Duke Ellington –
Memories Of Duke
(Concert/Documentary)
Picture: C
Sound: C+ Extras: D Film: B
In the later part of his career, Duke Ellington took part
in a feature film about his music and Memories Of Duke (1980) remains a
fine concert film. As directed by
producer Gary Keys long before, on a Mexican tour in 1968, the film takes a
page out of the Rockumentary book and adds interviews throughout. They are great, as are the following music
performances:
1) Satin
Doll
2) Black
& Tan Fantasy
3) Creole
Love Call
4) The
Mooch
5) Happy-Go-Lucky
Local
6) Mexican
Suite
7) It Don’t
Mean A Thing (If It Ain’t Got That Swing)
8) I Got It
Bad (And That Ain’t Good)
9) Things
Ain’t What They Used To Be
10) Mood Indigo (a classic monochrome
film clip)
11) Take The ‘A’ Train
12) Sophisticated Lady
13) Do Nothing Till You Hear From Me
I love the opening titles, the classic portrait of Duke
and the use of Art Deco lettering all over the place from optical printing on
the film to identify all these great artists.
I also like some of the other fancy optical printing I wish the film had
more of. This turns out to be a
remarkable record of Duke in his latter years, still in terrific form.
The full frame image was shot on film and holds up better
as a result, but it is a print with damage here and there, plus the video
master is muddy enough to suggest this was from a professional analog NTSC
source. At least it still exists, but
this deserves restoration, which MVD should do when a copy is needed for digital
High Definition. Whether this is 35mm
or really good 16mm shooting is hard to tell, but I liked it despite the
performance limits here and major credit goes to the three cameramen who lensed
it: Urs Furrer, Bill Hudson and Ed
Lachman. Either way, the sound is here
in 2.0 Stereo and a 5.1 mix that are both weak, only because the mix is a
generation or so down. Phil Pearl and
Fred Bouch recorded the sound and I wonder if the original stereo master is
held by the Ellington estate or not.
The 5.1 is still better, though it spreads the sound around a bit, but
it is superior to the lame 2.0 mix.
There are no extras, except for a small section on other
titles from MVD in the Jazz genre you can see by two frames of cover
images. Hopefully, having a DVD of the
film out will cause new interest in Duke.
An Ellington compilation called Swinging At His Best is reviewed
elsewhere on this site and was issued at the same time by Passport/Koch.
- Nicholas Sheffo