HEVC/H.265, 1.85 X 1, HDR (10; Ultra HD Premium)-enhanced Ultra High Definition image on Evilenko 4K was shot in 35mm spherical process in both its color and black and white sequences and that the 2160p presentation has been restored nicely with a transfer that is certainly satisfactory on both formats. The regular 1080p high definition on Blu-ray disc with an MPEG-4 AVC codec, a widescreen aspect ratio of 1.85:1 and an identical English, lossless DTS-HD MA (Master Audio) 5.1 (48kHz, 24-bit) to the 4K UHD disc that is fine for such a suspense thriller.


The 2160p HEVC/H.265, 2.35 X 1, Dolby Vision/HDR (10; Ultra HD Premium)-enhanced Ultra High Definition image on Swordfish 4K is an improvement over the older HD-DVD/Blu-ray transfer, but also exposes all kinds of sloppiness and the production, editing and bad digital work of the time, only saved by better color and a more solid look. The film only looks so good. The lossless DTS-HD MA (Master Audio) 5.1 is the same as it always was and somehow manages to hold up. The combination is as good as this will ever look or sound and that is not saying much.


Alien Rubicon is presented in anamorphically enhanced, standard definition (480i) on DVD with a 1.78:1 widescreen aspect ratio and a lossy 5.1 Dolby Digital surround mix. The film is shot digitally with RED cameras which helps out the look some, but the color correction isn't the best throughout with some skin tones looking a bit too hot. The digital effects elements aren't always a smooth render, with some explosions looking considerably unrealistic. Aside from the normal lack of definition, the film looks and sounds fine for the DVD format.



- Nicholas Sheffo (Swordfish 4K) and James Lockhart

https://letterboxd.com/jhl5films/



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