Aloners
(2020/Film Movement DVD)/Caged!
(1950*)/East Of Eden 4K
(1955/Warner 4K Ultra HD Blu-ray)/Kandahar
(2022/Universal Blu-ray w/DVD)/The
Old Man and The Sea
(1958/*both Warner Archive Blu-ray)
4K
Ultra HD Picture: B+ Picture: C+/B/X/B & C/B Sound:
C/B-/B/B & C+/B- Extras: C/C+/C+/D/C- Films: C/B/B-/C/B-
PLEASE
NOTE:
The Caged!
and Old
Man & The Sea
Blu-rays are now only available from Warner Bros. through their
Warner Archive series and can be ordered from the link below.
A
new group of dramas, including a few classics, so check out...
Hoing
Sung-Eun's Aloners
(2020) is a Korean film that wants to deal with being alienated in a
(any) society with technology that isolates, with Jina (Gong
Seung-yeon) working at a call center that is getting to her
personally. Even when she leaves, she is always on her cell phone
all the time and she keeps feeling more and more isolated. A new
neighbor at home and new trainee at work is now pushing her to the
breaking point.
Though
a few moments that worked reminded me of the Korean classic thriller
301/302
(reviewed elsewhere on this site) and the actors are good, the film
becomes repetitive and predictable more than I had hoped and any of
the troubles anyone has plays more like a self-fulfilling prophecy
than a character study for whatever reason. Thus, this was
disappointing, but anyone seriously interested should still give it a
good look.
Text
notes in the inside from cover of the DVD case, trailers and the
Luisa Martiri/Tanya Modini short film The
Moths Will Eat Them Up
(14 minutes, not bad) are the only extras.
John
Cromwell's Caged!
(1950) is one of the more respectable, famous 'women in prison' films
with Eleanor Parker as the naive innocent who gets arrested,
convicted and sent to the slammer, facing plenty of end-of-the-line
losers and a warden (Agnes Moorehead) who may or may not a help in
the long term.
At
the time, this was considered brutal and realistic (versus the more
censored new invention of television, which few had by then) and
versus any underground films (few if any, usually exploitation) that
were made on the subject. Versus any recent prison films (Shawshank
Redemption)
or hit TV shows (Oz,
Orange
Is the New Black)
you can compare it to, it might not be as realistic, but yet, it has
its brutal moments that hold up and ring true 73+ years and counting.
Hope Emerson received a nomination for Best Supporting Actress from
The Academy for good reason and for all those reasons and more I
cannot give away (no spoilers here) definitely recommend giving the
film a really good look.
Extras
include an Original Theatrical Trailer, Screen Director's
Playhouse hour-long radio drama version of the film from 8/2/51
and the Technicolor Warner Bros Looney Tunes cartoon Big House
Bunny.
Elia
Kazan's East
Of Eden 4K
(1955) is one of only three films James Dean finished before his
way-too-early tragic death and it may not be as epic as Giant
or as immediate as Rebel
Without A Cause,
but it is a very strong adaption of the John Steinbeck book about a
family with money and secrets in a small town with many of them.
Dean
steals the opening scenes and never quits, even in the face of so
much talent around him on screen and behind the camera. This is one
of the early films where method acting broke through to the
mainstream and gives the melodrama more impact. Raymond Massey
(Things
To Come)
is the father whose sense of self is a bit off, while Jo Van Fleet
won a Best Supporting Actress Oscar for playing the local madame who
knows too much. Julie Harris, Burl Ives, Lois Smith and Richard
Davalos are great in their roles and Kazan was able to put it all on
screen.
Now
on Warner 4K Ultra HD Blu-ray, you can really appreciate the film in
this impressive new restoration (the color impresses, see more below)
as issued as part of the studio's centennial. It is enough of a
classic that all serious film fans should see it at least once,
especially in this edition.
Digital
Copy and feature length audio commentary track by Richard Schickel
are the only extras.
Rick
Roman Waugh's Kandahar
(2022) sounds like it might be a thriller, but has little action in
it, which might be a problem somewhat as this very belated entry into
the 'battles against Middle East terrorism' cycle sadly offers just
about everything we have seen before and dozens of times since
9/11/01. Gerard Butler plays a CIA agent who poses as a telephone
repair man (!!!) out to install some spy technology.
Of
course, his cover is blown and (with an Afghan translator) has to
escape or be captured, resulting in some unspeakable things.
Unfortunately, though things like this absolutely happened over
there, there is nothing new here to see and I can see the ambition
was to try more drama than usual, that makes hardly any difference.
