Fulvue Drive-In.com
Current Reviews
In Stores Soon
 
In Stores Now
 
DVD Reviews, SACD Reviews Essays Interviews Contact Us Meet the Staff
An Explanation of Our Rating System Search  
Category:    Home > Reviews > Drama > Politics > Imagining Argentina

Imagining Argentina

 

Picture: B-     Sound: B-     Extras: D     Film: B-

 

 

Christopher Hampton is a writer that occasionally directs.  Carrington (1995) was a fine debut, followed by mixed results by going into Hitchcock territory by adapting Joseph Conrad’s The Secret Agent a year later.  That put his want or need to helm a film on hold until Imagining Argentina in 2003, his first film set closer to the modern day.  Set in the real-life takeover of a militarist government in 1983, musician Carlos Rudea (Antonio Banderas) has a wife (Emma Thompson) who is kidnapped for writing an article in the newspaper about people disappearing.

 

That displeases the Fascist forces within the regime and she is nabbed at the beginning.  Now, he is searching for her while trying to protect his teenaged daughter, with the twist that he is suddenly clairvoyant.  That does not turn this into a thriller or allow him to become a hero, so he suffers and tries to race to save what he has.  The twist ultimately is used to show more abuse and murder, but the film never makes the big statement it might think it is making, though just nearly showing the abuses is a plus.  Some will have problems with Thompson playing a native of Argentina, but she is good and not on screen enough to make one not believe.  She also contributed to the screenplay.  Ruben Blades also stars in this ambitious project that may not always pan out, but is more interesting to watch because we do not see this kind of political story told enough.  In recent times outside of documentary work, only Roman Polanski’s Death & The Maiden (1994) is much more effective.

 

The anamorphically enhanced 1.85 x 1 image is not bad, with a clean transfer that has some depth and consistent color and video black throughout.  Cinematographer Guillermo Navarro has a solid track record of work including Desperado, Four Rooms, From Dusk ‘till Dawn, Spawn, Jackie Brown and Hellboy.  This is a much less stylized, but no less interesting work, showing his capacities in representing a more naturalistic world.  The Dolby Digital 5.1 mix is not bad, though the film is as dialogue based as anything.  There are no extras, but Imagining Argentina is worth a look just because it is so different and has its moments.

 

 

-   Nicholas Sheffo


Marketplace


 
 Copyright © MMIII through MMX fulvuedrive-in.com