Fulvue Drive-In.com
Current Reviews
In Stores Soon
 
In Stores Now
 
DVD Reviews, SACD Reviews Essays Interviews Contact Us Meet the Staff
An Explanation of Our Rating System Search  
Category:    Home > Reviews > Drama > Religion > Little Buddha (1993/Umbrella Entertainment/Region Four/4/PAL)

Little Buddha (1993/Umbrella Entertainment/Region Four/4/PAL)

 

Picture: C     Sound: C+     Extras: C-     Film: C

 

 

PLEASE NOTE: This DVD can only be operated on machines capable of playing back DVDs that can handle Region 4 PAL format software and can be ordered from our friends at Umbrella Entertainment at the website address provided at the end of the review.

 

 

After The Last Emperor, Bernardo Bertolucci delved into filmmaking that was increasingly less effective and more abstract in ways that did not work, as exemplified by The Sheltering Sky and Stealing Beauty, only to finally make a comeback with The Dreamers.  Despite being less abstract than others in this period of lush drought, Little Buddha (1993) was one of three films on Buddha that did not do box office or find much critical acclaim.  Martin Scorsese’s Kundun was the best and the Brad Pitt starrer Seven Years In Tibet was too standard to work.

 

Here, a couple (Chris Isaac, Bridget Fonda) find out the son they love is being considered a reincarnation of Buddha himself.  From this, we get flashbacks to the actual life of Buddha (Keanu Reeves) and spend 135 minutes seeing if they are going to lose their son to something they might not believe in.  I never believed it, never thought it was plausible the way it is done here and in the end never adds up to much.  Performances are not bad and the film can look good, but it is eventually boring because it never adds up.

 

The anamorphically enhanced 2.35 X 1 color PAL image is on the soft side much like the Umbrella PAL Last Emperor reviewed elsewhere on this site, but the Buddha sequences with Reeves are shot in Todd-AO 70mm and really suffer, meaning the DVD format even at its best is going to have trouble with this material at its best.  The rest of the film was shot by the great Vittorio Storaro, A.I.C./A.S.C., in anamorphic 35mm Technovision.  The Dolby Digital 2.0 Stereo here is in no way able to capture the sound of the 4.1 Dolby Magnetic multi-channel soundmaster the film was released in its 70mm prints, but fares a bit better than the image, though any Pro Logic surrounds are weak.  Extras are few and only include a trailer and 15-minutes interview with Bertolucci.

 

 

As noted above, you can order this PAL DVD import exclusively from Umbrella at:

 

http://www.umbrellaent.com.au/

 

 

-   Nicholas Sheffo


Marketplace


 
 Copyright © MMIII through MMX fulvuedrive-in.com