S. Darko: A Donnie Darko
Tale (Fox
Blu-ray + DVD)
Picture:
B- Sound: B/B-
Extras: C Film:
D
In 1984,
a film called 2010: The Year We Make
Contact arrived and attempted to be a viable so-called sequel to the
masterwork of Stanley Kubrick’s visionary 2001:
A Space Odyssey. The result is not
only one of the worst attempt at a sequel, but it also tries to explain all the
brilliant questions posed in 2001,
and it is in this very act that the film comes screeching to a halt as it
realizes that not only can it not answer these questions, but that it fails as
a piece of cinema as well and should have never been made. Like that film, S. Darko: A Donnie Darko Tale trivializes us as a poor sequel to
the cult phenomenon in writer/director Richard Kelly’s brilliant 2001 film Donnie Darko, which we have reviewed
extensively on this site starting at this link:
http://www.fulvuedrive-in.com/review/8285/Donnie+Darko+(Fox+Blu-ray)
All of
the things that made 2001 special,
unique, incredible, powerful, and masterful are completely void in 2010, that is also true in S. Darko, which eliminates all of the
elements that made Donnie Darko so
wonderful and tries to over-explain things as the film changes directing hands
and now brings us up to speed with Donnie’s little sister, who was in the first
film and actress Daveigh Chase reprises her role to bring at least some
consistency to the picture. We also
understand why this was released straight to video as this sequel arrives a bit
too late for most people to care and even die-hard fans already knew that any
attempt at a sequel would likely fall flat on it’s face, well, they were
right.
The story
is heavily convoluted and attempt to use time travel in order to explain the
plot holes and unevenness of the script, unlike it’s predecessor Donnie Darko, which utilized a clever
time-travel them integrated into the film in such a profound way that even
after seeing the film multiple times, you can get a different outcome with each
viewing. In this film we meet up 7 years
later with Donnie’s sister Samantha who is on a road trip with her best friend,
and they end up breaking down, which leaves them having to find a motel. It is here that they meet a local guy named
Randy who says he can fix their car, during the limbo Samantha is haunted at
night by the events of her brother’s death from the first film, she too wakes
up in strange places. The film then
meanders around for quite some time and even attempts to bring some sort of
element from the first film about how Donnie Darko knew about the secret life
of the Patrick Swayze character and his “kitty porn dungeon”.
The film
arrives to us in a mediocre 1080p high definition transfer that is framed at
1.85 X 1, which Donnie Darko was
shot in scope and utilized low light level photography to achieve the look of
the film, which often has a glowing blue appearance, they attempt that here,
but to no avail as the film just looks too soft and does not contain the
interesting camera work that the first film did, which also helped make the
film stand out and that is still true to this day, even on the Blu-ray
format. Most of the time the detail is
solid, other times it seems a bit less refined and almost grainy. The nighttime shots are also inconsistent and
the ‘look’ of the film has been jeopardized by noise and odd saturation
levels. No matter how good this Blu-ray transfer
gets, it never helps the film translate.
The DVD edition is much poorer and has a hard time working out the
refinement levels being in a standard definition format we see limitations
throughout.
On a
slightly more positive note, the DTS-HD 5.1 mix is a bit more interesting and
has more to offer in the mix department than even the first film. The visual cues are supported by an enhanced
surround experience and the overall fidelity is strong and supportive, it’s too
bad the film couldn’t have more to offer to make the Blu-ray work. The Dolby Digital 5.1 mix on the DVD is
severely weak and by comparison is very night and day when compared to the
Blu-ray edition. We have come to expect
this more often than not.
Director
Chris Fisher’s commentary runs the length of the film, which is informative in
nature, it’s interesting seeing him along with production members try to
justify the film in some crazy ways, which is extended with the ‘making of’
featurette that is about 15 minutes in length, there are also some interviews
and there is a great moment where Fisher even admits that he isn’t really that
familiar with the theory behind Donnie
Darko, at least based on what the original film portrayed, which after
hearing this and seeing the sequel we can only wonder why he even
bothered? In addition there are some
deleted scenes and other promotional material that is worth skipping over, just
like the film, which will leave you craving the original film more than you
thought you might already. By far the
lowest point in the film is a scene when Samantha walks past a theater that is
showing Twelve Monkeys, Strange Days, and Alice in Wonderland… didn’t they know that you never feature a
better film than yours inside your own movie?
I doubt
that most fans will be disappointed, after all most fans of the first film
realize how difficult a sequel would be and their hopes for this dreadful mess
were probably low to begin with.
Anyone
wanna watch Twelve Monkeys now?
- Nate Goss