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Category:    Home > Reviews > Drama > My Blueberry Nights (2007/Miriam Collection DVD)

My Blueberry Nights (2007/Miriam Collection DVD)

 

Picture: C+     Sound: C+     Extras: D     Film: D

 

 

Wong Kar Wai is one of those respected, but overrated directors who I had some respect for, but was not that impressed by.  Chungking Express was overrated and In The Mood For Love was not much better, though the later got a strong review from one of our writers:

 

http://www.fulvuedrive-in.com/review/99/In+The+Mood+For+Love+(Criterion

 

 

In his first English-language film, My Blueberry Nights (2007) is the epitome of the pretentious, silly, lame, amazingly well-cast artsy disaster that has killed too much of independent filmmaking.  With an unusual cast that includes singer Norah Jones, Jude Law, Rachel Weisz, David Strathairn (who outacts everyone) and Natalie Portman, the film is a run-on mess trying to be about relationship and turning into a big, disastrous joke.

 

Law works at a diner in New York that becomes the locale of the relationships and yes, they serve blueberry pie, but the pie is more interesting than the screenplay badly written by Wai and this attempt to be readerly and writerly is just a pie in the face.  Besides wasting a good cast, the film has the worst use of slow motion in cinema history, done to death and of the recent choppy kind that looks like someone on drugs decided to get carried away with a digital editor.  Add the pretentious dividing of scenes with Helvetica print in the left corner all the time and you sit for 85 minutes stunned at how many wrong choices were made.  Add zero chemistry and goofy results, and this is one Night you will want to forget.

 

So far, this is the artistic turkey of 2008!

 

 

The anamorphically enhanced 2.35 X 1 image was shot in Super 35mm by the great Darius Khondji, but even his fine work cannot save the film and the softer-than-expected playback here only adds insult to injury.  The Dolby Digital 5.1 mix has a weak soundfield, though dialogue is adequately recorded and presented.  Ry Cooder’s score is not very memorable, though he has scored films with more impact (he and the film) like Primary Colors and Streets Of Fire.  Extras (nooooooooo) include stills, a trailer, Q&A with the director piece and making of featurette that has to be seen to be believed.

 

Of course, the film can make you hungry for the title dessert, but I remembered an ad campaign for such pies in the 1970s that featured better narrative structure and only took a page to do it.  Even more entertaining and convincing, it was the Hostess Pie campaigns that featured DC Comic superheroes like Batman battling The Joker!

 

Spend you money on that instead.

 

 

-   Nicholas Sheffo


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