Battlestar Galactica – Season One/2003 - 2004 version
Picture: C+
Sound: B- Extras: C+ Episodes: C
After
Universal and ABC gave us Battlestar
Galactica, we had the lower-budgeted Galactica 1980 which critics
hated and fans did not flock to. If
the first show was a bit stillborn, at least it had production values and its
moments. The sequel show had actually
opened up aspects of the original it never got credit for and was amusing in
its own right. Home video and the
collector’s market notwithstanding, the Galactica franchise went into the sunset and that
seemed to be it. Fans hoped for
revivals of the original series, especially as visual effects became cheaper
and more common, and original star Richard Hatch was even hoping around 1999 to
do so making a trailer. With the rush
to remake & reclaim every franchise in the vaults of every major company,
Universal & The Sci-Fi Channel decided to revive the show, but update it. The result was an abandoning of the original
altogether.
If this disappointed Hatch, he was not alone. The Mini-Series was the same
colorless-looking muck that had been past played out from all the Star Trek spin-offs and it’s many tired imitators, doing
their imitation of a show a few generations down in itself. In the original show, an exodus of humans from outer space
are searching for earth, but they have to survive the human extermination of
the Cylon Centurions, armed robot killers who are out to rule space. Instead of logically pumping up that angel
and dealing with unfinished aspects of the original space opera, the new series
tries to take a Horror-genre turn as Cylons advanced to a more dangerous robot
state (looking like an update of robot Maximillian from Disney’s The Black
Hole (1979) on a diet and/or low budget) that has somehow allowed them to
then find a way to assume human form.
With
almost everything in look and name gone, the only reason to use the name of the
original show is to get it to sell more easily. Hatch even shows up, but as a different character, but that makes
no difference. Glen Larson did manage
to convince Edward James Olmos and Mary McDonnell to sign on as regulars, but
even some fairly good writing cannot escape the conventions, clichés and the
fact that this cycle of Science Fiction is having one of the slowest deaths in
genre history. Like a comparison of the
old and new Lost In Space, the original shows had more fun and energy
than their drained “reimaginings” – a word than has its own dark new meaning
and sets off a high B.S. Red Alert every time we hear it (i.e., Tim Burton’s
unimaginably bad Planet Of The Apes) which runs contrary to anything
science fiction does best. This is much
more dark in look than theme and substance.
There are
13 episodes here after the mini-series launch and the best we can say about
this version is that it is “an acquired taste” at best. The episodes are, with commentary tracks
marked by an *:
1)
Mini-Series
2)
33*
3)
Water
4)
Bastille
Day*
5)
Act
Of Contrition*
6)
You
Can’t Go Home Again*
7)
Litmus
8)
Six
Degrees Of Separation
9)
Flesh
& Bone
10)
Tigh Me Up, Tigh Me Down*
11)
The Hand Of God*
12)
Colonial Day*
13)
Kobol’s Last Gleaming (in two episodes)*
The
anamorphically enhanced 1.78 X 1 image is recent and looks like it was shot
digitally, but still is not quite as good looking as the 1.85 X 1
non-anamorphic transfer for the 1978 film reviewed elsewhere on this site, as
hard as that is to believe. The digital
visual effects are forgettable and not as interesting as the dated effects from
the original series, which used good (and then-expensive) model work from
LucasFilm and John Dykstra. The very
clichéd, color-drained look is not too good on the revival mini-series, and
does not improve with the regular shows.
The Dolby Digital 5.1 mix is weaker than expected, despite its surrounds,
the directional ability of which is not too impressive. Louder sounds seem to hit a ceiling of
compression and there is a lack of presence throughout as well.
Extras
include an audio commentary on the 3+ hours of the mini-series and 33
episode by co-Executive Producers David Eick and Ronald D. Moore with Director
Michael Rymer, Moore & Eick do the next two alone, then Moore is solo on
the rest, then you get deleted scenes, 8 featurettes behind the making of the
new show, art/sketches and Battlestar
Galactica – A Series Lowdown. That is even more interesting than the
resulting shows. I really would have
liked to enjoy the show more, especially without commercials on DVD, but it
just never comes together. A second
season followed.
- Nicholas Sheffo