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Category:    Home > Reviews > Docudrama > Biography > Diana – Last Days Of A Princess (Docudrama)

Diana – Last Days Of A Princess (Docudrama)

 

Picture: C     Sound: C+     Extras: C     Film: B-

 

 

Richard Dale’s Diana – Last Days Of A Princess (2007) is a clever presentation about the life of Diana Spencer and that fatal final cart chase in which the stalkarazzi and possibly the British Secret Service (not even implied or addressed here) literally drove her into her death.  It does not as if there was racism involved as there are many who would not want Diana being involved with, having a child with or marrying a non-white, even if he was from big money.  Or politics, with her very bright spotlight on what was wrong from land mine campaigns to poverty to class separation as a weapon.  That sad night in August 1997 (a decade ago already!) is not simply recreated or dwelled on.

 

Instead, it is the distant bookending to a tale about her life and rise to popularity, told through a combination of actual news footage, interviews with people who really knew her and reenactments of what did and might have transpired before the fatal crash.  Instead of the now-formulaic Unsolved Mysteries approach, it is cut together more like a high quality TV movie in the best way.  Patrick Baladi is Dodi Fayed and Genevieve O’Reilly is uncanny as Diana without being a Diana look-alike.

 

Yes, they use some make-up, but she still has room (along with Dale) to interpret the lady in interesting ways that makes this all the more compelling to watch.  Unlike the often opportunistic, shallow and over-sensationalized coverage of the story all these years and many before, this is a smart, mature, nicely paced work that is one of the few that even begins to have credibility.  Though not perfect, don’t let “Diana press coverage phobia”: get in the way of you seeing this solid work.

 

The letterboxed 1.78 X 1 image was shot in digital High Definition, but this disc sadly does not take full advantage of that.  Color, definition and detail are still not bad and the semi-documentary nature of the piece with mixed footage also holds back a uniform consistency, but it is watchable.  The Dolby Digital 2.0 Stereo is also good and though it has no real surrounds of any kind, is well recorded.  Extras include interview snippets with Dale & O’Reilly and three featurettes.

 

 

-   Nicholas Sheffo


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