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Category:    Home > Reviews > Thriller > Foreign > French > Intimate Strangers

Intimate Strangers (Confidences trop intimes)

 

Picture: B-     Sound: B-     Extras: C-     Film: C+

 

 

William Faber (Fabrice Luchini) is sick of taxes and mathematics, which is his profession, so it comes as a unique change of pace when a beautiful young woman (Sandrine Bonnaire) comes in and starts confessing her most intimate thoughts and secrets.  The problem is that she has mistaken this taxman for a psychotherapist, and so begins the odd drama Intimate Strangers (2004) that is not certain it is a thriller, a suspense piece, or something else.

 

The original story is by Jerome Tonnerre, who co-wrote the adaptation with director Patrice Leconte, who has given us Man On The Train and Girl On The Bridge.  Though we have not covered those films yet, I can say that this film does not seem to know for certain what it wants to say or do.  There is not even something being said here that only the filmmakers understand and the audience would never get.  Instead, it seems to think it is some kind of character study, but the result is a film that drags on and on.  The acting is not bad, but they are given little to do.  I felt as much of a “stranger” to al the characters when I ended the film as when it began. See it at your own risk when you want to burn some attention span.

 

The anamorphically enhanced 1.78 X 1 image is not bad, though the color is not rich by any means.  Cinematographer Eduardo Serra, A.F.C./A.S.C., has been on a role of late, lensing notable films including The Flower Of Evil (reviewed elsewhere on this site), Girl With The Pearl Earring (both 2003) and Kevin Spacey’s Bobby Darin biopic Beyond The Sea.  He is in peak form and has some subtly in its uses of light.  This helps the narrative a bit, but can only do so much to help.  The Dolby Digital 5.1 mix fares a bit better than the 2.0 version with Pro Logic surrounds.  The film was a DTS and Dolby 5.1 release, but I doubt a DTS track here would not have helped much.  Pascal Esteve’s score is nothing memorable and the film might as well have been musicless in some parts in how it drags.  The only extras are previews for other Paramount DVDs from Paramount Classics theatrical origin.

 

 

-   Nicholas Sheffo


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