After Innocence
Picture:
C Sound: C+ Extras: B Documentary: B+
In the
early days of what eventually developed into criminology after the quackery was
eliminated (with eugenic/fascist like underpinnings to boot) about who looked
like a “criminal type” and further complicated what was always justice for the
rich and justice for the poor in the U.S., The Civil Rights Movement and other
breakthroughs started to correct these wrongs and real palpable justice where
those who did wrong were caught versus just framing anyone for a crime to make
“someone pay” instead of stopping the guilty.
That is even whether they were guilty or not was fixing the system up
until the 1970s.
By the
late 1970s, with a new backlash against Civil Rights and those who talk about
interpreting the Constitution “strictly”, waging new domestic wars against the
poor and criticizing anyone pointing this out as stirring up “class warfare”
(which is a not so sly way of these extremists calling someone a Communist),
the Rollback of Civil Rights was on the way and for over a quarter century, the
results have been catastrophic.
Jessica
Sanders’ After Innocence (2005)
tells the story of the new efforts to destroy such rights, create a disturbing
atmosphere of consensual carelessness (or conspiracy without trying by the
amazingly ignorant) without
accountability that continues all the way to The White House to the point that
it is no longer even hidden. The tide is
changing very slightly against it and this documentary covers the many persons
(men in this case) who were convinced for crimes they did not commit.
What
those who let this go on criminally within the system did not count on was DNA.
Suddenly,
hundreds of innocent people have been freed, usually without any financial compensation,
programs to help them or even apologies from those in power who erroneously put
them there, but the “we don’t need you” attitude since the 1980s allows for
this against what they see as “disposable society” in the darkest and ugliest
of terms.
Not only
were so many people wrongly convicted, but the perpetrators, muggers, rapists
and even killers are still on the
loose simply because DNA of the actual criminals have not been entered into any
database or those in power still
refuse to admit they are wrong. This
lack of accountability is insane and has ruined countless lives, even to the
point that some people who were innocent were sent to death row. Now you see why so many states have suddenly
suspended the process.
Even a
police officer in the town of Warwick, Rhode Island, a “nice town” as it were
was betrayed by his own department and sent to jail for a murder he did not
commit. The malice on the part of those
in power is epitomized by this case, where not only no evidence was properly
stored, but even ignored, destroyed or carelessly “overlooked” by people who
are doing what one could only think of as criminal in itself.
If
police, detectives and other authorities cannot do their jobs, they should
quit, be fired or retire. If they are
not smart enough to do actual detective work or too lazy and ignorant to do so,
they should step aside and admit they are taking up space for a paycheck. Accountability is the key and until stronger
laws and major efforts go forward, these ugly stories will continue. After
Innocence is a vital document that shows the truth of the situation, while
unintentionally reflecting a much larger and more profound problem in the U.S.
that reaches all the way to Iraq and back again. Don’t miss it!
The
letterboxed 1.78 X 1 image is well edited and intimately shot throughout,
though detail and depth can be an issue.
However, it is consistent and clean enough to offset that a little
bit. The Dolby Digital 2.0 Stereo is
simple and clear, making the combination just compelling enough, though the
subject matter trumps the performance in any case.
Extras
include interviews with the filmmakers, deleted scenes and bonus footage, the
great band Pearl Jam performing with two exonerees, updates on the lives on the
film's exonerees, clips from the Sundance premiere, MTV, Larry King Live, and
the theatrical premiere of this work, media/press footage, website/contact
information and trailers for this a four other New Yorker releases.
- Nicholas Sheffo