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Category:    Home > Reviews > Scaramouche (1952/Limited CD)

Scaramouche (1952/Limited Edition CD Soundtrack)

 

Sound: B-     Music: B

 

 

I am not the biggest fan of the Swashbuckler Cycle, even at its peak in the days of Classic Hollywood.  Journeyman director George Sidney remade the 1923 silent classic Scaramouche for MGM in three-strip Technicolor in 1952 and it is often considered one of the high watermarks of all these films.  I am not as big a fan of the film, but while we wait to look at it at a later date on DVD or in HD, Film Score Monthly has issued the film on its FSM CD label in a limited edition release (only 3,000 copies) and it will make fans happy.

 

Accompanied by the usually well-detailed booklet about the film’s history, followed by tons of information on the music.  Victor Young was in the twilight of his career when he was on a roll writing this score, one of the highlights of his career.  In this period, he gave us The Greatest Show On Earth, The Quiet Man, Shane, Three Coins In The Fountain, The Country Girl, Strategic Air Command, Around The World In 80 Days and Johnny Guitar.  There were many more and this one ranks among them in popularity, though it is not as favored by this critic.

 

Just the same, it is rousing on its own level, and helps to create the past world in a way that is convincing enough within a Classical Hollywood production.  Eric Wolfgang Korngold’s influence cannot be discounted, but this kind of film would get one more boost by the large frame and widescreen formats Hollywood was just about to role out.  This was certainly a farewell to the full-frame productions that built the town, a change that television was responsible for bringing on.  Even Technicolor was about to change the way it did dye-transfer, so this is the last of a line of films indeed.

 

Nostalgia is another factor for this film’s celebration, but the score is still a strong one that has been influential on the revival of such films beginning with the Lucas/Spielberg cycle in the late 1970s.  The only sad thing all can agree on is that the music only survives as a monophonic dup copy, made so the original stereophonic could be trashed to “make room” for other things and save storage costs.  You can read more about this at www.filmscoremonthly.com and also find track order, downloadable samples of the score, and hundreds of other exclusives not available in stores.

 

 

-   Nicholas Sheffo


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