The Muppet Show – Season One
Picture: C+
Sound: C+ Extras: B Episodes: A-
Jim Henson had first established the idea of a Muppet back
in 1955 with the original appearance of Kermit The Frog. Slowly, his unique combination of puppet and
marionette grew into something unique and distinctive. Immortality arrived with the debut of Sesame
Street in the late 1960s, making Muppets a permanent staple of childhood
worldwide forever. Henson continued to
have more ideas for his talents and besides increasingly clever and abstract
characters; he decided The Muppets could expand into their own show. When he initially offered The Muppet Show
to the big three networks, none of them were interested. Instead, the show went into the growing
syndication market and was a huge hit.
Disney has been issuing some of the shows individually,
but finally decided to launch the entire series and Season One (1976 –
1977) was worth the wait. Between the
nice packaging, extras, top-flight transfers and content, more than a few
adults will be running out to buy this set than they will ever admit. The episodes in the first season are nothing
short of remarkable, attracting some of the greatest stars in entertainment
history as much as Sesame Street.
See for yourself:
1) Juliet
Prowse
2) Connie
Stevens
3) Joel
Grey
4) Ruth
Buzzi
5) Rita
Moreno
6) Jim
Nabors
7) Florence
Henderson
8) Paul
Williams
9) Charles
Aznavour
10) Harvey Korman
11) Lena Horne
12) Peter Ustinov
13) Bruce Forsyth
14) Sandy Duncan
15) Candice Bergen
16) Avery Schreiber
17) Ben Vereen
18) Phyllis Diller
19) Vincent Price
20) Valerie Harper
21) Twiggy
22) Ethel Merman
23) Kaye Ballard
24) Mummenschanz
It is hard to believe a show once existed that had
attracted that kind of talent, but since it was at a time when that was more
possible, no one knew just how special and important this series would really
be. My only complaint (besides the
commercial breaks we were not used to) was that the shows were too short at
under a half-hour. Furthermore, these
stars were all at their peak when they showed up. Juliet Prowse was one of the world’s best-known dancers, Connie
Stevens an extremely popular character actress. Joel Grey had won his Oscar for Cabaret only a few years
before his show and Ruth Buzzi was (and still is) one of the industries most
distinct personalities.
What this amounted to was a show that had great moments of
palpable art beyond the fun jokes and characters that became worldwide
phenomena. Only Kermit was brought over
from Sesame Street, so this is the show that introduced Gonzo, Fozzie
Bear, Scooter, Rolf, Animal, Muppy The Dog, Dr. Teeth, and Miss Piggy. Here, however, Piggy was an earlier design
with more make-up and a more feminine look.
For being the first season, the show was remarkably together off the
bat, especially when compared to later seasons. There were the funny skits and the bad jokes, puns and device of
drama backstage created a winning atmosphere that ranks as one of the all-time
TV classics.
Then there are some moments that just have to be seen to
be believed. The great Kaye Ballard
singing and dancing to Hurricane Smith’s pop classic Oh Babe, What Would You
Say? with a giant Muppet Monster, ghosts in the remarkable Vincent Price
episode singing The Beatles’ classic I’m Looking Through You, the
underrated Paul Williams accompanied by a group of Muppets (including two that
look just like him) singing the Three Dog Night classic An Old Fashioned
Love Song that he originally wrote, Ethel Merman doing an ironic
rearrangement of the theme from There’s No Business Like Show Business
with the Muppet gang to close her episode, and an amazing cover by Lena Horne
of the Jim Croce classic I Got A Name with the Muppets joining her for
back up that, after her life odyssey, may be the most profound moment in this
set.
Jim Nabors is a riot singing John Denver’s Thank God
I’m A Country Boy, Harvey Korman shows up in a giant chicken outfit, Twiggy
sends up her years as a model while still looking great, Florence Henderson is
up for anything, Valerie Harper continues to show why she is an underrated
comic talent, Rita Moreno (already associated with Sesame Street by
being the star of its hit PBS sister show The Electric Company, finally
announced for DVD!!!) shows why she was one of the most important performers of
her time, and the Vincent Price show might be the funniest here. It twists the conventions the show had just
set up and even dares to do a spoof of George Romero’s original Night Of The
Living Dead so funny and clever, it could still go a few rounds with Children
Shouldn’t Play With Dead Things (reviewed elsewhere on this site) or the
more recent Shawn Of The Dead.
It should be said that all the performers and their
performances are extraordinary, with what is noted only the beginning of the
Emmy-worthy performances all the guests put in. To say any more would ruin the surprises and memories for older
fans who deserve to be surprised all over again. This is a true collector’s item and one of the best TV on DVD
sets to date. Can’t wait for the next
one.
One of the great things Jim Henson did on a technical
level was try and find a way to make the shows hold up visually better than
many videotaped children’s television had.
Sesame Street, The Electric Company and many of the Sid
& Marty Krofft series were all shot in the analog NTSC videotape format
with professional equipment. To retain
the same videotape look, but with tape’s freedoms. This is why he decided to shoot the show in the clearer PAL
format, usually used for British TV.
The result is that the 1.33 X 1 image looks better for its age than it
would have been had he stuck with NTSC video and thanks to the top rate
transfer work here, this looks terrific.
The Dolby Digital 2.0 sound shows its age, but sounds as nice, clean and
clear as it could sound in Dolby. No false stereo boosting has been added, but
it is as good as some simple stereo boosting we have heard. The combination far exceeds what it looked
like when it debuted. The show was shot
in England where it was originally produced by Sir Lew Grade and his ITC
production company.
Extras include closed captioning text with factoids and
other information on every episode, while DVD 4 adds the terrific original
pitch reel to sell the series, a promo gag reel for the first season, and the
original 1974 Muppet Show pilot which is very different and has more of
an emphasis on Henson’s more abstract creations. A paper foldout is also contained inside the foldout case that
lists all the guests on the four discs.
That’s not bad at all.
When Kermit would talk up the show on camera, he sounded
like they were trying to be the best entertainment show in the world, offering
entertainment like he had to be somewhat of a huckster, unsure as to whether he
could deliver or believe he could deliver on the superlatives he constantly
spoke of to keep the show going.
Between the vaudeville-style of the show down to the end-credit
lettering, The Muppet Show revived that classic tradition and nearly a
century later, fulfilled all of its aspirations. That is why it is a classic.
- Nicholas Sheffo