Fulvue Drive-In.com
Current Reviews
In Stores Soon
 
In Stores Now
 
DVD Reviews, SACD Reviews Essays Interviews Contact Us Meet the Staff
An Explanation of Our Rating System Search  
Category:    Home > Reviews > Comedy > Drama > Foreign > Kitchen Stories

Kitchen Stories

 

Picture: B-     Sound: B-     Extras: D     Film: C+

 

 

Can a Swedish researcher only view the daily life of a Norwegian farmer without interacting, intervening or getting involved?  In research to improve domestic living, no matter how ridiculous it makes people look, the con that it will make for a “better tomorrow” is constantly bantered about.  In Bent Hamer’s Kitchen Stories (2003), the researcher finds that doing such a job on location is tough, and being in the house makes the requirements all the more impossible.

 

This reaches its apex of insanity when the researcher is sitting in an adult height chair, which speaks volumes about the whole situation to boot.  Many will think of The Coen Brothers’ Fargo (1996, reviewed elsewhere on this site), but it is nowhere as interesting and the film ultimately plays this for light laughs, instead of going more deeply into the situation and all of its possibilities.  Hamer also wrote the screenplay and is responsible for the form and path the film takes, on top of helming it.  In this, he takes the safe road, never daring to explore the deeper existential questions the film starts to pose, and then quickly abandons.

 

The anamorphically enhanced image is in a strange 2 X 1 frame, the measure of which comes from who knows where.  Though not loaded with great detail, the color is of a sort of aquamarine nature throughout, as shot by cinematographer Philip Ogaard.  This as a sort of natural color for the environment of Sweden by the filmmakers’ standards, but oddly not too far removed from the gaudy and forced colors of the products of the future and the set-ups meant to celebrate them.  The surreal images mix in to make this visually interesting, even when all else fails.  The only extras are trailers for this film and the general MGM line-up, which is also disappointing.  I would love to hear Hamer talk about (i.e., explain) what he thought he was saying, or was it in ideas only he understood?   You might get some light laughs out of this, but is it really worth the 95 minutes of haystack to find them?

 

 

-   Nicholas Sheffo


Marketplace


 
 Copyright © MMIII through MMX fulvuedrive-in.com