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Category:    Home > Reviews > Comedy > Children > The Parent Trap 2-Movie Collection

The Parent Trap 2-Movie Collection

 

Picture: C+/C     Sound: B-/C+     Extras: B     Films: B-/C

 

 

Walt Disney had a better run of early live-action films than he is often given credit for and one of the most popular and liked is The Parent Trap in 1961.  This new double DVD set offers the original, plus a 1986 TV movie sequel, but skips the 1989 second telefilm sequel.  Hayley Mills appears in all of them, charming and convincing as the twins in the first film and the parent in the telefilm.  The original story is about two young ladies who meet at summer camp (run by Nancy Culp & Ruth McDevitt) and eventually discover they are sisters who did not know each other exist.

 

Their parents have not told them about each other, so they plan to try and get them back together from their separation.  That there is no anger, shock or outrage at the lie is amazing, but children were supposed to be quite and conform then, I guess.  The film is over two hours and is fine until it starts getting sappy and preoccupied in the reunification of Brian Keith and Maureen O’Hara.  Before that melodrama, it is a fun, interesting, smart picture that offers some of the studio’s best live action production while Walt still ruled the kingdom.  The strangest thing writer/director David Swift offers are visual moments not unlike Alfred Hitchcock’s Vertigo (1958), reflected in the score.

 

The sequel is a big disappointment, made when the studio was on the comeback trail.  Mills returns as both twins, now adults, while we do not get new twins.  We do get children who just seem to want to play matchmaker.  The girls are not bad, but it is just a one-joke film that can only be an inadequate echo of the original.  Strangely, it was directed by Ronald F. Maxwell, who was on his way to doing Gettysburg soon after.

 

The anamorphically enhanced 1.85 X 1 image on the first film is not bad for its age, though it does not necessarily display the beautiful color a three-strip Technicolor print like the ones the film was originally issued in.  From the stop-motion animation in the opening to the various visual effects shots throughout, color is consistent and the print is in nice shape.  The effects are not bad for their age either and have not been tampered with or upgraded, which would have been annoying.  There is still a lack of depth and some softness outside of visual effects shots here and there, but a new dye-transfer print and some touch-up restoration would work wonders for a digital HD release.  The sequel’s 1.33 X 1 full frame image is fuzzier and color poor by comparison, showing its limits.  One wonders how if the third film looked worse.

 

The Dolby Digital 5.1 remix on the original film is not bad, with some surrounds and benefits particularly for the music and outdoor scenes.  The sequel has Dolby 2.0 that is supposed to have Pro Logic surround, but it is so slight as to be nonexistent.  Early TV attempts at such surround were usually substandard.  All the extras are on DVD 2, including a making-of featurette, Sherman Brothers featurette, production archive, 1961 Disney Studio Album segment showing their film output that year among other things, Lost Treasures: Who’s The Twin? That shows the actress who worked with Mills to play Mills twin, Let’s Get Together Music Video and a Production Archive with more.  This includes the Disney Legend segment on Mills, seven galleries, audio archives, Kimball & Swift: The Disney Years segment, old black and white Title Makers TV segment from 1961 about the making of the film’s opening and closing stop motion, Seeing Double featurette about doing that key visual effect and finally, a trailer and TV Spot.

 

The original film is fine family entertainment, but the extras on this set are surprisingly extensive and show how serious Disney is about their live action classics.  The film was remake in 1998, but that is for another review.  The Parent Trap 2-Movie Collection is a decent surprise worth a look.

 

 

-   Nicholas Sheffo


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