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Category:    Home > Reviews > Drama > Romance > Melodrama > WWI > Silent > Action > Comedy > Musical > Western > Crime > Golf > Stardom > Japan > Tale Of Sorrow And Sadness (1977/MVD/Shochiku/Radiance Blu-ray)

Four Horsemen Of The Apocalypse (1921/Metro Pictures*)/Hit Man (1972/MGM*)/Love Hurts 4K (2025/Universal 4K Blu-ray w/Blu-ray)/Monogram Matinee, Volume 1: Mississippi Rhythm/Western Renegades (Johnny 'Mack' Brown)/Crashing Thru (Whip Wilson/all 1949)/*all Warner Archive Blu-rays)/Tale Of Sorrow And Sadness (1977/MVD/Shochiku/Radiance Blu-ray)



4K Ultra HD Picture: B+ Picture: B/B/B/B/B-/B-/B- Sound: B-/B-/B+/B-/C+/C+/B- Extras: D/C-/C+/D/B Films: B-/C+/C+/C+/B-



PLEASE NOTE: The Four Horsemen Of The Apocalypse, Hit Man and Monogram Matinee, Volume 1 Blu-rays are now only available from Warner Bros. through their Warner Archive series and can be ordered from the link below.



Rex Ingram's The Four Horsemen Of The Apocalypse (1921) is a big hit silent film that helped put Rudolph Valentino on the map as one of Hollywood's first huge superstars, playing the rich son of a rich Frenchman, living a life of luxury in Argentina, then falling for a married woman. All this is thrown into flux when WWI breaks out, the woman goes to work for the Red Cross, he gets visited by the title ghosts and then decides he has to forget his plush life and sign up for the Army.


Action and melodrama follow, the film often even to this day having some of its footage and clips (especially of Valentino) still shown and not identified, also making it one of the lucky minority of silent film classics that have survived and this one in better shape than many that have. Its impact as a early critical and commercial success helped build Hollywood, its star system and Metro Pictures, which would soon transform into the #1 studio of the Classical Hollywood period, Metro-Goldwyn-Mayer.


The cast, crew and filming here hold up very well, are a bit ahead of their time and that makes it a serious enough classic that all serious film fans need to see it at least once. Glad it has arrived on Blu-ray and was taken care of and saved.


There are sadly no extras.



George Armitage's Hit Man (1972) is MGM's attempt to score another Shaft-like Blaxploitation hit movie, this time with an uncompromising Bernie Casey in the title role, getting revenge on whomever killed his brother and tried to make it look like he died otherwise. Tyrone Tackett (Casey) quickly goes into action to track down the killers and the truth. Pam Grier has an early appearance as one of the leading ladies and this is actually an early remake of the Michael Caine hit Get Carter, later remade badly with Sylvester Stallone and recycled a few other times since.


Since Grier became an icon soon after in a series of films where she was the action star, this is a curio just based on that, but the film offers more in the way of action, good pacing and reminding us how underrated Casey is. Casey was in the Jim Brown hit Black Gunn the same year and Cleopatra Jones the next, soon followed by Dr. Black, Mr. Hyde, the Bowie Man Who Fell To Earth and beyond Blaxploitation films like Sharky's Machine, Bond film Never Say Never Again, Bill & Ted's Excellent Adventure, Another 48HRS, Revenge Of The Nerds and plenty of key TV work before his passing. In one of his rare lead roles, he can more than carry the film.


An Original Theatrical Trailer is sadly the only extra.



Jonathan Eusebio's Love Hurts 4K (2025) brings Academy Awards winner and one-time child actor Ke Huy Quan back in front of the camera doing martial arts as a real estate guy with a secret, dark past that comes back to haunt him as an old love (Ariana DeBose, Kraven The Hunter) comes back into his life from the past and all the sudden, he's getting attacked just like the old days. Quan is good here, juggling humor and absurdity, while still being able to do martial arts.


A slightly ultra-violent comedy from the producers of Nobody and Violent Night, the film is well done, nicely cast and has some amusing moments, but the screenplay is the real culprit here, with too many cliches and predictability when one or two more rewrites with some more ideas could have really delivered. That's a shame too because they also got a good supporting cast including Cam Gigandet (so good in Priest,) Lio Tipton, Mustafa Shakir, Daniel Wu and Sean Astin are all a plus, so maybe if this gets a possible sequel, they could do better next time. It is at least worth a look or what does work.


Extras include an Alternate Ending

  • Deleted and Extended Scenes

  • Lovers in the Park

  • Dog Poop

  • Last Client

  • Dead Roses

  • Extended Knuckles and Merlo

  • Kippy's Teeth

  • Extended Otis and King

  • Extended Raven and Ash

  • The Ke to Gable: Witness Ke Huy Quan's rigorous training regimen with the 87North stunt team that helped prepare him for the role of Marvin Gable.

  • The Heart of LOVE HURTS: Journey behind the scenes with Ke Huy Quan, Ariana DeBose, Marshawn Lynch and the rest of the exciting ensemble cast of LOVE HURTS.

  • and Stunts Hurt: Explore the intensive process behind creating the spectacular fight sequences in LOVE HURTS.



