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Category:    Home > Reviews > Drama > Melodrama > Romance > Western > Civil War > Revenge > Silent Cinema > Merry-Go-Round (1923/Flicker Alley Blu-ray)/Springfield Rifle (1952/Warner Archive Blu-ray)/Tom Tyler Silent Film Collection: Law Of The Plains + Man From Nevada (both 1929/Undercrank Blu-ray)

Merry-Go-Round (1923/Flicker Alley Blu-ray)/Springfield Rifle (1952/Warner Archive Blu-ray)/Tom Tyler Silent Film Collection: Law Of The Plains + Man From Nevada (both 1929/Undercrank Blu-ray)



Picture: B-/B/B/B Sound: B-/C+/C+/C+ Extras: B/C/C- Films: B-/C+/B- & C+



PLEASE NOTE: The Springfield Rifle Blu-ray is now only available from Warner Bros. through their Warner Archive series and can be ordered from the link below.



Now for three remarkable silent gems and the kind of sound film that continued and finished what such films started...



Merry-Go-Round (1923) is an impressive, ambitious reconstruction of yet another lost film of one of the greatest directors of all time, Erich von Stroheim, except he was fired by Universal after several weeks of production, so their great journeyman filmmaker Rupert Julian (the original Phantom Of The Opera) took over and the result was still a huge hit.


In it, a man of some means (Norman Kelly as a Count yet!) pretends to be a necktie salesman (of all things) and unexpectedly falls in love with the daughter (Mary Philbin) of a puppeteer (Cesare Gravina) at the traveling circus. Too bad he going to marry a Countess (Dorothy Wallace)!


Now why he would do this is the part that needs to be most convincing for the audience to suspend disbelief and buy the film and the screenplay just gets by that one, but it is also how well it is shot and edited, the casting is a plus, the energy and flow work and when it ended, I could see why it was such a hit. The tale never becomes a love triangle, though it could have and though it is not a totally Stroheim film, his mark is on here and Julian could still hold his own as a very professional filmmaker and one of the best on the Universal lot at the time. Maude George lead the rest of the cast and now saved, this is a must-see for all serious movie fans and has some fine moments you'll love.


Extras include:

  • Old Heidelberg (1915): A new restoration of a feature from director John Emerson and producer D.W. Griffith, which served as an influence on Merry-Go-Round and also boasts Erich von Stroheim's very first acting role.

  • Vienna Actualities: Explore Vienna in the years before World War I with 17 minutes of historical footage, courtesy of Filmarchiv Austria

  • Restoring Merry-Go-Round: Go behind the scenes of the brand-new restoration with film restorer Serge Bromberg

  • Feature Length Audio Commentary by Richard Kosarski: Go behind the scenes of the troubled production and explore Merry-Go-Round's incredible filmic legacy with an in-depth commentary track from cinematic historian Richard Kosarski

  • and a Souvenir Booklet featuring a new essay on the production by Richard Kosarski and notes on the restoration by Serge Bromberg and Lucie Fourmont.



Movie fans have been waiting for all kinds of Warner catalog classics (which also includes RKO and most MGM titles) to get reissued after years (or longer) of only being available on DVD and Springfield Rifle (1952) has finally arrived. As I said when I covered it in the Gary Cooper Signature Collection DVD set, it ''...is an even more explicit Revenge Western as has the gutsy Andre de Toth directing a script co-written by the creator of the radio hit Gunsmoke except that The Civil War is not over yet. Cooper plays an Army man infiltrating the Confederacy so he can find out who is stealing horses. This slowly builds into a battle that might even alter the course of the war... it is a smaller scale A-Western that holds up in mixed ways.''


So to some, the title may sound simple or like a B-movie, but when considered for the time period it takes place, it is about how a single weapon can change the course of history (with echoes of atomic weapons in any post-WWII film) and in an era where a new gadget or drug can be a hit and change lives, it is easy to miss how the film was trying to make its point back in the day. It does enough and though I think the film is uneven, it is ambitious and is one of those dramas that picks up the somber tone of similar silent films before it. Stoic? Maybe too, but this was an ambitious production and now restored so well, you can enjoy that aspect more than ever.


