Broken Rainbow (1985/Docurama)
Picture: C
Sound: C+ Extras: B Film: B
It is bad enough Native Americans were forcibly removed
from their lands, often tortured, raped and otherwise exterminated to the point
that it inspired Hitler to go after Jews, but after The Civil Rights Movement
and a general sense that we should know better, the Maria Florio/Victoria Mudd
documentary Broken Rainbow (1985, with a title song by no less than the
great Laura Nyro) tells of the underhanded insanity of the U.S. Government
purposely displacing a tribe under false pretenses.
The idea is to remove 12,000 (yes, you read that right, a
five-digit number) Navajos from their lands.
The big lie is some stupidity about them crossing over into Hopi
territory, but as the 70 minutes of unbelievable craziness unfolds, it turns
out it is really about a giant land grab so some politicians and a big energy
company (shades of Enron) want the tons and tons of coal underneath the
land. Just when too many have been
placated with the lie that native Americans are making money from gambling
reservations, also a big lie, we have this crazy story that amounts to a great
degree of genocide by literally ethnically cleansing the land so the coal
company and some politicians can made a ton of money. That supposedly fair John McCain is involved and also letting
this happen should be screamed all over the media, but the way this story is
being kept quiet is all tied up to the cover-up that is still going on.
For those heartless few who say this will help out our
problem with foreign energy dependence, that’s the most insensitive, idiotic
think one could do as an apologist and how could anyone wildly assume that this
is about anything good since so much bad is being done? This is a must-see and far more than some
work that can be marginalized as some “Leftist” propaganda, because if it were,
I would be tearing it apart personally.
Instead, it is a solid piece of journalism and makes for a disturbing flipside
to the Enron affair, far from over with the sudden death of Kenneth Lay. It gives “no blood for oil” a whole new
meaning.
The 1.33 X 1 image shows its age, with plugged up colors
and likely shot in 16mm, but it is more than serviceable, though some
restoration work would be a good idea outside of digital preservation to have
the story on more vivid record. The
update is 1.78 X 1 and makes for an interesting comparison for picture
quality. The Dolby Digital 2.0 is
monophonic on the feature and simple stereo for the update. The 2006: The Struggle Continues
piece runs about a half-hour and we will not ruin it for you, though you should
see this and go on the Net for the latest information. There are also text filmmaker bios and more
about Docurama.
- Nicholas Sheffo