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Category:    Home > Reviews > Drama > Classical Music > Vitus (2006/DVD)

Vitus (DVD)

 

Picture: C+     Sound: B-     Extras: C+     Film: B-

 

 

Fredi M. Murer’s Vitus (2006) is a film I have been trying to catch up with for a while, in part due to its critical acclaim and also because I was hoping it could do something different with the child prodigy storyline.  Though it is not something groundbreaking and had no major surprises, the character development and generally good pacing from the screenplay and good performances from everyone makes it a solid entry into what we could now consider a cycle of such films.

 

First time actor Teo Cheorghiu is very good as the teen who becomes instantly enamored with keyboards (played at age 6 for a while by Fabrizio Borsani) and grows into a teen struggling with whether he wants this to be his destiny or not.  Bruno Ganz is a standout as his grandfather whose wisdom is a key guide in his life when no one else seems to know anything.

 

Besides some predictability, I wanted more on the music and the title character’s love for it, as well as more about his connection to the world.  The development of said protagonist does not go far enough.  To compare to my favorite underrated film in the same mode, try John Schlesinger’s Madame Sousatzka from back in 1988.  It is still about in the same league and highly recommended.

 

The anamorphically enhanced 1.85 X 1 image is soft, which is odd for a new film and it has to do with more than the majority of the film taking place in the past.  Maybe Pio Corradi’s cinematography and the Susanne Jauch production design is just so lush that DVD has a problem capturing it all.  Blu-ray will tell us for certain when Sony issues this in that format.  The Dolby Digital 5.1 fares better, showing off the Classical Music to good effect and dialogue recording is not bad.  Extras include Murer’s (who made a film with H.R. Giger in 1968 called Swiss Made) audio commentary, Cheorghiu’s screenplay, making of featurette and on cameras interview with Ganz.

 

 

-   Nicholas Sheffo


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