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Category:    Home > Reviews > Drama > Race > Socio Economic Class > Barriers (1998)

Barriers (1998)

 

Picture: C-     Sound: C     Extras: C+     Film: C+

 

 

Alan Baxter’s Barriers (1998) is an ambitious attempt to do a story about the lines of race and socio-economic class, but despite a screenplay by producer Charles Ricciardi that does not seem as phony as so many Boutique independent productions about the same subjects from mini-major divisions of the big studios, the film cannot find the big breakthrough it needs to stand out among the many good films made on the subject before.

 

The conflict comes from a young African American teen named Tori (Jamaul Roots) form as good family being affected by two new persons in his life.  One is a new female babysitter/nanny type (Annie Golden) who is white and a bit immature and the other is a tough African American street teen named Snake (Geoffrey Garcy) who offer him limited friendship versus more realistic by rougher opportunities.  Tori is so alone, he is trapped to being with and though Snake seems like a bad choice of friend, he goes for it and the results are not going to be good.

 

The title refers to more than just class and race lines, but personal lines that can often be even more problematic, including those between Tori and his working parents.  86 minutes just may not be enough time to deal with all this, but under the circumstances, half of the pleasure of watching this film is how often it works.  The acting can be awkward at times and there is limited music that works to its advantage at times and hurts some scenes, but ultimately, the film cannot hold together all the way leaving the feeling that if it was not going to offer closure, it could at least have said or shown more.

 

The letterboxed 1.85 X 1 image is very soft, flat, lacks depth and has film color that is limited by what looks like an analog transfer.  Video Black is one of the flattening agents and David Sharples cinematography is not bad, but undermined by some mixed editing.  Extras include a tribute to Quentin Crisp, stills, original trailer and Baxter/Ricciardi commentary track.

 

 

-   Nicholas Sheffo


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