Dumb
Money: The Game Stop Story
(2023/Sony Blu-ray)/The
Inspector Wears Skirts
(1988/MVD/88 Films Blu-ray)/Looney
Tunes Collector's Choice, Vol. 2
(1958/Warner Archive Blu-ray)/Violent
Night 4K
(2022/Universal 4K Ultra HD Blu-ray w/Blu-ray)
4K
Ultra HD Picture: A- Picture: B/B/B/B+ Sound: B/C+/B-/A- &
B+ Extras: C+/B/D/C+ Main Programs: C+/C+/B-/C+
PLEASE
NOTE:
The Looney
Tunes Collector's Choice, Vol. 2
Blu-ray is now only available from Warner Bros. through their Warner
Archive series and can be ordered from the link below.
Here
are a new group of releases, featuring material over several decades,
that all use comedy in ways that may throw an audience off more than
expected...
Craig
Gillespie's Dumb
Money: The Game Stop Story
(2023) is a movie based on a book by Ben Mezrick, the author of the
book that David Fincher's The
Social Network
(reviewed on 4K disc elsewhere on this site) but instead of the rise
of Facebook, et al, this is about the wild story of how they stock
price of the brick and mortar chain store Game Stop suddenly
skyrocketed in value when the idea of such stores seemed to be in
trouble thanks to internet sales.
Because
of that, a questionable practice of 'shorting' a stock where big
money people root for failure and bet against profits from a given
company was being done to Game Stop, only for that strategy to
backfire when some young investors from the internet decided to start
investing. They did this in part with a company called Robin Hood,
allowing single investors to buy stocks in a cheap way. The big
companies in the market were not paying attention and the stock took
off and would not die or crash, so people they look down on (the
title refers to single investors, ones they think are clueless and a
source of easy money, which needs a separate essay, of course) which
could make for another film and helped make up Scorsese' Wolf
Of Wall Street.
Part
if this was inspired by a man going under the name of 'Roaring
Kitty'
(the amazing Paul Dano) who starts recommending the stock, sticks
with it and all of the sudden, it goes through the roof. The film
also follows some other key investors and is loosely based on the
real life story that had already had a documentary mini-series made
about it.
With
this story and an amazing cast, this could have been another Social
Network
as a film, but instead, goes for broke in the senseless humor, gross
humor that throws the film off and silliness department, as if it
does not always want to honestly deal with the situation at hand.
The missed opportunities slowly keep piling up as more great actors
and situation turn up and in the end, the 105 minutes we get here are
not utilized anywhere nearly as effectively as they should have been
and an amazing cast is too underutilized for everyone's own good.
That
cast includes Pete Davidson, Vincent D'Onofrio, America Ferrera, Nick
Offerman, Anthony Ramos, Sebastian Stan, Shailene Woodley, Dane
DeHaan, Clancy Brown, Olivia Thurlby and Seth Rogen. Yep, the
casting is that strong, but sadly, the film is not. See it once just
to get the good things out of it, but don't have high expectations,
sadly.
Extras
include:
Diamond
Hand Ensemble
Fat
Cats vs. The Roaring Kitty
Join
the Cast & Discover the Insane True Story!
Deleted
Scenes
and
a Filmmaker Feature Length Audio Commentary Track.
Wellson
Chin's The
Inspector Wears Skirts
(1988) is a Jackie Chan-produced action comedy of sorts with a female
cast of new lady cops (including martial arts legend Cynthia Rockroth
and fellow genre star Wai Yin-hung) proving they can handle the same
killers, thieves, murders and terrorists the guys can. This was
somehow still new and news to the genre despite women on the big and
small screen (think the British spy classic The
Avengers
with Diana Rigg, Honor Blackman and Linda Thorson more than handling
their own and all kinds of tough guys) to Anne Francis in Honey
West
to Charlie's
Angles,
the the Bond films, et al) but it apparently was still shocking and
surprising to some over two decades later.
Besides
now being a time capsule of a Hong Kong cinema that is no more and
the strange contradiction of women in the 1980s being empowered in an
era that was rolling their rights back to where we are today without
them seeming to know it, it is a strange watch ideologically and
culturally, as well as cinematically. Some of the fight and battle
sequences are all out to the film's credit, but it is not as
groundbreaking as it thinks it is, even if the ladies are giving it
their best here. Maybe a female director could have made a bigger
difference, but it was a hit and a sequel followed.
However,
the problem with most martial arts films of any kind at this point,
whether this was needed for the genres survival (I never will buy
that excuse) was just too much humor and humor not balanced out by
anything more palpable, no matter the often excellent stuntwork and
fight choreography. Fans of this film and this era of these films
will love the upgrades here and it is historically important enough
to get such treatment. Now you can see for yourself.
