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Category:    Home > Reviews > Concert > Rock > Blues > Pop > Eric Clapton – Live At Montreux 1986 (DVD-Video)

Eric Clapton – Live At Montreux 1986 (DVD-Video)

 

Picture: C     Sound: B-     Extras: D     Concert: B-

 

 

It is something to think young white male Rock fans were so amazed by Eric Clapton not that long ago that they would write “Clapton IS God!” all over the place in pre-Hip Hop Graffiti that was nothing short of phenomenal and obsessive.  By the 1980s, this was actually still going on.  However, the erosion of such sentiments began when Clapton started becoming more Pop oriented and Eric Clapton – Live At Montreux 1986 really shows how Clapton was starting to run into trouble.  What started this?  Working with Phil Collins!!!

 

Yes, Phil Collins, a man who helped to end the counterculture edge of Rock music by being so boring, pretentious, ignorant, tired, goofy and obnoxious.  Forget the few film projects.  He was having some of the worst chart toppers of the era while Clapton’s biggest hit around the time of this show was the barely Top 30 repeating himself somewhat with Forever Man.  Not surprisingly, that is not one of the hits played here.

 

Unfortunately, he does play his biggest hits in one of the poorest concerts he ever taped.  From I Shot The Sheriff and Cocaine to Layla (at its original fast pace) and Sunshine Of Your Love, Collins manages to try and make every single song sound like a Genesis or solo Collins record, including any connection to the original TV Miami Vice he can bang out.  The results are a disaster, but the kind you still have to see and especially hear to believe it.  What was Clapton thinking?

 

Collins actually drains the energy out of these hits and slows them down, if not outright tripping up every single song.  Clapton’s personal tragedy a few years later gave him a bittersweet comeback in 1992, but this is a collaboration that just does not gel and you should see why.  Just be warned that this runs for almost two hours!

 

The 1.33 X 1 image is soft and shot on analog video, likely NTSC format.  The sound was not recorded to be multi-channel, but in addition to its PCM 2.0 16bit/48kHz Stereo is a Dolby Digital 5.1 mix and slightly better DTS 5.1 mix.  The combination is not always pleasant, but Eagle Eye has done their best to present it at the highest fidelity under the circumstances.

 

 

-   Nicholas Sheffo


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