Fulvue Drive-In.com
Current Reviews
In Stores Soon
 
In Stores Now
 
DVD Reviews, SACD Reviews Essays Interviews Contact Us Meet the Staff
An Explanation of Our Rating System Search  
Category:    Home > Reviews > Drama > Gay > Ice Men

Ice Men

 

Picture: C     Sound: C+     Extras: D     Film: C

 

 

With the failure of The Gay New Wave to produce consistently serious or important cinema, made more obvious buy the commercial and critical success of the more mainstream Brokeback Mountain, Thom Bell’s Ice Men (both 2005) is even more obviously problematic than before Ang Lee’s film arrived.  A group of old friends, all male, get together for a reunion and maybe to get some hidden feelings out in the open.  Of course, some of these will be homosexual, but the screenplay by Michael Lewis MacLennan has so many issues and complications that even the performances at their best cannot save it.

 

One couple is explicitly gay.  Another forming could be, but there are non-sexual issues unresolved, much of which is simply because of an idiot plot in which a simple conversation would have ended this film faster than its 108 minutes.  Matching that false set of barriers is the way sexuality is treated, male physicality in general as well as any gay issues.  There are teases throughout, some partial nude shots that seem like gay baiting more than visual narrative storytelling.  For a film about adult men, the physicality and any instances of sex are so limited as to be shockingly infantile and intelligence insulting enough to offend heterosexuals.  The wind-up is five talented actors are wasted in a convoluted mess that writes (sometimes literally, with no puns intended) checks its ass cannot cash.  As compared to Lee’s film, it is thought-police homosexual melodrama.

 

The letterboxed 1.85 X 1 image is softer than usual and has some substandard Video Black to be found all over the place.  I give credit to cinematographer Gavin Smith, C.S.C., for an often-naturalistic looking film that gives a sense of place.  Maybe if this were anamorphically enhanced, we would see fewer problems with the transfer, but that is not the case.  The Dolby Digital 2.0 Stereo is supposed to at least have Pro Logic surrounds, but they are hardly present and that mode cuts into the fidelity of the recording.  Except for a trailer, there are no extras.

 

 

-   Nicholas Sheffo


Marketplace


 
 Copyright © MMIII through MMX fulvuedrive-in.com