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Category:    Home > Reviews > Drama > Sequel > Remake > Walking Tall – The Payback

Walking Tall – The Payback

 

Picture: C     Sound: C+     Extras: C-     Feature: D

 

 

Kevin Sorbo has become the Dolph Lundgren of his time, a success in the action genre who people like and has had some success, but did not have the permanent staying power or respect he deserved over other dots who kept getting junk to do no matter who the junk bombed and bored us all to no end in the process.  Sorbo reaches a new low (that we will not totally blame him for) with Walking Tall – The Payback (2006), a project being dumped on DVD to cash in on the horrible remake with The Rock that shockingly was sent to movie theaters.  We covered that turkey, which you can read about at the following link:

 

http://www.fulvuedrive-in.com/review/1696/Walking+Tall+(2004)

 

 

Sadly, though Sorbo is Olivier as compared to Johnson, this project is a sequel to a very bad remake that only became a moderate hit on video and both seem strangely preoccupied with rewriting or writing over the original film.  Politically correct Hollywood has suddenly decided that the original 1973 Joe Don Baker B-movie classic or its 1975 sequel without him were only “angry white man” films and we cannot have that on any screen because that and only that equals fascism.  So you get a man of color for the remake and Sorbo here as a “nice white guy” who needs to take the town to town.

 

However, these recent revisits are so obviously hell bent on PC politics that the scripts are pathetically formulaic and are a brand-name sellout of a film that was only a B-picture to begin with.  Sorbo could still become a surprise success in a real franchise that used his talent and appeal if the right filmmakers came along, but he and no other action star could save this mess about avenging the mysterious disappearance of his father.  The subtitle does not make his action sequences kick like James Brown and the only payback left at the end of the film is the customer who wants their money back for sitting through this dud.

 

The anamorphically enhanced 1.78 X 1 image was shot on digital High Definition video and it rivals Michael Mann’s Miami Vice as the ugliest action production to date, with clarity and gutted colors actually looking worse at times than the gutted glamour of Mann’s revisiting.  At least that had some money in it.  The Dolby Digital 5.1 mixes are poorly recorded, have limited surrounds and are barely better than the picture.  Sorbo looks as bored as this dud performs.  The only extra is six deleted scenes, but they deserved the ax, just like the greenlight for this mess.

 

 

-   Nicholas Sheffo


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