The Recruit (2003/Blu-ray)
Picture: B Sound: A- Extras: C Film: C
Roger
Donaldson makes two kinds of films, great ones or ones drenched in a sometimes
odd sense of a closed, official world that never totally rings true. For every White Sands, World’s Fastest
Indian and Bank Job, we get a No Way Out, Thirteen Days and this film, The
Recruit. The film stars Colin
Farrell as the title character/James Clayton pulled into the CIA as quickly as
possible as a trainee and finds himself in the thick of a case thanks to a
knowledgeable CIA head (Al Pacino) who claims he knows talent when he sees it
and knew the man’s father.
In the
meantime, James becomes interested beyond professional status with a fellow
trainee (Bridget Moynahan) and even wonders if he wants to be part of the whole
CIA organization to begin with for all kinds of reasons. In what could have been a formula screenplay
by Roger Towne, Kurt Wimmer & Mitch Glazer, we also get what some thought
was pro-CIA (and even pro-Right Wing) propaganda moments (like how hot sexually
oppressed conservative women are and make for great sex!) and that the real CIA
helped made some of the media react by ignoring the film. It never becomes too problematic, if that was
actually the case.
However,
the film takes plot twists that are not that memorable and though the acting
(mostly by still-unknown actors) and pace overcome some of the troubles. Farrell is even able to hold his own against
Pacino, which is not easy, but he is an underrated star and actor, despite some
bad publicity. It is a film worth a
look, even for its failures, but it is also a good performer on Blu-ray.
The 1080p
2.35 X 1 digital High Definition image was shot by Director of Photography
Stuart Dryburgh (Analyze This, Aeon Flux) and delivered one of his
best-looking works still to date, but this transfer is too soft and troubled
throughout despite looking a bit better than the DVD. That’s a shame, because the look helps the
film work when it does. Fortunately, the
PCM 48/24 5.1 mix is a sonic stunner, for its age or not, with a great
soundfield that is demonstration quality down to its decent score by Klaus
Badelt (The Pledge, K-19: The Widowmaker, Equilibrium) who at his best is
underrated. Too bad the picture is not
as goods, but audiophiles alone will want his one.
Extras
include four deleted scenes with optional Donaldson/Farrell commentary, a
feature length audio commentary by both (all of which is worth your time) and
featurette Spy School: Inside The CIA
Training Program. They too make this
all the more interesting.
By the
way, the rule I noted above about Donaldson’s films are always defied by his
remakes, including The Bounty, The Getaway and even Species, which is an Alien knockoff more or less. He is an underrated filmmaker, but note how
quickly his films are hitting Hi Def.
- Nicholas Sheffo