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Category:    Home > Reviews > Thriller > British > Basic Instinct 2 (Theatrical Film Review)

Basic Instinct 2

 

Stars: Sharon Stone, David Morrissey, David Thewlis, Charlotte Rampling

Director: Michael Caton-Jones

Critic's rating: 2 out of 10

 

Review by Chuck O'Leary

 

After appearing in mostly forgettable movies (Irreconcilable Differences, King Solomon's Mines, Action Jackson) throughout the 1980s, Sharon Stone finally garnered some recognition in 1990 as Arnold Schwarzenegger's double-crossing wife in Paul Verhoeven's Total Recall.  But her biggest break was just around the corner. 

 

In 1991, when Verhoeven couldn't find a well-known actress to play the female lead in his next film, Basic Instinct, because of the extensive nudity the role required, he would eventually cast Stone, and his chance paid off.  Showing little inhibition as bisexual, pantiless femme-fatale Catherine Tramell, Stone would immediately become a big star and a major sex symbol once Basic Instinct opened in theaters on March 20, 1992.

 

However, aside from one flashy Oscar-nominated supporting performance in Martin Scorsese's excellent Casino (1995), Stone's post-Basic Instinct career has consisted mostly of big strikeouts.  None of those strikeouts are more egregious, however, than Basic Instinct 2, a flat, ill-conceived, ludicrous and totally unnecessary sequel that's at least 10 years too late.

 

Originally scheduled for production early in the decade with David Cronenberg then John McTiernan attached as director, the project was shelved after a slew of possible leading men (Robert Downey Jr., Benjamin Bratt, Kurt Russell, Pierce Brosnan, Bruce Greenwood) came and went, and Stone had a real-life health problem.  But with her career sliding as fast as she was heading toward menopause, Stone actually threatened legal action to get Basic Instinct 2 back into production.  Filming finally took place last year with a then 47-year-old Stone reprising the role that made her a star in what seemed like one last desperate attempt to revive her career as a leading lady.

 

Sure to be one of the most ridiculed sequels of recent years, if not ever, Basic Instinct 2 takes place seven years after the events in the original, and Catherine Tramell has moved to England after apparently having stabbed San Francisco homicide detective Nick Curran (Michael Douglas in the original) to death with her infamous ice pick.  The wily seductress was never charged in Nick's or any other murders, and she's the same kinky, risk-addicted master-manipulator when we're re-introduced.

 

As lifeless and slow moving as its predecessor was energetic and fast paced, the sequel begins with Catherine driving her sports car while the drugged-up man in the passenger seat performs a sex act on her.  No wonder she crashes into London's Thames River.  Catherine swims to safety, but her passenger drowns, making her the catalyst in yet another death.

 

Still a novelist who gets inspiration from murder plots eerily similar to those in her own life, Catherine's target this time is male psychiatrist, Dr. Glass (David Morrissey), she plays like piano while writing her latest book.  And as the bodies of Glass' associates start piling up, and a Scotland Yard detective (David Thewlis) continually warns him, the doctor proves to be the dumbest shrink in the history of his profession.  Unlike Douglas' Curran, we can never accept Glass as a worthy psychological adversary to Catherine.  It's easy to see why no name actor was eager to play this dolt of a male lead.

 

Basic Instinct 2 is something the original never was -- boring.  In the first one, director Verhoeven and writer Joe Eszterhas clearly got off on all the lurid goings-on, and never lost sight of the fact that their movie was a slick potboiler.  In the sequel, though, director Michael Caton-Jones, along with screenwriters Leora Barish and Henry Bean (see The Believer (2001) elsewhere on this site) make the mistake of trying to craft an artful thriller and lose sight of what made the original so enjoyable.  Verhoeven reveled in the first film's trashiness, but Caton-Jones tries to elevate the material to some kind of prestigious level, and the result is a dull, excessively talky police procedural with a smattering of nudity and sex -- the actual amount of sex and nudity which appears on screen in this U.S. theatrical version has been overhyped.

 

Even composer John Murphy's versions of the late, great Jerry Goldsmith's themes from Basic Instinct lack the punch Goldsmith provided on the original score.

 

Who knows?  Maybe it was Stone's insistence on making an artier, different style of film, and given the threat of her lawsuit, the producers were simply happy to let her hang herself.  Then again, Caton-Jones took an unfair critical drubbing for his highly entertaining reworking of The Day of the Jackal.  Caton-Jones' The Jackal (1997) is a much more lurid movie than the original, but it's also a lot more fun.  Had Caton-Jones taken the spirit with which he directed The Jackal and applied it to Basic Instinct 2, I might be calling this a guilty pleasure right now instead of an obvious front-runner for the 2006 Razzies and Stinkers.  The only thing worse than a bad movie is a boring bad movie, and Basic Instinct 2 is definitely the latter -- it's simply too dull to even work as unintentional camp.

 

Also assured a Razzie and Stinker nomination for Worst Actress is Stone herself.  She's a bit long in the tooth to still make Catherine believably so irresistible, but to make matters worse, any subtlety from her performance is now gone, and she overplays nearly every line with such over-insinuation that Catherine becomes a caricature of a sexpot, often sounding like Jessica Rabbit in heat.

 

Stone reportedly refused to have Benjamin Bratt cast as the male lead because "he's not a good enough actor."  What is it they say about people who live in glass houses, Sharon?

 

There's no doubt that Stone still has a great figure, but one of the most memorable things about Basic Instinct 2 is how her facial makeup appears just caked on during many scenes, making her look like a wax-museum version of herself.

 

This is clearly another sequel that should have never been made.


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