Next up are three films form 1949 from the successful B-movie company Monogram Pictures, best known for their superior serials and some other notable feature films. In what promises to be a new Blu-ray series, Monogram Matinee, Volume 1 offers a musical of sorts with Mississippi Rhythm (Dir: Derwin Abrahams) and two B-movies with a lead action star. Rhythm has real life singer Jimmie Davis as a man who inherits land from his uncle, but others around him were already planning to steal it. Yet, this is a musical with one of Monogram's larger (relatively speaking) budgets and the music did not stay with me. It has a few good moments, but deducts points for a moment of blackface.


Western Renegades (Dir: Wallace Fox) is another film in the long western action filmography of Johnny 'Mack' Brown, whom we have covered before a few times and you can read about those releases at this link:


https://fulvuedrive-in.com/new/viewer.cgi?search=mack+brown


This time, brown is a U.S. Marshall out to clear the name of a friend accused of murder and get the guys who framed him. That one runs 54 minutes.


And
Crashing Thru (Dir: Ray Taylor) has the lesser-known (save to fans of hero westerns) Whip Wilson as a Wells Fargo agent undercover to stop a series of stagecoach robberies and at any cost. It also runs 54 minutes and is not bad.


They may all be lower-budget affairs, but at least they took that there was an audience and actually cared to make films for them unlike these really, really bad package deals we are seeing now. We'll see what the next volumes offer.


There are no extras, despite three films being included on a single disc.



Seijun Suzuki's Tale Of Sorrow And Sadness (1977) is the director's comeback film that is actually based on a Manga and is his look at and attack on fame and the machine that makes it shallow, silly and even deadly. Kuniko Ashihara plats a female golfer (they were very popular in Japan, even when they were just getting off the ground in the U.S. at the time this film was made) who becomes a great success, but all the men around her, from her manager to brother, keep manipulating her to her detriment. Then she is in a car accident and an obsessed fan intends to blackmail her!


Well, that's a good bit for any film, but seems on the money for a film by Suzuki, who is better at juggling all of this than most filmmakers then and now. I won't ruin anything more, but it is very well done, he makes his points about the banality of fame and a male dominated society and that holds up very well, including his original take on such things before it was more common.


Though some things are dated here and there, it also serves as a time capsule from the analog TV era and the gaudiness of it all is sad among all the events we experience here. The use of color is interesting and the cast is really good too.


Extras impress and include a Feature Length Audio Commentary Track by critic and author Samm Deighan (2025) that is outstanding

  • New interview with editor Kunihiko Ukai (2025)

  • Original Theatrical Trailer

  • Reversible sleeve featuring original and newly commissioned artwork by Sam Smith

  • and a Limited Edition booklet featuring new writing by Jasper Sharp and an archival review of the film.



Now for playback performance. The 2160p HEVC/H.265, 2.00 X 1, Dolby Vision/HDR (10; Ultra HD Premium)-enhanced Ultra High Definition image in Love Hurts 4K is the visual playback champ here and not just because all the other films are 50 to 100 years old on the list, though more of them are looking better than you might expect. Color, definition and detail are mostly consistent with few flaws and better than most such HD-shot genre films of late. The regular 1080p 2.00 X 1 Blu-ray also holds up better than most of its competitors and the lossless Dolby Atmos (Dolby TrueHD 7.1 mixdown for older systems) mix on both disc versions is a decent mix and more consistent and thought out than most such genre films we've covered over the last few years. Wish more such films looked and sounded this good, but guess there is more sloppiness out there than there should be.


The 1080p 1.33 X 1 black & white digital High Definition image transfer on Horsemen can sometimes show the age of the materials used, but this is far superior a transfer to all previous releases of the film on home video and the restoration work done on the film years ago holds up very, very well. The new music score is in a DTS-HD MA (Master Audio) 2.0 Stereo lossless mix that sounds good, but can also sound a little forward. Otherwise, its fine.


The 1080p 1.85 X 1 digital High Definition image on Hit Man looks good, well handled by the MetroColor labs and is as rich and gritty as expected, while the DTS-HD MA (Master Audio) 2.0 Mono lossless mix is as good as this film will ever sound without trying to do a stereo upgrade, so the combination is palpable, effective, authentic, organic and fine. Future Fugitive (with Harrison Ford) director Andrew Davis was Director of Photography on the film.


The 1080p 1.33 X 1 black & white digital High Definition image transfer on the three Monogram films can show the age of the materials used, but Mississippi Rhythm holds up a little better and has more sharpness, clarity and detail than the other films, which were treated like B-movies and are a little softer. All three films are presented in DTS-HD MA (Master Audio) 2.0 Mono lossless mixes off of their original theatrical monophonic releases and again, Mississippi Rhythm has sound that has survived and sounds better than the other films. Monogram may have spent more money on the film since it is a musical in part.


The 1080p 2.35 X 1 digital High Definition image transfer on Sorrow can show the age of the materials used and the older anamorphic lenses have inherent flaws that cause softness and cut into the fidelity of the frame, but the color is really good and the Japanese PCM 2.0 Mono sound is as good as the film will ever sound. The combination is good.



To order either of the Warner Archive The Four Horsemen Of The Apocalypse, Hit Man and/or Monogram Matinee, Volume 1 Blu-rays, go to this link for them and many more great web-exclusive releases at:


https://www.amazon.com/stores/page/ED270804-095F-449B-9B69-6CEE46A0B2BF?ingress=0&visitId=6171710b-08c8-4829-803d-d8b922581c55&tag=blurayforum-20



- Nicholas Sheffo


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