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Category:    Home > Reviews > Drama > Crisis > Disease > Thriller > Fatal Contact: Bird Flu In America (Telefilm)

Fatal Contact: Bird Flu In America (Telefilm)

 

Picture: C+     Sound: B-     Extras: D     Telefilm: C-

 

 

Overdramatic TV movies used to be fun, but now, they are just plain melodramatic and out to capitalize on any disaster in today’s headlines.  Back in the day of the Big Three Networks, when there was not several non-stop news channels and mass media was not where it is now, the simplest of such works were smart and entertaining enough to tune into.  Today, the telefilm (even on cable) is lame and one of the poorest this critic has seen recently is Fatal Contact: Bird Flu In America (2006).

 

The primary reason for the failure is the remarkably awful teleplay written by Ron McGee, who wrote a horrible script for Daydream Believer: The Monkees Story and a Meat Loaf telefilm among his other inane works.  If you though he could not handle Pop/Rock music, wait until you see how he ruins what could be a serious international medical crisis!

 

The cast includes Joely Richardson, Ann Cusack, Stacy Keach and a series of mostly unknown actors running around acting strung out and “shocked” as the crisis gets worse.  The proceedings scream “24” and that is the most wishful thinking of this or any other season.  Saddest of all is director Richard Pierce, the once great cinematographer settling for second rate silliness far below him as a director who seems bored with his work.  Here is a man who shot classics like Woodstock, the documentary classic Hearts & Minds and even the interesting Frank Zappa feature Baby Snakes.  This is so many miles away form that, it is not funny.

 

The anamorphically enhanced 1.78 X 1 image is on the colorless side, has some softness and detail issues, and most likely was shot in digital High Definition.  24” looks so much better, but they are trying to ape the look of that hit here.  The Dolby Digital 5.1 mix is limited in its surrounds and never impresses much.  Shows like “24” have better sound too.  There are no extras, which is no surprise, but if you want to see a film that is like “24” besides just getting DVDs of the show, try the MGM DVD release of Michael Crichton’s Pursuit.  It is one of the inspirations for “24” and shows how to do this kind of telefilm right!

 

 

-   Nicholas Sheffo


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