Rambo (2008/Theatrical Film Review)
Stars: Sylvester Stallone, Julie Benz
Director: Sylvester Stallone
Critic's rating: 6 out of 10
Review by Chuck O'Leary
In the 1987 movie Heat,
a wimpy young multi-millionaire (Peter MacNicol) receiving self-defense lessons
from a human lethal weapon (Burt Reynolds) asks his new teacher,
"I guess you're probably a violent man by nature?," to which Burt's
character responds, "No, I'm not. I'm just good at it." That
line is also applicable to John J. Rambo, a Vietnam veteran and former
Green Beret who just wants to brood away in peace and tranquility, but always
finds himself pulled in perilous situations where he's forced
to unleash his deadly skills.
When we last saw John Rambo (Sylvester Stallone), nearly 20 years ago
in Rambo III (which
was released in theaters on May 25, 1988), him and his only friend,
Colonel Sam Trautman (Richard Crenna), were leaving a battlefield in
Afghanistan where they had just helped Afghan rebels defeat a
good-sized regiment of the Soviet army. Rambo and Col. Trautman's
final words as they rode off together we're something to the
effect of "maybe we're getting a little soft."
But in Rambo's belated fourth adventure, which
is annoyingly being called just Rambo despite
the fact the second film in the series was called Rambo: First Blood Part II, Rambo
is anything but soft when we meet up with him again. As he was at
the beginning of the third, he's still living in Thailand at the
start of the fourth, now catching poisonous cobras and ferrying people up and
down the river in his boat.
Col. Trautman is apparently dead since the actor who played him,
Richard Crenna, died of pancreatic cancer on January 17, 2003. Just
mentioning the loss of Trautman would have been sufficient enough
explanation to Rambo's unhappy disposition, but Trautman only appears
briefly in a flashback sequence and is disappointingly never mentioned by
name. But for whatever reasons, Rambo is as stoic, isolated
and cynical as ever at the beginning of the latest Rambo -- will somebody please
stop this nonsense of not numbering sequels as if audiences are too stupid
to know what installment of a franchise they've reached.
Rambo's fourth adventure begins when he's approached by a group of
Christian missionaries seeking to bring aid to neighboring, war-torn
Burma. Warning them that "Burma's a war zone" and without
weapons "you ain't changin' nothin'," Rambo initially refuses to
ferry the missionaries up river. But even a guy as remote as Rambo
is evidently a sucker for a pretty face, and after some cajoling and
hand-touching by Sarah (Julie Benz), Rambo relents and agrees to take the
missionaries into dangerous Burma.
Of course, the missionaries are soon taken hostage by brutal
Burmese forces. When Rambo gets word of the situation, he agrees to ferry
a group of mercenaries, hired for a rescue mission by the church leader (Ken
Howard), up river to the place where he left the
missionaries off. But as we already know, this is no
ordinary boatman at the helm. Guess who'll soon be dusting off the old
bow and arrow?
Rambo IV is the first in the series directed by Stallone himself,
and it's Stallone's first stab at directing full-fledged action -- other than
four of the Rocky
sequels, Stallone's only previous forays behind the camera were
the likable Paradise Alley
(1978) and the notoriously bad Saturday
Night Fever sequel, Staying
Alive (1983). Stallone does a competent job with
most of the action, and provides what's easily the most graphic
violence in the series. And he again brings considerable stature and
intensity to his second most famous character. Stallone was 60 going
on 61 when Rambo IV was
filmed in the winter/spring of 2007, and he's still in remarkably
good shape. The fact that he never takes off his shirt in this one
is the only hint of age.
While this is the least of the four films, and Crenna's
presence is sorely missing, the fourth Rambo gets
a passing grade as an old-style mission movie stripped down
to the bare action-flick essentials. It was co-written by
Stallone and a guy named Art Monterastelli, who also co-wrote William
Friedkin's The Hunted
(2003), another stripped-down, cut-to-the-chase action film obviously
inspired by the film that introduced John Rambo, 1982's First Blood. But like The Hunted, Rambo IV seems too stripped down
with too little character development. All of the supporting players (the
missionaries and the mercenaries) are one note, while the Burmese enemy
soldiers are really of no note at all except for their brutality.
They're merely stick figures to be blown apart. At least, II and III had Soviet commanders and a big
henchman or two whose nastiness we could cheer against, but there are
no such hissable figures here. And I'd have also appreciated a few more
details about what Rambo has been doing (or not doing) for the past 20
years.
Rambo obviously needed a better enemy to fight this time, and
even though it's again a cop out not to have Islamic extremists as the
villains, the fourth Rambo
is a lot more entertaining in its old-school, no-nonsense, bloody action
than the fourth Die Hard
was with its CGI overkill. At least the R-rated Rambo IV delivers on a purely
action level, which is a lot more than I can say for most of its modern-day,
watered-down, PG-13 counterparts.
The fourth Rambo
runs barely 90 minutes -- after 15 minutes of trailers, our showing began
at 12:30 p.m. and we were already back in the parking lot at a few minutes
before 2:00 p.m. I don't know how much control Stallone had over the
final cut of his film, but the Weinstein brothers are listed as two of the
film's many producers, and Harvey Weinstein has sometimes been called
Harvey Scissorhands due to his chopping down of running times.
If there's a longer director's cut of Rambo
IV, hopefully it will surface on DVD.
The end result of Rambo
IV is akin to that of The Dead Pool (1988), the fifth (and probably
final) Dirty Harry movie. Yes, it is the least of the series, but years
later, fans of the character will be glad it exists.
On a final note, another key player in the Rambo series was the
late, great composer Jerry Goldsmith -- he died on July 21, 2004. Rambo's
exploits seemed more exciting when they were accompanied by Goldsmith's
alternately moody and rousing musical score. Composer Brian Tyler recreates
some of Goldsmith's themes, but not nearly enough. Tyler's original
music, which accompanies most of the action here, is a lot more nondescript.