Luis Bunuel + Andre Techine (Lionsgate DVD Film Sets)
Picture:
C Sound: C Extras: B Films:
Luis
Buñuel: 2-Film Set
Gran Casino B-
La Joven B+
André
Téchiné: 4-Film Set
Wild Reeds B
I Don’t Kiss B-
Hotel America B-
My Favorite Season B
Lionsgate
has recently issued two terrific DVD sets from directors Luis Buñuel and
contemporary French filmmaker André Téchiné.
Both sets contain some wonderful films from the Foreign market and make
great introductions to each filmmakers catalog of films, although most who are
familiar with the father of cinematic surrealism (Buñuel) will probably want to
see some of his other films like The
Discreet Charm of the Bourgeoisie, That
Obscure Object of Desire, Belle du
Jour, The Phantom of Liberty, Diary of a Chambermaid (one of my
favorites), and Un Chien Andalou.
It’s
great that a company besides Criterion are claiming the market with some of
these more obscure films and getting some exposure to some terrific pieces of
filmmaking. The Téchiné set was a surprise
with 4 films that are all quite good, although Wild Reeds and My Favorite
Season are the slightly better of the two. My Favorite Season was a
huge success at the Cannes film festival in 1993. Wild Reeds is considered
his best work, perhaps even a masterpiece, and was released in 1994. These are 4 great films to
gain exposure to his entire body of work and shows a great range, the
earliest film is 1981’s Hotel America. It’s easy to see the connection between his
work and perhaps the likes of other filmmakers such as John Cassavetes or
Ingmar Bergman, although I think that he seems to walk a closer line to Bergman
overall.
Luis
Buñuel on the other hand has a wide range of films in his catalog and these are
two films that I have had no prior experience with, although I have heard of
them, they never were available until now on DVD and probably hard to find on
other formats as well for home viewing. La Joven is one of the few films of his
that is in English and Gran Casino
is a more mainstream piece of film, so in many respects these two films are not
necessarily typical Buñuelian, but do help to expand the horizons of certain
perceptions about the directors abilities and overall work.
The
technical specs are nearly even across the board with all of the films,
although the four Téchiné films are all in 16 X 9 anamorphic widescreen, while Gran Casino (shot in 1947) is in
full-frame 1.33 X 1, and La Joven is
also presented 16 X 9 anamorphically enhanced.
The newer films of the bunch do not look nearly as dated, while the
Buñuel films seem slightly restored, but need more work and show their age in
more obvious ways. All of the Téchiné
films are in Dolby Digital Mono and demonstrate the limitations of 1.0 mono
mixes, which again is not a huge issue considering they are highly
dialogue-driven and most people will be reading the
subtitles, especially for those living in Region 1. The Buñuel films are interestingly enough
remixed in 2.0 Dolby Digital stereo and are a bit better for it.
Extras on
the Buñuel set include a terrific commentary track by Peter Evans and Isabel
Santaollala, who specialized in Spanish and Latin films and is a great addition
for La Joven, Philip Kemp
accompanies the Gran Casino audio
track and provides great insights as well.
Overall, it’s great to see these sets arrive and are worth picking up
even for those with even a slight interest.
- Nate Goss