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Category:    Home > Reviews > Drama > Business > Politics > Wall Street – 20th Anniversary Edition (DVD-Video)

Wall Street – 20th Anniversary Edition (DVD-Video)

 

Picture: B-     Sound: B     Extras: B     Film: B+

 

 

Even if 2007 weren’t the 20th anniversary of Wall Street, one of Oliver Stone’s best movies, this would be the exact moment to revisit it.  As the movie slipped further and further into the memories of viewers, Wall Street has been increasingly characterized by three words: Greed is good.

 

Gordon Gecko (Michael Douglas), corporate raider and all-around sleazeball, immortalized the phrase “Greed is good” in a show-stopping speech given at a shareholders meeting for a paper company he controlled.  Actually, like so many memorable movie lines, he never actually says “Greed is good;” rather, he says, “Greed, for lack of a better term, is good. Greed is right.”  Still, the speech, and the soundbyte became the defining moment in Wall Street.  Gecko and his dogma led many aspiring millionaires to enter the world of stock trading.  Even though Gecko is the movie’s villain.  Even though Stone uses “Greed is good” to catch his protagonist, his doe-eyed Gecko protégé and low-rung stock trader Bud Fox (Charlie Sheen), in the movie’s moral dilemma—If you sell your soul, convictions, and family down the river to attain a chic, cushy lifestyle, what is the cost?  In other words, how good is greed really?

 

It depends.  If you’re Gordon Gecko, a slimy character with no empathy or moral hang-ups beyond those that directly concern him and his family, greed is spectacular and the gateway to every earthly delight.  But if you’re Bud Fox, an essentially decent fella led astray down a dark path, greed is the worst evil because it compromises your values and relationships.  Stone himself grapples with the value of greed on the Wall Street DVD commentary found on this new two-disc set, ported over from the original 2000 DVD release of the movie.  He sees how greed can be good, but at the same sees how greed can corrupt.  Like any good laissez-faire moralist filmmaker, though, Stone ultimately leaves the decision to the viewer.

 

Stone spends a good deal of the commentary discussing the making of Wall Street, which leads to an interesting observation.  Near the end of the movie, Stone remarks about the technology on display. “This is, what, '87, and it's like a preview of the next 10 years, 20 years.”  There is an eerie prescience to this observation.  The commentary track is seven years old and predates the George W. Bush administration and its radical expansion of Reaganomics, the economic doctrine that dictated the world Gecko and Fox inhabit.

 

“Geed is good” and Gordon Gecko have become defining symbols of Wall Street, as well as the 1980s.  The decade’s excess brought on by the top-heavy distribution of wealth in the United States is detailed exactingly in the movie, which was released in 1987.  Gecko and Fox, when not overseeing hostile takeovers, indulge in gaudy homes, enjoy the company of cheap women attracted by money and obsessed with tacky fashion, and participate in the inflated art market, dropping millions on a houseful of paintings as a means to declare their status.  They throw money around as if it grows on trees because, for them, it might as well.

 

Skip ahead now to 2007.  Ninety percent of America’s wealth is held by the top one percent of the population.  So much of the new housing construction is deemed “McMansion” construction for its tacky conformity.  The art market is such that pieces are being sold at record prices — earlier this year, one of Andy Warhol’s Disaster works sold at auction for a staggering $71.7 million; the previous top price for a Warhol was set in 2006 when another of his works sold for the bargain-basement price of $17.4 million.

 

The similarities between the ‘80s depicted in Wall Street and today are glaring, and depressing.  Stone is right, not much has changed in 20 years.

 

This can’t help but characterize how you watch Wall Street today.  Ten years ago, the movie was a curio of the ‘80s.  Watching it was like opening up a time capsule.  You could chuckle at the styles and tastes of the ‘80s from the safe distance of a decade of history.  Now, it’s not that easy.  Gordon Gecko influenced an entire generation of brokers, and many of them thought Gecko was real.  In the newly-produced documentary included on the 20th Anniversary Wall Street DVD, “Greed is Good,” many, many, many people admit to believing or knowing people who believed that Gecko was real and that he was a role model.  If those people are still in the business today, they are likely in that top one percent controlling 90 percent of the nation’s wealth.  Is Wall Street, then, a movie to be reviled?

 

It’s difficult to say because it’s such a good movie.  Stone’s direction is top-notch, and it’s given a decent 1.85:1 widescreen presentation here, though it’s spotty in places and could use a cleaning.  Stone uses a lot of tracking shots to simulate the liquidity of the stock market, but he uses static shots and close-up two-shots just as much to emphasize the human element of what can be (and probably is) such an inhuman profession.  The acting is similarly excellent.  Douglas won the Best Actor Oscar for his portrayal of Gecko, and rightly so.  He’s every bit as reptilian as the name implies, but he oozes bucket-loads of charisma and it’s not wonder Bud — and aspiring stock brokers everywhere — were seduced by him.  Sheen is exceptional, too, as the petulant and impatient blue-collar twentysomething looking to stake his claim.  The supporting cast — including Martin Sheen as Bud’s father and Darryl Hannah as Bud’s love interest and Gecko’s pawn — add pop to the sizzle Douglas and Charlie Sheen bring to Wall Street.  The movie is dialogue heavy, and the disc’s 5.1 and 4.0 Dolby Surround mixes do a more than adequate job enveloping you.  Rounding out the set on disc two are the documentaries “Greed is Good” and “Money Never Sleeps — The Making of Wall Street,” which was on the original disc, and deleted scenes with optional commentary. Conspicuously missing are the theatrical trailers found on the 2000 DVD release.

 

While the movie is of undeniable quality, its implied social impact is problematic.  If Wall Street and Gordon Gecko at all inspired the Enrons and Tycos and other white-collar criminalities that have occurred in this decade and have led to this age of exorbitant wealth, then that must be incorporated into the discussion of the movie.  Watching Wall Street today is difficult in light of what has transpired in George W. Bush’s reconstitution of Reagan-era economic policy: the all-but-extinct middle class, declining health care system, crumbling educational system, out of control energy costs, and on and on.  Not only is it difficult to watch Gecko with anything less than contempt, it’s hard to watch Fox and sympathize with him as someone who wants to be a part of that world.

 

Near the climax of Wall Street, Gecko is comforting-nay-manipulating recently-jaded Fox over a deal to buy out Bluestar, the airline Bud’s dad works for.  Gecko hisses to Fox, “Now you're not naive enough to think we're living in a democracy, are you buddy? It's the free market. And you're a part of it.”  That sentiment, perhaps more than the infamous “Greed is good,” is the resonant — and disturbing — truth of Wall Street.  And it’s truer today than it was in 1987.

 

 

-   Dante A. Ciampaglia


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