Paperboys
(Documentary)
Picture:
C+ Sound: B- Extras: C Film: C+
A few
years ago, the local newspaper decided to eliminate the tradition and
employment of kids delivering newspapers in my area. There was an uproar and many stopped reading
newspapers altogether. They still have
delivery, but leave that to a few adults and delivery has suffered, as if print
media did not have enough troubles.
Mike
Mills’ recent documentary Paperboys
(2000) examines how the old stand-by job that helped build the responsibility
of millions of kids nationwide for over a century is changing where such
employment still survives. It does
happen to have survived in suburbia here, but the influx of Rap and
post-modernism have seeped into their lives like all previous mainstreamed
media, though they also have better videogames, hyped-up wrestling, and the new
phenomenon of the Internet.
What it
does show is that the job offers these kids a moral center, but it only
consists of interviews and does not try to go any further to make its
points. A comparison to the famous job’s
past, or something else, but it drags and even at 42 minutes seems a bit too
long for its own good. It may make a good
social study, but Paperboys is
limited otherwise and only for the most interested.
The 1.85
X 1 image is above average, mostly because it is not anamorphically
enhanced. Cinematographer Joaquin
Baca-Asay does not go for a phony or pretentious look, but nothing overly
memorable. He did get to shoot on film
and it would be interesting to see further work by him. The Dolby Digital 2.0 Stereo has good Pro
Logic surrounds and was well-recorded, with the hit records not sounding
bad. The only extras are a set of
trailers and the short film Deformer
(1997, 17 minutes), which Mills also helmed.
It has a similar laid-back look, while the sound is only simple Stereo
in Dolby’s compression signal. This
focuses on Ed Templeton, a nationally popular Huntington Beach, California skateboarder. That would seem to offer more material for a
longer film than the main feature, but it offers what seems to be a very
blatant view of the man by the man.
Mills was
a Music Video and TV ads designer, but except for the application of music, you
would never know. He also has no
problems with nudity, though some may have reservations, but only explicit in
the short. That seems an issue when the
main feature involves kids, so know that this DVD is not for kids. Though these are documentary pieces, Mills
would likely be able to handle a narrative feature film if he had the right
material. We’ll wait for that to see.
- Nicholas Sheffo