The rest of the cast of mostly unknowns is good here and Travis
Fimmel (Vikings)
shows up in a surprisingly good turn, but even he cannot change the
'I've seen this already' nature of two hour romp. For the extremely
curious only!
There
are no extras, unless you count Digital Copy and we will not.
Last
but not least, John Sturges' The
Old Man and The Sea
(1958) has Spencer Tracy as Ernest Hemingway's antagonist, who has
just netted a big prize fish, but will he surviver got be able to get
it back home?
This
is the best-known live-action adaption of the classic book and Tracy
is able to more than hold his own (versus Tom Hanks in a similar film
I was no big fan of, though he is just lost outright) and Tracy
remains one of the great actors of all time. It may sound like a
simple idea that could not sustain a feature film, but it worked in
print and works just fine here. Cheers to Sturges, still one of the
great journeyman directors. Those interested can see this version or
even a later version (see the link below) so judge for yourself.
Extras
include a Behind The Scenes documentary Hemingway: The Legend and
The Sea and an Original Theatrical Trailer. You can also read
about a later TV version from 1990 with Anthony Quinn in the lead
role at this link:
http://www.fulvuedrive-in.com/review/15638/Big+White+(2005/MVD+Blu-ray)/Ernest+Hemingw
Now
for playback performance. The 2160p HEVC/H.265, 2.55 X 1, HDR (10;
Ultra HD Premium)-enhanced Ultra High Definition image on East
Of Eden
is a solid restoration of the original CinemaScope production when
they were in the last year of being wider (permanently becoming 2.35
X 1 a year later to accommodate optical soundtracks) with labwork by
the studio itself in WarnerColor, but release print in 35mm
dye-transfer, three-strip Technicolor from Kodak/Eastman Color
negative (et al). You get some flaws, softness and distortion
typical of this older widescreen format, but you can really see how
good it can look and color is impressive throughout. The original
4-track magnetic stereo sound (with traveling dialogue and sound
effects) has been impressively upgraded to lossless Dolby Atmos 11.1
(Dolby TrueHD 7.1 mixdown for older systems) making all the music,
sound and dialogue as clean and clear as it is ever going to be.
The
result was seeing and hearing the film as clearly as ever and
offering the best possible impact. Yes, some of the audio shows its
age more than others, but I prefer this to previous upgrades of older
multi-channel magnetic stereo films to merely 7.1 or 5.1 if it can be
rendered this well. Fans will be impressed.
The
1080p 1.33 X 1 black and white digital High Definition image transfer
on Caged! can show the age of the materials used in small
parts, but this is far superior a transfer to all previous releases
of the film I have ever seen, clips included. Video Black is solid,
Video White is pretty clean for such a gritty film and Grey Scale is
just fine. The DTS-HD MA (Master
Audio) 2.0 Mono lossless mix is as good as this film will ever sound
with clear dialogue and some good warmth for its age. The
combination is fine and delivers.
The
1080p 2.35 X 1 digital High Definition image transfer on Kandahar
is consistent for a new Hd shoot, but has a tired 'dark-but-sunny'
look all the films on this subject have in the most tired way, though
this one is clearer than most, but the
anamorphically enhanced 2.35 X 1 image on the DVD is very hard to
watch and is only here for a convenience at best. The DTS-HD MA
(Master Audio) 5.1 lossless mix has a consistent soundfield and
delivers a professional sonic presentation, but not much else. The
lossy Dolby Digital 5.1 on the DVD is almost as weak and not so
impressive either.
The
1080p 1.85 X 1 digital High Definition image on Sea is in
color (likely Eastman Kodak 35mm color negative) looks really good
and has been restored pretty well, while the
DTS-HD MA (Master Audio) 2.0 Mono lossless mix is pretty much as good
as this film will ever sound with some good warmth and fullness for
its age. The combination is good.
The
anamorphically enhanced 1.85 X 1 image on Aloners is a decent
digital shoot, probably HD, that is consistent, but can be soft here
and there, partly because of the format. The
lossy Dolby Digital Korean 2.0 Stereo is weaker than I would have
liked, but sometimes passible, so be careful of volume switching and
high playback volumes. The combination is trying, but if you like
it, you'll just about get through it.
To
order Caged!
and/or The
Old Man & The Sea
Blu-rays,
go to this link for them and many more great web-exclusive
releases at:
https://www.amazon.com/stores/page/ED270804-095F-449B-9B69-6CEE46A0B2BF?ingress=0&visitId=6171710b-08c8-4829-803d-d8b922581c55&tag=blurayforum-20
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Nicholas Sheffo