Extras include an Original Theatrical Trailer, the great classic warner animated cartoon shorts Feed The Kitty and Rabbit's Kin (both in HD, but with lossy Dolby Digital 2.0 Mono sound) and Joe McDoakes Short (in standard definition) So You Want To Enjoy Life.



Tom Tyler was a major action actor who broke ground in the genre work he did without even totally knowing it, a star who easily made the transition to sound films and appeared as the leads in two of the most important of all serials, The Phantom (1943, the first superhero to appear in a comic strip, decades before the well-liked Billy Zane remake) and The Adventures Of Captain Marvel (1941, the original name of Shazam! and considered the greatest action serial and superhero serial ever made; both reviewed elsewhere on this site.) He also appeared in some classics (the original silent 1925 Ben-Hur, original Stagecoach, Gone With The Wind, the Gene Kelly Three Musketeers,) some interesting westerns.


Tom Tyler Silent Film Collection features two early western silent films directed by J.P. McGowan: Law Of The Plains and Man From Nevada (both 1929,) miraculously saved and preserved after a century. In Plains (45 strong minutes) he plays a man who has to save a family from having their property/home taken by criminals, while in Nevada (36 minutes) has our hero avenging his father's death against his killers who also are trying to steal home and land, plus the director plays one of the villains!


The camera liked Tyler and he was one of the best actors you could cast for these films, an athlete and weightlifter when it was not as common and he always played well for the camera. A big star in his time, she should have been even bigger, but it is now about him being rediscovered and having his early nearly-lost films and other works being restored and reissued (like those superhero serials, et al) and I think fans will really enjoy it all. Even if you don't like westerns, these films are definitely worth a look, small gems of silent cinema alone being enough of a reason to see them. All serious film fans should!


The only extra is a 4-minute Life In Pictures gallery on Tyler, a major leading man too forgotten, despite some very key work for the career he had.



Now for playback performance. The 1080p 1.33 X 1 black & white digital High Definition image transfer on Merry-Go-Round can show the age of the materials used because the sources are rare, very, varied and in all kinds of conditions and film formats (35mm, 16mm), so much work had to be done to save the film and get a complete version (finally) after many decades of not being available in a complete version. With some tinting and toning here and there, some damage was not fixable, but it can look anywhere from a little off to amazing. The featurette explains more, but the work is amazing and the new PCM 2.0 Stereo score is not bad and has the best sound of all the discs, though it could be a little forward and very slightly bright. Otherwise, the film speaks for itself and is a its at least a minor classic.


The 1080p 1.33 X 1 digital High Definition image transfer on Springfield Rifle can sometimes show the age of the materials used, but this new 4K scan of the original 35mm camera negative is a huge jump over the older DVD release with some fine, solid 'WarnerColor' (Warner's own lab handling Eastman Kodak 35mm color negative) and the color here overall is better than even I expected. They did their job well here and we're lucky the negative held up so well. The DTS-HD MA (Master Audio) 2.0 Mono lossless mix odes improve over the lossy DVD sound from years ago, but it also shows some sonic limits from the original optical monophonic theatrical sound. This is as good as this film will ever sound and melds with the solid image well enough.


The 1080p 1.33 X 1 black & white digital High Definition image transfers on the Tom Tyler films look remarkable well for their age, the restorations impressive and original elements hold up better than expected. Plains is monochrome, while Nevada is tinted for the most part, but they are both a pleasure to watch and only occasionally showing their age. The lossy Dolby Digital 2.0 Stereo mixes for the new Ben Model music scores are fine as usual, but I wish they were lossless like his impressive score for The Bat (1926, reviewed elsewhere on this site and highly recommended) but they are still clear enough.


To order the Warner Archive Springfield Rifle Blu-ray, go to this link for it and many more great web-exclusive releases at:


https://www.amazon.com/stores/page/ED270804-095F-449B-9B69-6CEE46A0B2BF?ingress=0&visitId=6171710b-08c8-4829-803d-d8b922581c55&tag=blurayforum-20



- Nicholas Sheffo


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