The 88 – Over &
Over (CD)
Sound:
B+ Music: B+
When
the Southern California Rock band The 88 showed up with their debut album Kind Of Light a year ago, it was very
well received and got one of the best reviews for a music album in the history
of this site. I liked it, though not as
much as Mike Farmer. This time, with Over
& Over (2005), I am ready to do some raving of my own for their
sophomore set.
Singer/songwriter/multi-instrumentalist
Keith Sletterdahl is back with cleverer phrasing for the lyrics and a great
voice that has actually become better between albums. The songs are as follows:
1)
Hide Another Mistake
2)
All ‘cause Of You
3)
Nobody Cares
4)
Bowls
5)
Head Cut Off
6)
Battle Scar
7)
Coming Home
8)
You Belong To Me
9)
Haunt You
10) Jesus Is Good
11) Everybody Loves Me
12) Not Enough
The
opening track hints at the album’s title and is a remarkable post-Beatles
rocker that most succeeds in being the kind of clever Pop/Rock they made
possible. I love its energy,
forwardness and trickiness. Instead of
being followed by filler, surprise, you get more great songs! Nobody Cares is upbeat considering
what it honestly takes on, but that’s the greatness of such Pop, which can
handle darkness without felling the need to be dark. That has too often, especially of late, become a spoof of
itself. Haven’t You remembers
how Funk and Soul settled nicely into Pop/Rock like the music of Rod Stewart,
Lee Michaels and so many great hits of the time. Oh, and Track 8 is NOT the Carly Simon hit, though it is a good
record too.
The
PCM 16Bit/44.1kHz 2.0 CD Stereo sound once again is also exceptional for an
independent production from Mootron Records (love that name). Adam Merrin’s piano, Brandon Jay’s guitar,
Carlos Torres’ guitar and Mark Vasapolli’s drums meld together like a real Rock
band’s members and their talents should.
Compare this album’s music to anything from Oasis, plus the side of The
Strokes and similar bands from the time that tried to do The Beatles in Joe
Jackson I’m The Man/Is She Really Going Out With Him? outfits in
a cycle that passed quickly. You hear
everything go right here where those bands went wrong, especially the former,
which is a separate essay.
Also,
I think the album art design is one of the best we have seen in a while, with
its 1970s look, in descript brunette chick listening on her giant headphones to
the album on a vinyl turntable. It
tends to reflect the ambition and encompassing feel of the album itself,
getting back to great music lost. The
album is constantly filled with such energy and is one of the most authentic
attempts to sound like the 1970s since before Beck’s terrific Sea Change. Too bad this is not in SACD or DVD-Audio
yet. For more on the band and getting
their CDs, visit http://www.the88.net and
learn even more.
-
Nicholas Sheffo