Dog
Soldiers
(2002/Region 3, NTSC - DTS Edition)
Picture: C Sound: B
Extras: D Film: C+
PLEASE
NOTE:
Since we reviewed this import years ago, it has gained it popularity
since director Neil Marshall (The
Decent,
Doomsday,
Centurion)
took off, Sean Pertwee (Equilibrium,
Event
Horizon,
Soldier
and now Alfred The Butler on the Gotham
TV series) continues to be a name actor people recognize and it was
finally issued on Blu-ray in the U.S.... twice so far! That sequel
has yet to happen... Now, the original review...
This
recent piece of British horror filmmaking has made a fairly large
splash when you consider that its only real brush with what might
pass for publicity in the U.S. was in being a Sci-Fi Channel
premiere... not exactly a high honor. Even though the standards for
original films aired on the network are steadily being raised, it's
still considered to be a dumping ground for the genre films that
never quite became all that they could be. And while it becomes a
fairly effective movie - at least about midway through - it has been
continually been placed up against the Ginger
Snaps
films without reason, simply because both films deal with werewolves.
To me, these comparisons are absolutely thoughtless and without
merit. It's pretty much like saying that It's
Alive
has a lot in common with Look
Who's Talking
because both movies share babies as central characters.
For
anyone who has actually watched the films, you'll find very few
things in either series that were carried over one from the other.
And while this movie is fun, at least at times, it lacks that certain
appeal and the cleverness found in abundance in the Ginger
Snaps
movies. The basic premise here simply becomes one of trapped
in a house with the monsters trying to get in
and from that point onward it never ventures too far from that
familiar ground. Some of those who have seen the movie have been
quick to say that it's Night
of the Living Dead
with werewolves, but these thoughts should only be fleeting; as all
the characters here are mostly one-dimensional and throughout the
picture it is hard to differentiate one from another in any personal
way... definitely not something that could be said of that seminal
horror classic. The atmosphere itself here is not one of great
suspense, but is more akin to setting up bowling pins and inevitably
knocking them down.
Even though I don't
think this will ever reach classic status, that doesn't mean I think
that it's bad. It's already got a cult following, so I may be proved
wrong in the end. Seeing a big werewolf tear some guy to bits is one
of life's little pleasures that I just love seeing up on the screen.
I also dig big guns, traditional effects and a good-looking leading
lady to complete that particular brand of movie casserole. This one
has got all the ingredients covered, so I know for sure why this
movie is drawing in fans. I do greatly applaud the filmmakers for
going a road rarely walked by sticking a flesh and blood actor into a
suit to play a monster. It s sadly become a rarity in this modern
age - so to have a small batch of them running around here is
comforting. As I said earlier in this review, it does fall a little
short of my expectations on a few fronts. The characters are fairly
well acted, but the script leaves them all rather stiff and
indiscernible from one another. Not many people really came to this
show to see them be anything more than wolf chow though, so I guess I
can forgive.
TECHNICAL ASPECTS
While the film itself
is average to above average this particular DVD presentation is
really where things began to fail. While you do get the benefit of a
6.1 DTS sound mix over the more standard 5.1 Dolby, you also
sacrifice some of the picture and will be left without any extra
features. Even the one released stateside by Lionsgate offered the
film in both a preferred anamorphic widescreen transfer, as well as
the full-frame version seen here. It appears that the best version
currently available would be the one released by Pathé Distribution
in the U.K., as it includes more extras than the U.S. version and
retains the anamorphic widescreen.
There's
not much else for me to say on this film - it isn't going to satisfy
absolutely everyone, and in certain cases, it will only whet your
appetite for something more that hasn't been provided by this film.
Perhaps the sequel currently in production, Dog
Soldiers: Fresh Meat
will live up to what I'd assumed was in this one all along. I won't
hold my breath, but higher expectations for the sequel just might
prevail.
- David Milchick