Extras
are again numerous and include a Feature Length Audio Commentary by
film scholar Frank Djeng
Shooting
Her Shot:
An Interview With Cynthia Rothrock
The
Director Wears Pants:
An Interview With Director Wellson Chin
'Top
Squad'
English Opening and Closing Titles
Hong
Kong Trailer
English
Trailer
Stills
Gallery
and
slipcase with brand-new artwork from Sean Longmore (Limited
Edition Exclusive).
The
Looney Tunes Collector's Choice, Vol. 2
(1930 -
1963) picks up where the previous Warner Archive-issued single-disc
set (reviewed with many others, elsewhere on this site) left off.
Featuring a variety of recent or slightly-older HD masters of the
classics included, this set plays a little better quality wise for
whatever reason (it is a random thing) and the actual choices are a
mix of more obscure characters or ones that just did not catch on
with more familiar ones in less typical, more creative situations.
The
animated shorts this time are:
BEHIND
THE MEAT-BALL (1945) Directed by Frank Tashlin
BROTHER
BRAT (1944) Directed by Frank Tashlin; Porky Pig
CATTY
CORNERED (1953) Directed by Friz Freleng; Tweety and Sylvester
CROSS
COUNTRY DETOURS (1940) Directed by Tex Avery
DAFFY'S
SOUTHERN EXPOSURE (1942) Directed by Norm McCabe; Daffy Duck
DING
DOG DADDY (1942) Directed by Friz Freleng
THE
EAGER BEAVER (1946) Directed by Chuck Jones
FAIR
AND WORM-ER (1946) Directed by Chuck Jones
FIN
'N CATTY (1943) Directed by Chuck Jones
FROM
HAND TO MOUSE (1944) Directed by Chuck Jones
GHOST
WANTED (1940) Directed by Chuck Jones
GREETINGS
BAIT (1943) Directed by Friz Freleng; Wacky Worm
HAMATEUR
NIGHT (1939) Directed by Tex Avery; Egghead
HARE-BREADTH
HURRY (1963) Directed by Chuck Jones; Bugs Bunny and Wile E. Coyote
A
HICK A SLICK AND A CHICK (1948) Directed by Arthur Davis
HISS
AND MAKE UP (1948) Directed by Arthur Davis
A
HOUND FOR TROUBLE (1951) Directed by Chuck Jones; Charlie Dog
I
WANNA BE A SAILOR (1937) Directed by Tex Avery
THE
LEGHORN BLOWS AT MIDNIGHT (1950) Directed by Robert McKimson;
Foghorn Leghorn and Henery Hawk aka The Chicken Hawk
LICKETY-SPLAT
(1961) Directed by Chuck Jones and Abe Levitow; Road Runner and Wile
E. Coyote
ONE
MEAT BRAWL (1947) Directed by Robert McKimson; Porky Pig
THE
PENGUIN PARADE (1938) Directed by Tex Avery
RABBIT
RAMPAGE (1955) Directed by Chuck Jones; Bugs Bunny and Elmer Fudd
THE
REBEL WITHOUT CLAWS (1961) Directed by Friz Freleng; Tweety and
Sylvester
THE
WACKY WORM (1941) Directed by Friz Freleng; Wacky Worm
You
do get some gems here including the underrated Charlie Dog, visiting
Italy and driving everyone nuts there in A
Hound For Trouble,
the underrated little Henery Hawk, The Chicken Hawk in The
Leghorn Blows At Midnight
and other surprises that has driven literally hundreds of millions of
fans to watch the shorts since they started running them on TV back
in the 1950s. You never know what surprise you will get and here,
restored recently like these are, visit or revisit some fun ones you
might have forgotten or vaguely remember, but you knew were good.
That is the fun with these sets. It shows us the makers were always
trying something new and taking risks. Yes, some of the cartoon
violence might be shocking by today's 'politically correct'
standards, but people need to get less thin-skinned and be able to
separate cartoon fantasy from real life. It is that aspect at times
that reminds us that people were too busy being adults doing things
with their lives to make such complaints not that long ago.
Either
way, this continues to endure as one of the greatest series of
animated shorts ever made, remaining as remarkable as ever and
outlasting all their competition from all the other studios back in
the day, as remarkable as the shorts were from other studios. I'd
definitely recommend this set and look forward to more installments
in the series.
There
are sadly no extras.
David
Harbour (Stranger
Things,
Hellboy
(2019)) stars as a butt-kicking version of Santa Claus in the
Christmas action / comedy, Violent
Night 4K
(2022), which has got a 4K UHD upgrade from the 1080p Blu-ray
released last year.
