Incident at Loch Ness
Picture: B- Sound: B Extras: B Film: C
How does one take a
program like Incident at Loch Ness…. it is a documentary? A film?
A mockumentary or a film making fun of the mockumentary in general? Perhaps the whole purpose of this is to
create an enigma for the audience to simply wonder for themselves. The titles state almost exactly what we are
dealing with as a crew is sent out to explore the legendary sightings of The
Loch Ness monster.
It is probably fair to say
that your experience with this film in general will probably be dependant on
how you feel about the documentary genre in general. Are you the type that wants straight up facts or do you like a
bit of fiction tied in as well as person agenda and/or opinions. I hate when people say that documentaries
are intended to be unbiased because you cannot make a film and not have a
particular side, or a particular focus.
From the moment that you look through the lens of the camera you are
cutting off that image from the rest and therefore putting an agenda into what
you are creating. You are making a
story based on what you capture and then what you edit together to explore your
narrative.
Now, when dealing with
something that is mythological in general, what facts really have any concrete
evidence? Well, watch and find out if
you dare! Interestingly enough the film
stars famed German director Werner Herzog and a few other people simply playing
themselves including Kitana Baker (a former Playboy playmate) and Zak Penn, the
director of the film. This is Penn’s
first directing effort although he has been responsible for writing Last
Action Hero (1993), Behind Enemy
Lines (2001), X2 (2003), and Elektra (2005). While he does have some serious writing
credits to his name and will also be writing the upcoming Spy Hunter and X-Men 3,
there is no question this might be his last film to direct.
For me, I kept waiting for
Werner Herzog to start directing the film midway through and turn their vessel
into Aguirre: The Wrath of God, Part 2,
which may have been more interesting.
What will be difficult for most viewers is to really discern what the
heck the purpose is anyway. After
watching it you may know less than you did going into it and there are few and
far between pay-off moments, aside from scenes with Kitana.
Believe it or not Fox is
behind the release of this DVD and are out to make it look as interesting as
possible treating it like a film that people actually heard about, although
that is quite doubtful. Most people
will expect it to be some sort of horror film or suspense film; perhaps even a
comedy mixed with those ingredients, but will be heavily disappointed by the
films delivery.
Presented in a 1.85 X 1
anamorphic transfer, the film does look good, even with having a
documentary-like texture and being shot in 16mm and then blown up to 35mm for
print. Believe it or not the film was
shot by John Bailey, who has had a mixture of good projects over his career. Ranging from Mishima: A Life in Four Chapters, which in an incredibly well shot
film directed by Paul Schrader and then Bailey has also worked on projects like
How to Lose a Guy in 10 Days. Although he still has more good films in his
bag overall like The Kid Stays in the
Picture, In the Line of Fire, or
Groundhog Day. Here he captures the footage as best as
possible and should not be held accountable for the narrative or lack
thereof.
Fox also presents the film
with a Dolby Digital 5.1 mix, which is to some degree stereo in nature
throughout with little giving evidence of a surround feel. There are quite a few extras on this disc
for the film being questionable. First
we have a commentary track with Herzog and Penn, which is followed by a handful
of outtakes and deleted scenes. As if
those weren’t enough there are a few testimonials and some other miscellaneous
pieces that give little incentive for checking out. For example The Life of a Hollywood Producer, which explains the
process of getting the film made or the few that are done on Werner Herzog and
even a few on the Loch Ness monster in general. All of these are nice additions, but once again it’s all about
whether you could care less about the film.
I give credit to Fox for
making this an excellent DVD for those that are certainly interesting in seeing
it or exploring it. For those that are
fans of Werner Herzog you may have mixed feelings here as very little is
explored specifically towards him. I
suppose this one is like playing the lotto, have the chance of getting a lot,
but most people loose out.
- Nate Goss