And Now… Ladies & Gentlemen
Picture:
B- Sound: B- Extras: D Film: C+
Claude
Lelouch has been directing films for over a half-century and still manages to
get pictures made that seem ambitious as compared to the current generation of
hacks-for-hire Hollywood is currently subjecting us
to. Though he has not been in peak form
since the early 1980s, he is still a real narrative filmmaker, which is why And Now… Ladies & Gentlemen (2003)
was easier to take when it did not work.
The film
offers Jeremy Irons as a somewhat clever criminal who robs from the very
wealthiest of shops, often by posing as the police, then showing up as a
criminal the “police man” says to expect.
The first immediate problem is that his disguises are very unconvincing,
already hurting the film’s ability to suspend our disbelief. If we then take this as humor, then we can
say the film does not follow through with any kind of consistent wit.
These
sequences are cut somewhat surrealistically into nightclub stage footage featuring
Patricia Kaas as the woman singing solo or with co-stars. This never adds up to anything, but the songs
are standards (or nearly so) and the music by Michel Legrand is likely a reason
these moments are somewhat distinctive.
This eventually boils down to something of a melodrama with the usual
predictable conclusion. Claudia
Cardinale even shows up in the cast of mostly unknown (at least in the U.S.) actors.
The
anamorphically enhanced 2.35 x 1 image is often beautifully shot by
cinematographer Pierre William Glenn, who at least knows how to shoot with the
scope frame. It is still a bit softer
than it should be, but has its moments of clarity. Watching this, it made me realize even
further how trounced and whittled-down directors and cameramen have allowed the
art of filmmaking to be put far below bad television. At least this looks like a real movie, and if
you just said “whatever that means”, you just showed your ignorance and
cinematic illiteracy. The Dolby Digital
5.1 AC-3 mix is available with wacky subtitle options that do not always make
sense in the way they have been chosen, while the language is available as
French and English. What Lelouch did was
have the actors speak in their native language, then dub over the language when
it was the opposite of the intended language track. Both are not bad, though limited by both
their Dolby compression and especially because this is so dialogue-based. Except for a few trailers, there are
absolutely no extras.
I cannot
remember the last time Lelouch had any of his films released by a major studio,
even if Paramount released this through their Classics division. Doing an unusual amount of English probably
had something to do with it and it is at least a mature film. Ultimately, however, And Now… Ladies & Gentlemen is not a comeback for the enduring
director, but it just might the a sign of some new breakthrough to come.
- Nicholas Sheffo