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Category:    Home > Reviews > Documentary > Politics > Election > Cold War > Drama > Depression > British > Music > Battle Of Chile (1975 - 1978/remastered/Icarus DVD Set)/Hard Truths (2023/Film 4/Bleecker Street/Decal Blu-ray)/Joan Baez: I Am A Noise (2023/Magnolia Blu-ray)

Battle Of Chile (1975 - 1978/remastered/Icarus DVD Set)/Hard Truths (2023/Film 4/Bleecker Street/Decal Blu-ray)/Joan Baez: I Am A Noise (2023/Magnolia Blu-ray)



Picture: C+*/B-/B- Sound: C+/B/B Extras: B/D/D Films: B/B-/B



Now for some new releases with some very serious, rich, mature content everyone should see...



Patricio Guzman's The Battle Of Chile (1975 - 1978) was planned as a documentary of the country under democratically-elected Salvador Allende, but landed up being a priceless record of his overthrow by outside countries. I covered the original DVD set form Icarus at this link:


https://fulvuedrive-in.com/review/9363/The+Battle+Of+Chile+(1975+-+1978/Icarus+Films+DV


Icarus has had the three-part classic remastered and there are enough in the sound and image improvements that it looks and feels al the more palpable versus the older DVD set, but just having it saved and restored is important for so vital a document.


Extras include the Guzman documentary (96 minutes long) The First Year, celebrating the election of Allende, but does NOT repeat the booklet from the previous DVD release with two essays on the film (Pauline Kael's original review of the film and excerpt of Cecilia Ricciarelli's book on Guzman, while the DVD has a 22-minutes-long interview with Guzman and new update documentary Chile, Obstinate Memory from 1997 that shows the fallout post-Pinochet, running about an hour. Fans and scholars will want to get both versions.



Mike Leigh's Hard Truths (2023) reunites the director with his Secrets And Lies co-star Marianne Jean-Baptiste, who this time plays an older married woman with serious mental health depression issues and not much help. Her son is isolated, quiet and more to himself than he should be, while her husband is working on home repairs and helping people move.


As the film moves on, one of the ways she deals with her pain is to lash out at other people and in this, it is very darkly funny often as she comes up with just the most unexpected insults (or sets thereof) that are funny, if for all the wrong reasons. Scripted or not (Leigh likes improv) offers a side of people (and especially Jean-Baptiste,) that we have not seen before. Her intensity in these sequences never lets up and almost become too much, but are necessary to show where she is, then we get other mood changes and situations.


The supporting cast is solid, situations totally palpable and we get some remarkable work that might have been too intense for recent awards seasons. Yes, we have seen some of this before and some of it is predictable, like such pain itself, but Hard Truths deserves a much larger audience than it got and I am thrilled to both catch up with it and see it arrive on video.


There are sadly no extras.



And that brings us to the remarkable Joan Baez: I Am A Noise (2023) which throughly covers the career, life and then some, of one of the most important, groundbreaking and innovative singer/songwriters of all time. We get her life story behind the scenes with her family. We get how she eventually landed up becoming a music sensation, part of the counterculture, working early on with Bob Dylan for a time and how she did (and almost did not) survive success and fame.


Additionally revealing some very private thoughts, documents, recordings and more, we also sadly discover in addition to all of this, she was the victim of child abuse, et al, and more. I will not go into the awful details, but she was not the only one in the family suffering this and that she survived this above all is nothing short of amazing.


This has three directors, which is very unusual, but there is so much to see, show, discuss and detail, it is one of those rare times you can see why. Cheers to Miri Navasky, Maeve O'Boyle and Karen O'Connor for a truly exemplary job of filmmaking and documentation, as well as to Baez herself for disclosing it all and showing a bravery we rarely see anywhere, anymore.


I always liked Joan, since I was a kid, down to her theme song for Douglas Trumbull's Silent Running (see elsewhere on this site) and she is truly a artist among all artists who gave way more than she ever got back, but that's part of her greatness. And if you still do not believe me, listen to her amazing speech when she landed up in The Rock N Roll Hall Of Fame. Joan Baez: I Am A Noise is highly underrated and highly recommended!


There are sadly no extras.



Now for playback performance. The 1080p 1.85 X 1 digital High Definition image transfer on Hard Truths is well shot, but has some slight off moments in detail. Otherwise, warmth, solid color and compositions look good, while the DTS-HD MA (Master Audio) 5.1 lossless mix is very well recorded and mixed for a dialogue-based drama and retains a nice, natural soundfield. The music score is a plus and never gets in the way.


The 1080p 1.85 X 1 digital High Definition image on Joan Baez has a mix of new HD interview shooting, plus plenty of older stills, filmed footage, videotaped footage and other vintage sources, so you know you'll run into flaws here and there by default. The DTS-HD MA (Master Audio) 5.1 lossless mix has sound that ranges from old monophonic sound to recent music performances by Baez, so you know what you are getting. In that, it is as well mixed, mastered and remastered as possible.


The anamorphically enhanced 1.66 X 1 black & white image on the Battle Of Chile DVDs are an improvement from the older DVD release by Icarus with more contrast and warmth, though since footage is often raw, it is only going to be so much better, though I wondered what at least a Blu-ray 1080p version could look like. The lossy Dolby Digital 2.0 Mono sound has slightly more detail than the older DVD set as well, but a lossless presentation might help more if properly remastered, though that will take some work.



- Nicholas Sheffo


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