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Category:    Home > Reviews > Drama > Military > Legal > Gay > Lesbian > Political > Telefilm > Serving In Silence – The Margarethe Cammermeyer Story (1994 Telefilm)

Serving In Silence – The Margarethe Cammermeyer Story (1994 Telefilm)

 

Picture: C+     Sound: C+     Extras: C     Telefilm: B

 

 

In 1989, Colonel Margarethe Cammermeyer casually admitted that she was a lesbian, a homosexual and all after serving in the military for a quarter century.  With an extreme Right Wing administration in place with all kinds of new restrictions, the military went after this medical Army veteran and did whatever they could to get rid of her.  Jeff Bleckner’s Serving In Silence – The Margarethe Cammermeyer Story (1995) is the still powerful, relevant, groundbreaking telefilm about the woman who loved the system, even when she had to take it on.

 

Glenn Close gives yet another great performance as Margarethe, involved in a serious relationship with Diane (Judy Davis) and juggling her children post-divorce.  Mind you, this is a woman who served and survived the insanity of Vietnam, so to do this to her is not just about a quarter century of peacetime service.  And she was always loyal and hard working all that time either way!  It is much deeper and Alison Cross’ teleplay is very well written and delivers a powerful portrait of the people and events that shaped this underappreciated event that in part led to the mixed “don’t ask, don’t tell” policy.  William Converse-Roberts, Jan Rubes, Colleen Flynn, Kevin McNulty, Eric Dane, Molly Parker, Trevor St. John and a very young Ryan Reynolds co-star.

 

The 1.33 X 1 image is good for its age, as shot in 35mm film, TV Safe or not.  The cinematography of Glen MacPherson raises this above the usual TV fare and is one of the reasons he soon moved on to larger feature film projects.  The performance of the film in this digital High Definition transfer more than speaks for itself.  All filmed telefilms should look this good.  The Dolby Digital 2.0 Stereo has no surrounds, but is clean and clear for its age, especially for a TV production.  David Shire’s score is not bad.  Extras include a making of featurette, 1996 GLAAD Media Awards piece and the film’s Hollywood premiere.  This is one of the great TV movies of the 1990s and reminds us that the best telefilms are not seen enough, made enough and are not available on DVD enough.  Let’s hope this helps to change that.

 

 

-   Nicholas Sheffo


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