Under Siege (HD-DVD)
Picture:
B- Sound: B- Extras: D Film: C
For a
time, no action star was more populist, obnoxious and commercially successful
at the same time as Steven Segal. The
supposed Buddhist and very supposed former CIA agent (his fear on audio tape in
a federal investigation, of being killed recently when organized crime was
involved in one of his film productions) was Jean Claude Van Damme’s temporary
rival (they are both finished as big screen stars at this point) who had his own
problems was never as explicitly annoying on screen. At his height before pulling a few Tom
Laughlins (the Billy Jack
star) with his box office clout and imploding, Andrew Davis’ Under Siege (1992) remains his biggest
hit and best film by default.
With a
script by J.F. Lawton that has some form of substantial narrative, a cook
(Seagal) is working on a major U.S. Navy vessel when an officer gone bad (Gary
Busey) and CIA traitor (Tommy Lee Jones stealing scenes) are out to highjack
the ship in its final voyage. Despite
this, it is armed with nuclear devices (???) and the two have teamed up with
some renegade commandos to grab all. If
only they hadn’t skipped lunch!
As
always, the character Segal plays is in a low position via his education,
socio-economic class, private social position (read has few friends) and is a
“great guy” who never causes anyone any trouble. Inspired no doubt by the faux Liberal
portrait of Charles Bronson’s first Death
Wish, this then “justifies” who he kicks, maims or karate chops. There is enough action (and budget) to
override this pathetic formula enough, but it is bad, was always bad, has not
aged well and is particularly bizarre post-9/11. Davis proved he could direct action and story
well enough that he graduated to The Fugitive
(reviewed elsewhere in HD-DVD on this site) a year later. Segal later did a failed sequel to this film,
which did not do as well and was the beginning of the end.
The 1080p
1.85 X 1 digital High Definition image was shot by Cinematographer Frank Tidy,
B.S.C. and looks decent in the way he shot it.
However, the transfer is not so great and though not perfect, since the
film has only so much to offer visually, the limits in definition and color are
not as annoying as they might be otherwise.
This is better than a standard DVD, but not spectacularly so. The film was a digital 5.1 theatrical release
when Warner was doing Dolby Digital exclusively in the beginning and one of the
first such releases after Batman Returns. That also means that Warner & Dolby made
sure there were great audio moments on the film’s soundtrack, which is the
highlight of this release, even as infrequent as they are. The only extra is the original theatrical
trailer. See this for those sound
moments and Tommy Lee Jones if nothing else.
- Nicholas Sheffo