
Joseph
Campbell & The Power Of Myth
(1988/Film Movement Blu-ray Set)/Quackser
Fortune Has A Cousin In The Bronx
(1970/UMC/MVD/VCI Blu-ray)/Wicked
4K
(2024/Universal 4K Ultra HD Blu-ray w/Blu-ray)
4K
Ultra HD Picture: B+ Picture: C+/B-/B Sound: B-/C+/A-
Extras: B- Main Programs: B/B-/B-
The
following are titles that deal with fantasy, eccentricity and much
more...
Joseph
Campbell & The Power Of Myth
(1988) is a very popular mini series that continues to be a curio and
not just because of its connection to George Lucas and his Star
Wars
films.
https://fulvuedrive-in.com/review/12033/Joseph+Campbell+&+The+Power+Of+Myth+with+Bill
Issued
by several home video companies over the years, that link also has a
second link to more coverage of the series by another writer, plus
links to others series dealing with Campbell's work. Since we last
covered the series, George Lucas (who gets interviewed in this set)
famously sold all of Lucasfilm to Disney Studios, which brings us to
the glaring issue with the productions of late. Did anyone who made
the next films or TV series actually know who Campbell is or
understand how vital his work was to Lucas finishing the first film
and the successes that followed?
Now,
serious fans who have not heard of or seen any of this can start here
and get a better, deeper idea of the concepts that Lucas liked the
most (and many recently skipped) when it comes to that work, that
franchise and really, any fantasy-based storytelling, genres,
franchises and otherwise. That is why I recommend the series, as
valuable as ever, with timing that could never have been better.
Extras
repeat that DVD edition and includes a nice 24-page booklet with text
and illustrations that are a plus.
Waris
Hussein's Quackser
Fortune Has A Cousin In The Bronx
(1970) is the film Gene Wilder was in before Willy
Wonka And The Chocolate Factory
arrived, as his star slowly rose, but like Start
The Revolution Without Me,
arrived before his name was box office and he was a totally
established star. Now we know how great he was (and still is) and
these films show how he was always ready to take risks and give it
his all.
Here,
he is the title Irishman who in then modern-day Ireland, picks up and
sells horse waste for gardens, et al. They still have more than a
few horse-and-buggy sets in the country and he is taking advantage of
something many would not. In this, a U.S. tourist (the great Margot
Kidder) is visiting and when they meet, it starts a friendship and
much more. He chemistry between the stars works well and when they
get more serious, it is totally believable. Two of my favorite
actors in a little-seen film that deserves wide rediscovery, Wilder
uses a thick Irish accent throughout and Kidder has her natural charm
and beauty that makes us and the camera love her.
We
know they both had some tragedy before they left us, but were great
actors and she was as good comedienne as anyone around when she had
the opportunity. Having them together makes this an automatic curio
as is, but that it is a slice of life film, Irish-set film and
unusual comedy with romance is all the reasons you should see or
rewatch this little gem. Glad it has been saved again!
Cheers
too to Director Hussein, whose other work includes the legendary TV
mini-series Edward
& Mrs. Simpson,
early key episodes of Doctor
Who,
The
Possession Of Joel Delaney,
Melody
and so much more smart, competent feature film and TV work that he is
not often remembered enough or given enough credit for his remarkable
journeyman directing career. Also remarkably that, as we post, he is
still alive and with us to see this film get saved and restored!
Extras
include a really good feature length audio commentary track by Robert
Kelly, Photo Gallery and Original Theatrical Trailers for this and a
few other VCI releases: Night
Visitor
and Bird
With The Crystal Plumage.
Last
but not least is one of last year's best films. Jon M. Chu's Wicked
4K
(2024) is based on the extremely successful stage musical and its new
take on the original world of Oz as created by L. Frank Baum. It
decides to tell the story of how Elphaba
(Cynthia Erivo remarkable as the outcast and future Wicked Witch Of
The West) and Glinda (Ariana Grande all out as the Good Witch) and
how they met in school, eventually becoming friends. Then and soon,
not.
It
is at least partly a musical, but also a fantasy film that tries to
do more and does better than most such films in the last few years.
You need to know the 1939 movie and its related classic motifs to get
the most out of this film, which is the first of two features, but
the synergy of cast, crew, acting, singing, dancing and energy is
remarkable and even if this is not necessarily your kind of film, you
too will be surprised and shocked.
Finding
new leads after the massive success of the stage version was not
easy, but wow, did they hit the jackpot with Erivo and Grande not
missing a beat. Once they start in their roles, they do not stop,
quit and just grow and grow as you watch. The film shamelessly
references the 1939 film at times (same font for the title, some of
the same color schemes) but is not just ripping off or imitating the
earlier classic like thousands (yes, not hundreds) of films, TV
shows, TV commercials, music videos, toys and so much more have since
the original books arrived with through the roof sales.
Ironically,
all filmed versions of Oz
(including the 1939 film and 1978 film of The
Wiz)
disappointed and bombed when first arrived, until this (and the
forgotten Oz,
The Great & Powerful)
hit movie theaters. 100 years later, the world has caught up to all
of it and this is not the biggest version of the material since the
1939 film more than made its money back.
