One Missed Call (2008/Warner Blu-ray)
Picture:
B+ Sound: B+ Extras: D Film: D
One Missed Call marks yet another film in the
tired trend of recycling Asian horror films and dumbing them down for American
audiences and one can only hope there is an end in sight. Chakushin
Ari (2003) this is not, although for those that are interested this would
be the better film to see, especially as it will expose new viewers to Takashi
Mike, who is one of Japan’s premier filmmakers and brings originality to the
horror genre.
For all
the originality that Japan is creating, Hollywood is undoing as they gutted out
formations and concoctions are aimed primarily at the new MTV generation. What’s a shame is that these films are also
taking down many young talents, this time Shannyn Sossamon, Azura Sky, and
Johnny Lewis. The problem with the film
begins with the lame reworked script by Andrew Klaven and then transfers over
to the poor amateur-ish directing of inexperienced filmmaker Eric Valette. Nothing can save the film after it gets
going, especially when the PG-13 rating keeps the film so tame that even some
gore can’t bring about some life and excitement. Even the actors seem bored, but I can’t blame
them.
The
synopsis for the film doesn’t sound that bad and actually seems like it could
work, if handled well. Beth Raymond witnesses the deaths of two of her friends
in gruesome fashion, but even more interesting is that they had received phone
calls that gave the details of their deaths.
Everyone thinks that Beth is crazy except for one cop, who together they
must solve the crazy crimes. Sound
familiar? If the film had rolled heavier
on the suspense aspect instead of trying to ‘scare’ us then it may have worked,
but like many of these recycled horror films the biggest problem is that the
concept is never flushed through the entire film. It’s almost as if they have a great idea, but
once they realize that they need to make that idea work for 90-minutes, then
all hope is lost.
Warner’s
25GB Blu-ray for the film features a 1.85 X 1 anamorphic widescreen
presentation in true 1080p High Definition video and VC-1 codec, but no matter
how good the presentation looks it can’t save the run-of-the-mill
cinematography or loop-holed plot. There
are only a few scenes that seem a bit soft by HD standards and are most
noticeable on close-up shots of cell phones, which happens quite a bit in this
film, thus the title of the film.
The Dolby
TrueHD 5.1 mix is also quite adequate, but again no matter how solid it just can’t
save this bomb. It’s really unfortunate
too because the sound design, while not necessarily original, does have some
good sonic qualities that better films don’t always get. There are no extras, but I don’t think
they’ll be missed and as for missing something, well, this is one phone call
you don’t want to take.
- Nate Goss