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Category:    Home > Reviews > Drama > Politics > Genocide > Beyond The Gates (aka Shooting Dogs/2005/R-rated)

Beyond The Gates (aka Shooting Dogs/2005/R-rated)

 

Picture: C+     Sound: C+     Extras: B-     Film: B

 

 

Michael Caton-Jones is an underappreciated journeyman director and when he is good, he is really good, as he proves once again with Beyond The Gates (aka Shooting Dogs/2005), an impressive drama about genocide in 1994 Rwanda that may have been sadly overshadowed by the successes of Last King Of Scotland and Hotel Rwanda, but when it comes to genocide, you cannot have enough smart, strong films on the subject.

 

Hugh Dancy plays a teacher trying to make a difference and hoping his efforts will spread good will amongst his students and beyond.  John Hurt is a Catholic priest who befriends him just before a new round of genocide is set off circa 1994.  The film is far more critical of the United Nations and their peacekeeping forces than the others and the film takes a hard look at the perils of how formula placement of such forces only encourages more genocide.

 

But there is much more to this film, including character study of the leads, the nation they are in and the people who are born and live there, not getting the chance they deserve at a real future while corruption and backroom deals make them disgustingly “disposable” to those in power who could do much more with the right care and planning.

 

Perhaps it is the most controversial of the films as a result, but far from some shallow, preachy diatribe you might expect.  Caton-Jones (This Boy’s Life) is better than that and this film deserves a far wider audience than it is getting.  Hopefully, this DVD will correct that.

 

The anamorphically enhanced 1.78 X 1 image is shot in Super 35mm by Director of Photography Ivan Strasburg, B.S.C, looking good if a bit soft and grainy more often than expected.  This is not being done in some forced, stylized way, but is the look of the film and it often works for it.  A comparison to Blu-ray will be interesting.  The Dolby Digital 5.1 mix is not spectacular, but dialogue is good for the most part and this is driven by its script, while the score by Dario Marianelli (V For Vendetta, The Brave One) shows that he is a composer/conductor on the rise to take serious note of.

 

Extras include a making of featurette, two very good audio commentaries with Caton-Jones & Writer David Wollenstein/Producer David Belton respectively, original theatrical trailer for this film & The TV Set and information on how to become active in helping out in this ugly situation (via the IRC) that sadly remains more unchanged than it should all these years later.

 

 

-   Nicholas Sheffo


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