Cheers
to the supporting cast that includes Jonathan Bailey, Michele Yeoh,
Ethan Slater, Bowen Yang, Marissa Bode, Jeff Goldblum and the voice
of Peter Dinklage. Definitely worth checking out, but be sure to
rewatch the 1939 film just before to get the most out of it.
Extras
include a
Digital Code Copy and Sing-Along version, while the discs also (per
the press release) add:
DELETED
AND EXTENDED SCENES
Pfannee
& ShenShen Meet Glinda
Reunited
at Shiz University, Glinda, Pfannee, and ShenShen recall their
past by performing a twirling routine together.
Shiz
Gazette Introduces Fiyero
Toss
Toss
Elphaba
& Fiyero in the Forest
Elphaba's
Promise
Train
Platform Farewell
Boq
& Elphaba Talk
Train
Ride to Emerald City
In the Emerald City
Palace
Monkeys Chase
MAKING
WICKED: Return to Oz for a fantastic behind-the-scenes journey with
this expansive look inside the characters, choreography, and
creativity that make up the movie's unforgettable world.
WELCOME
TO SHIZ: Unlimited imagination, couture fashion, and spectacular
production design come together at Shiz University, providing a
place for performers and viewers to be fully immersed in the
fantasy. Designed from details in L. Frank Baum's books, the
uniforms, clever contraptions, and circular sets create a sprawling
campus where magic feels like an everyday occurrence.
A
WICKED LEGACY: Take delight in the cast and filmmakers sharing
personal memories of their first encounters with the original
Broadway production, and how those lasting connections created
emotional experiences while making the movie. Also highlighted are
the iconic cameos that pay tribute to the cultural phenomenon that
became one of the most popular musicals of all time.
THE
WONDERFUL WIZARD: Follow the yellow brick road to Emerald City for
an in-depth look at the infamous Wizard of Oz. Inside the palace's
throne room, the Wizard himself, Jeff Goldblum, pulls back the
curtain to peer at his character's magic and mechanics with senior
special effects technician Christopher Clarke, who details how the
Wizard's massive robotic head comes to life.
FEATURE
COMMENTARY WITH DIRECTOR JON M. CHU
and
a second FEATURE COMMENTARY WITH STARS CYNTHIA ERIVO AND ARIANA
GRANDE.
Additionally,
a box set has been issued with even more extras as pictured with this
text, but it is a limited edition and serious fans should grab it
while they can.
You
can read more about the 1939 classic Wizard
Of Oz
in 4K (with a link to the 3D edition) at this link:
https://fulvuedrive-in.com/review/15589/The+Wizard+Of+Oz+4K+(1939/MGM/Warner+4K+Ultra
Now
for playback performance. The 2160p HEVC/H.265, 2.35 X 1, Dolby
Vision/HDR (10; Ultra HD Premium)-enhanced Ultra High Definition
image on Wicked
4K
originated on 6.5K Ultra High Definition and looks really good,
helped by the amazing sets, costume design and production design.
The makers really pushed the format in addition with this being one
of the few new films with CGI that does not look like it was finished
five years ago. The
lossless Dolby Atmos (Dolby TrueHD 7.1 mixdown for older systems) is
even more impressive, rightly nominated for an Academy Award and I
liked it even more than Dune,
Part 2,
and that was impressive to me as well. The singing was recorded on
the huge sets and they were treated as musical soundstages. That
really pays off! The combination of image and sound are remarkable
and one of the best of the year of new releases.
The
1080p 1.33 X 1 digital High Definition image on Campbell
is an upscale from the old analog videotape (NTSC) it was shot on and
(unlike what Warner just did for That's
Entertainment!)
the older film clips were not upgraded. Analog
videotape flaws including some video noise, video banding, telecine
flicker, tape scratching, cross color, faded color and even a touch
of tape damage. Otherwise, this is the best this series has ever
looked. The PCM 2.0 Stereo is also the best this mini-series has
ever sounded and as good as it ever will, flaws, limits and a little
compression included. Nice to see it getting further respect and
upgrading.
The
1080p 1.66 X 1 (and NOT 1.33 X 1 like the case says) digital High
Definition image transfer on Quacker
is far superior a transfer to all previous releases of the film on
DVD VCI has issued a few times, but fine
detail and some color is not as rich and fine as it could be, but
this is a new 4K scan of the original 35mm camera negative and not an
actual 4K disc. Thus we can expect some limits. The lossy Dolby
Digital 2.0 Mono repeats the soundtrack on the DVD versions, but is
passable, yet could
sound a little better despite being an independent theatrical mono
release in its time.
Director
of Photography Gilbert Taylor, B.S.C. (Kubrick's Dr.
Strangelove,
The Beatles A
Hard Day's Night,
Flash
Gordon
(1980,) Polanski's Repulsion,
Hitchcock's Frenzy,
the TV spy classic The
Avengers,
the original Star
Wars)
shot this film on 35mm Eastman color negative in a way that just
heightens the beauty of the actors, locales and narrative. Needless
to say with that legend adding to this, a 4K disc should be
inevitable and this is still the best I have ever seen the film.
-
Nicholas Sheffo