The
premise of the R-rated action film is more or less, Die
Hard
meets Santa, and seeing as its from the producers of Nobody
and the John
Wick
series this should come as no surprise. The film is definitely not
for those who like their Christmas movies on the Hallmark side of the
things, and it doesn't hold back from being raunchy, naughty, and
bloody any excuse it can get. The film isn't terrible and has a few
laughs and moments of creativity, but feels a bit mean spirited at
times and predictable. As popcorn munching adult fare for the Bad
Santa
crowd, this is fine.
A
rich family is attacked on Christmas Eve by a vengeful group of
mercenaries that are after their fortune. Coincidentally, an angsty
Santa Claus ends up at the estate and vows to protect a young girl
who is being held hostage.
The
film also stars John Leguizamo, Beverly D'Angelo, Alex Hassell, and
Alexis Louder. The film is directed by Tommy Wirkola, who seems to
circle projects with interesting premises that aren't quite classics
such as Dead
Snow
and Hansel
and Gretel: Witch Hunters.
Special
Features:
Deleted
and extended scenes
Behind
the scenes featurettes
and
an Original Theatrical Trailer.
The
best parts of Violent
Night
were probably seen in the film's trailer (which was said when the
original Home
Alone
was first released), but the premise is pretty brilliant and David
Harbour does a great job here, which makes it worth a watch.
Now
for playback performance. Violent
Night 4K
is presented in 2160p on 4K UHD disc with HDR10, an HEVC / H.265
codec, a widescreen aspect ratio of 2.39:1 and lossless English Dolby
Atmos (Dolby TrueHD 7.1 for older systems; 48kHz, 24-bit sound in
both cases) to match. The image is quite improved from the previous
release with beautiful details in the image and a wider color
spectrum. The regular Violent
Night
Blu-ray is presented in 1080p high definition on Blu-ray disc with an
MPEG-4 AVC codec, a widescreen aspect ratio of 2.39:1 and a lossless,
English DTS-HD Master Audio 7.1 (48kHz, 24-bit) mix and an English
Dolby Digital 2.0 (192kbps) mix on the disc as well.
The
1080p 2.35 X 1 digital High Definition image on Dumb
Money
is not bad throughout for a comedy that is not trying too hard to be
visually impressive, delivering a more stable, less soft and slightly
blurred HD presentation than the many such productions we have seen
in the last few years, which are most of them. The
DTS-HD MA (Master Audio) 5.1 lossless mix is fine for a
dialogue/joke-based film, but it has a consistent soundfield and
overdoes the bass on the Hip Hop songs to the point of distraction,
but the format can handle it.
The
1080p 1.85 X 1 digital High Definition image on Skirts
looks good and stable throughout, one of the better Blu-rays from 88
Films in their cycle of Hong Kong cinema releases, with good color,
detail and depth from a new 2K scan. Maybe they thought it was too
rough for a 4K scan, but it looks fine. The
Cantonese PCM 2.0 Mono lossless mix is as good as this film will ever
sound, but its the weak point of the disc and has the poorest sonics
of any release here. Its just the way it was recorded and mixed,
budget limits or not.
The
1080p 1.33 X 1 black & white and color digital High Definition
image transfers on all the Looney
Tunes
shorts can show the age of the materials used, but these are pretty
much superior a transfer to all previous releases of all of them.
The black and white shorts have nice detail and depth, with clean
Film White and rich Film Black, while the
dye-transfer, three-strip Technicolor classics demonstrate some of
the best use of that classic color format in all of animation history
and even has color to compete with any other color in any animated
film (including CGI films) ever made. It is amazing how they can
hold up and they are not even 4K scans.
The
DTS-HD MA (Master Audio) 2.0 Mono lossless mixes on each short sound
anywhere from older and good to really clear, certainly better than
any lossy Dolby Digital (including the annoying and sometimes really
bad Dolby 1.0 Mono on the earliest DVDs) so some of them sound as
good as they ever will ands a few others could use a little work.
Otherwise, they are decent overall.
To
order
the
Warner Archive Looney
Tunes Collector's Choice, Vol. 2
Blu-ray, go to this link for it and many more great web-exclusive
releases at:
https://www.amazon.com/stores/page/ED270804-095F-449B-9B69-6CEE46A0B2BF?ingress=0&visitId=6171710b-08c8-4829-803d-d8b922581c55&tag=blurayforum-20
-
Nicholas Sheffo and James Lockhart (4K)
https://www.facebook.com/jamesharlandlockhartv/