The Alamo (History Channel/A&E)
Picture:
C+ Sound: B- Extras: B- Programs: B
After
about 170 years, it is amazing that what really happened over the battles at
The Alamo is still known (if known at
all) only under layers of shallow myths.
With the Western genre, the story had to be inevitably dealt with. The peak cinematic representation, as of the
writing, has been the ever-controversial epic The Alamo, produced, starring, and directed by John Wayne. Some call it a Fascist work of art, while
others call it one of Hollywood’s great lost epics. The reason you may not have seen it is
because Howard Hughes bought it and hid it for years, further obscuring the
real history of the events. The History Channel
has issued a new DVD set on the subject that brings together four programs over
the years relevant on the subject.
Remember The Alamo was produced in 2003 as a
stand-alone special to coincide with the new feature film about the battle with
Dennis Quaid, who taped an introduction and epilog for the program as a tie-in. This show beat the film, when it was intended
to be broadcast upon the release of the film.
The film’s large scale production is the primary reason. This lays out very well the events that took
the land form being part of Mexico under Spanish rule, to just being part of
Mexico, to becoming the Republic (read country) of Texas, to becoming part of
The United States. This is the longest
program in the set at 90 minutes.
Besides all the well-spoken experts, one unexpected moment is when they
built a demo of the wall of a fort at that time, then keeps shooting
cannonballs at it to approximate what it would be like to try and take one
down. This is a fine special up to The
History Channel’s usual standards. Film
clips from the new film and D.W. Griffith’s anti-Mexican (and always
anti-African American) Martyrs of the Alamo
(aka The Birth of Texas (1915, also
the same year as his propaganda masterwork Birth
of a Nation), as well as poster art of Wayne’s version, The Last Command (1955) and a
theatrical release of two episodes spliced together of TV’s Davy Crockett.
The Real West installment The Battle of The Alamo is from the successful series, hosted in
this case by the hugely successful Country music vocalist Kenny Rogers. Instead
of a bunch of overlapping information with the last show, this 1992 production
gets into more detail about the participation of the participants.
The Real West installment The Texas Rangers also offers Rogers with this interesting, valuable
aside to the Alamo story. This makes sense, since it is an untold story
usually not addressed to begin with, and a great tie-in here. This was first broadcast in 1993.
Biography is the most successful A&E
series to date, and this installment is Day
Crockett: American Frontier Legend. Jack
Perkins, one of the best hosts they will ever have, guides us through the story
of the man versus the myth, with the usual fine results. First broadcast in 1994, it also shows the
influence in pop culture of the revision of the man as TV hero. I wonder if Adam Ant has seen this one?
The
picture on all four main shows are full frame, color, and shot on late analog
videotape, save the film clips, while the Remembering
The Alamo: Making History & Hollywood program is in non-anamorphic 16 X
9. The quality varies slightly,
depending on the age of the show, but those differences are very nominal, the
main difference being slight softness.
All the shows are in Dolby Digital 2.0 Stereo, and the newer the show,
the likelier you are to have Pro Logic-type surrounds. In the earliest, do not expect much. Extras include a nine-date timeline on the
events that transpired and a Remembering
The Alamo: Making History & Hollywood is a more direct tie-in to the
new John Lee Hancock film, and has overlap with the main program, though you
can think of it as the widescreen version of the main program to some
extent. It runs 22 minutes (for a
half-hour commercial timeslot) and includes the trailer for the film.
All that
adds up to a fine set that lives up to the legend of the battle itself and is already
flying off of shelves, a situation that will grow more desperate for consumers
when the feature films hits theaters. Now
you have the heads-up.
- Nicholas Sheffo